Dick und Doof in geheimer Mission

First things first - this is not a "horror-comedy" as I presumed it would be by the title. I mean, even the opening credits have the name of the film in ghoulish lettering along with the spooky image of a ghost leering down at Stan and Ollie, for crying out loud! But getting past that -- this is one of those oft-despised latter day "Fox films" that the aging team of Laurel and Hardy made after their greatest works at Hal Roach Studios. It's not as "heinous" as most critics make it out to be, but it's not one of their better forties movies either. In this one, the "boys" get released from a stay in jail and are told to leave town. So they meet up with a group of swindling crooks (one of them is played by a very young Elisha Cook Jr.) who need their help in traveling to Dayton, Ohio. The dopey plot is all over the place, but along the way there are some small chuckles to be had (the hitchhiking fiasco, the "Inflato" machine duping) and a few mildly cute slapstick gags. But things sink as the film goes on and "Dante the Magician" takes up too much screen time (he's even top billed along with Laurel and Hardy!) ** out of ****

Laurel and Hardy had been stars for years with Hal Roach Studios. However, by the 1940s, they were considerably older and their contract had expired. Their decision to try out other studios (RKO, MGM and FOX) resulted in a string of, at best, lackluster films. Sure, they made better money, but none of these films comes close to classic status.

As for A-HAUNTING WE WILL GO, it was one of these 1940s films, but at least it wasn't bad--just, unfortunately, made by a studio that had no appreciation for the team at all. The biggest problem about this film is that Stan and Ollie play roles that could have been filled by practically anyone. The usual banter and style you'd expect in a Laurel and Hardy film is strangely absent--something that plagued all their post-Roach productions.

The plot for A-HAUNTING WE WILL GO was quite unexpected. With a title like this, I would have expected a movie about a haunted house or ghosts but these were strangely absent from the film. Instead, it's about Stan and Ollie stumbling into a gang of criminals as well as bumbling into becoming assistants to a magician.

Fortunately, despite being a very odd and unfamiliar style, the script wasn't bad at all--but unfortunately it wasn't all that funny either. While there were a few mildly funny moments, they were all centered around camera tricks and had nothing to do with the boys themselves. It was if funny things were thrown at them instead of allowing them to just be themselves and express their own gentle form of humor. Still, not a bad film--but far from classic Laurel and Hardy. Worth a look for fans of the team and not particularly offensive or daring.

Because of this Laurel and Hardy film's poor reputation, I decided to watch this with Scott MacGillivray's commentary first before seeing it without. With the commentary, I appreciated many of the visual gags like various accidents from Stan's umbrella or the entire rope trick with Stan rising and falling with it depending on Ollie's playing or not of the clarinet. Of note is that Sheila Ryan appears in her second L & H movie a year after her first with the boys, Great Guns. Also, a couple of men who bilk Stan and Ollie on the train, Richard Lane and Robert Emmett Keane, would subsequently appear with them on The Bullfighters (Lane), The Dancing Masters (Keane), and Jitterbugs (Keane). Anyone interested in African-American comics of the '40s will probably want to check this one out to see both Mantan Moreland and Wille Best as waiters on a train though Mantan makes more of an impression here when he laughs at the boys' obviously fake money they thought was real because of the machine they saw Lane and Keane make different dollar bills from that they bought. As a fan of It's a Wonderful Life, it was certainly a treat for me to see Frank Faylen (Ernie the taxi driver) try to throw L & H off the train. While Stan and Ollie do provide plenty of laughs especially in a scene concerning two telephone booths from Dante the Magician that provide some nice double exposure of them, the gangster scenes, with one of them being Elisa Cook, Jr. of The Maltese Falcon, are mostly too serious to suit a Laurel and Hardy flick. That lion segment with them was funny though. Compared to the boys' Hal Roach output, this Fox entry doesn't come close quality-wise but A-Haunting We Will Go shouldn't be considered bottom-of-the barrel either. P.S. One of the children that was admiring Dante on the train was Terry Moore, who later became the leading lady on Mighty Joe Young.

This is one of laurel and hardy's most underappreciated films. The scene where Stan climbs a rope in a magic trick is one of the funniest things i have ever seen. There are some great lines too - "Let's go to Florida. I'm dying for an orange". Priceless.

Laurel and Hardy agree to transport a coffin containing a corpse. But after it becomes mixed up with a stage magician's coffin, Stan and Ollie end up as magician's assistants and find themselves entangled with gangsters who were smuggling one of their number in the coffin.

This is often unfairly dismissed as a turkey. It isn't one of L & H's greatest films, but it contains plenty of memorable points including a hilarious Indian rope trick as well as the duo being fooled into buying a 'money-making machine', Ollie hiding in a box which turns out to be a stage prop used in the 'death of 1000 cuts' trick. Dante the magician is an interesting character, the plot is well-written and there are some imaginate sets.

As I said, it's not one of L & H's best, but it's still a classic and certainly more than worth watching.

8 out of 10