Bowery at Midnight

Bowery at Midnight is one of the many low budget chillers that Bela Lugosi made during the 1940's and is one of the better ones I have seen.

Bela has two roles in this movie, in the daytime he is a college lecturer and at night, he runs a Bowery where dropouts hang out. It's at the Bowery where killings start and he has an assistant who does these killings in the cellar where they revived as zombies. He uses an escaped murder to help him too.

Bowery at Midnight has some of the things you would expect in this type of movie: hidden doorways, secret rooms and a hunchback assistant.

Joining Bela in the cast is Wanda McKay (The Monster Maker) and John Archer (Destination Moon).

This movie is worth watching if you get the chance. Very creepy at times.

Rating: 3 stars out of 5.

Bowery at Midnight is a must see for fans of Bela Lugosi. His "lesser" films are is some ways more interesting than the ones he is best known for, since expectations are low and the Lugosi persona shines through inadequacies in the script etc. His acting is really put to the test here where he essentially has three roles: a kind soup kitchen manager, a professor of psychology and a sinister mass killer who can double cross anyone. All three roles are wonderfully done- a masterful job!!

Bowery at Midnight (1942)

** (out of 4)

Professor Karl Wagner (Bela Lugosi) is a highly respected man who helps run a food kitchen that feeds homeless and poor people. At night he's taking advantage of the same people forcing them to do his illegal crimes including murder. BOWERY AT MIDNIGHT is yet another low-budget quickie from Monogram and while the story itself is pretty lacking, the film remains watchable thanks to a fast pace as well as the performance from Bela Lugosi. It's really a shame that the film doesn't feature a tad bit more life because it could have been something rather good had more time with the story been done. Lugosi is very good in the lead role and it's funny that during the opening credits his name appears twice for playing the two characters. One of the biggest reasons that the film works as well as it does is because Lugosi is very believable as both the good guy and the bad guy. I really liked the way Lugosi played the good professor because he made you believe that this guy couldn't be doing anything wrong. That cheerful glee from the bad guy also comes across flawlessly and especially when he gets to show how cold blooded the character is. Wanda McKay is good in her supporting role as the woman helping Lugosi not knowing exactly what he's up to. The rest of the supporting players fit their roles nicely and certainly help keep the film moving. The biggest problem is that the story just needed a little bit more work to make it something more than just a routine "B" picture.

Bela Lugosi is in fine form playing Karl Wagner, a sweet soul with a soft touch who runs a nightly Bowery mission, spooning out bowls of soup for needy tramps with nowhere to go. When he recognizes a new customer as an escaped safe cracker called "Fingers" Dolan, Wagner kindly escorts the convict to a hidden room and offers him a cigar. During the leisurely smoke, the host confides that he's admired Dolan's work for a long time, and springs a surprise on him: Bela's actually a crime boss, using the mission as a front and looking for someone new to join his racket. By day, Wagner leads a double-life as a professor named Dr. Brenner. When he's not showering his unsuspecting wife with gifts from his nightly escapades he teaches a class on psychology.

The potential is there for this to be as confusing as it sounds, but taken slowly it can be a hoot. An interesting ending, too, makes one suspect it was a possible influence for NIGHT OF THE LIVING DEAD. Simply stated, BOWERY AT MIDNIGHT is one of the best of the poverty row pics made by Monogram studios with Bela Lugosi in the forties. Really more of a crime story with an occasional dash of horror as an added condiment, this is a tasty 62 minutes of absurd fun done on the cheap. **1/2 out of ****

A soup Kitchen serves as a front for various criminal activities run by Bela Lugosi.

As Bela's grade Z movies go this one is pretty good. The plot is complicated enough to keep you wondering what is going on. Of course things get a bit wonky towards the end as all of the people and plot points come crashing together.

Certainly not the worst that Bela turned out in his very up and down career. I don't know if I'd search this out, but late at night if it was on I certainly wouldn't turn it off, unless I needed sleep since it won't put you out.

6 out of 10