Zis Boom Bah

This feels very stilted and patronizing to a great extent. The whole plot is extremely forced - especially the "gallant" effort to save the college from ruin, and the moralistic overtone (especially by the leading lady) grates a bit.

But there are one or two comic moments that do help relieve the boredom, and the dancing is quite fun (especially for alleged amateurs - ha, ha!)

The shop proprietor and the young guy doing spectacular tap dancing were particular highlights. And I liked Peter Hayes impressions of Charles Laughton and Ronald Coleman as well.

A typical 1941 movie. Plenty of uniforms showing what is coming. Some good talent that you never heard of. More enjoyable than a Rooney/Garland let's put on a show movie. Just showed on UK Talking Pictures channel.

Behind the jumpin' title this rather subdued Monogram programme-filler resembles 'Stella Dallas' for the first two thirds with the twist that mom is an opera singer in elegant kid gloves and the initially unacknowledged son is a honky tonk entertainer (whose repertoire includes 'hilarious' impressions of Charles Laughton & Ronald Colman).

The funky stuff (including Huntz Hall in drag) eventually takes centre stage for the rousing finale in which (SPOILER COMING:) Peter Lind Hayes and his real-life wife Mary Healey (the two of them best-known for 'The 5,000 Fingers of Dr. T') join each other before an ecstatic audience while tears well up in Hayes' real-life mother Grace Hayes' eyes. The End.

The main portion of this lightweight musical story is located at fictional Midwick College, which Peter Kendricks (Peter Lind Hayes) attends due to the largesse of stage actress Grace Hayes, his real-life mother who fills the same role here, and who manages to supply his love interest through her secretary Mary (Healy) who is his real-life wife. Drably directed from a weak script, and additionally hampered by excessive cutting and poor editing, this film does provide some treasures among its eight songs, including the title number, and has nice turns by soprano Healy, Benny Rubin as a snack shop proprietor, and the dynamic tap dancing Roland Dupree.

It is a shame that some of the critics of these films fail to take into account the time period when they were made. It seems they try to evaluate them according to the skills and talent of the 2007 era. I find this movie very entertaining, and for the time when made quite appropriate. I went to the movies back in those days and yelled and laughed just as much as the rest of the audience, never once trying to find something wrong with the acting or screenplay. Take for instance the fact that the singing was fully understandable and made sense, as compared to much of the music today with repetitious unintelligible singing by mostly non well trained singers. Of course this is my opinion. As to the tap dancing, I do not remember seeing any of that skill lately.