Schlacht um Midway

This short piece of film shows parts of, as the title already tells us, of the battle of Midway, and some moments after it. The director is John Ford and what he creates with this short documentary is pure Hollywood war propaganda. There is a storyline that even includes the women at home waiting for the fighters. During some scenes a dialogue between Jane Darwell and the great Henry Fonda is heard on the background.

The images of the battle, shot in color, have historic value and are pretty exciting. The heroic tone is easy to understand, although now it is easy to see past that. Everything, including its Oscar win, seems to be there for propaganda purposes, making the people at home feel good enough about the war that is going on. In the end 'The Battle of Midway' is an interesting little film, but not that much more.

A documentary short, directed by John Ford. Covers the Battle of Midway, one of the most decisive battles of WW2. Taking place near the island of Midway in the central Pacific in June 1942, the battle turned the tide of the Pacific Theatre. Ford uses actual footage from the battle and the aftermath, with narration by Henry Fonda.

During WW2 the US used its mighty film industry to its advantage, producing high-quality news reels. documentaries and propaganda films. For this they enlisted some of the foremost directors of the age: Frank Capra, William Wyler, John Huston, John Sturges and John Ford, among others. Here, John Ford (or should I say, Lt. Commander John Ford, USNR) does his bit.

He does fairly well, capturing some great footage of the battle. It is more the editing and over-the-top, hammy added-on dialogue that weaken the film, and only when viewed with a 21st century lens. Propaganda films never have the same impact when viewed outside of wartime.

The movie went on to win the Best Documentary Oscar in 1943.

John Ford's celebrated 19-minute documentary about America's first major victory of World War Two earned him a shrapnel wound, a Purple Heart and an Oscar. The first 10 is impressive without being that interesting - hard-won battle footage that largely consists of some stuff setting on fire, the camera shaking, the film cutting, then something else setting on fire - though the raising of the flag is a lovely moment, narrator Irving Pichel intoning: "Yes, this really happened". The second half is more obviously Fordian, the elegiac tone reinforced by hymns, slanting shadows and Jane Darwell's frenzied, corny, but effective narration. Audiences wept and fainted during the passage where she urges ambulance-men to rush injured soldiers to a hospital. Ford would make his definitive statement on the war, and the nature of heroism, with 1945's They Were Expendable, but this short is well worth a look.

This Oscar-winning documentary – by one of the most revered American film-makers who would have celebrated his birthday on the day I watched this – is quite celebrated, having even been treated to a 2-page spread in the early 1980s British periodical "The Movies". However, the passage of time has not been at all kind to it: not only, at just 18 minutes, does it not dwell in sufficient detail on the famous conflict that purportedly changed the course of the Pacific War…but the whole is lent the director's typically homespun – read sappy – approach, which really dates it! The film obviously retains historical value for its rare colour footage of the battle (some of which was actually incorporated in the star-studded 1976 Hollywood rendition of these same events, MIDWAY!) and, for the record, Ford regulars Henry Fonda and Jane Darwell supply the intermittent narration.

This is a great, short (less than 20 minutes)film of one part of the key battle of the war in the Pacific. Keep it mind, the Battle of Midway was fought in early June, 1942. The darkest days of the Pacific War for America. Pearl Harbor, the Phillipines, Bataan, Corregidor, Wake Island; all American defeats. It is, indeed, a "propaganda" film. Or, at least it was turned into one after John Ford shot it. But the film of the combat itself is no propaganda piece. It took a lot of courage for Ford to stick his cameras out and film while hundreds of Japanese planes struck the island. Many Marines died in the bombing. Ford could easily have been killed. Of necessity, Ford could only film the land portion of the battle, which was an attempt by Japanese naval forces to reduce the island's defenses and then conduct a landing, possibly eventually putting Hawaii in jeopardy with a new, forward Japanese base on Midway. The major part of the battle was a naval battle between carrier forces. An "incredible victory" in the title of the Walter Lord book. Four Japanese aircraft carriers, miles from the filming on Midway itself, were sunk. It was the begging of the end of Japan. The stiff resistance put up by the Marines on Midway, captured by Ford, forced decisions by the Japanese High Command that ultimately led to the sinking of their carriers. Historically interesting film.