Füge eine Handlung in deiner Sprache hinzuAn entertainer in Rio impersonates a wealthy aristocrat. After the aristocrat's wife asks him to carry the impersonation further, complications ensue.An entertainer in Rio impersonates a wealthy aristocrat. After the aristocrat's wife asks him to carry the impersonation further, complications ensue.An entertainer in Rio impersonates a wealthy aristocrat. After the aristocrat's wife asks him to carry the impersonation further, complications ensue.
- Auszeichnungen
- 3 wins total
- Alfonso
- (as Edward Conrad)
- Specialty Trio
- (as Flores Brothers)
- Butler
- (Gelöschte Szenen)
- Model
- (Nicht genannt)
- Model
- (Nicht genannt)
Empfohlene Bewertungen
A comical 1940's film this is, also starring the one and only Carmen Miranda, who plays Larry's hot-tempered girlfriend, Carmen, who of course is also a singer at the club where Larry performs.
What I love about the old films from the 1940's is the old fashion Hollywood glamour with the fancy dresses and evening gowns, etc., and not to mention, the fine jewelry the women wear (i.e. the baronesses anniversary gift from her husband). But it's a far cry from what you see today: Lack of long term kissing, sex, violence, and of course, swearing. Lots of music and ditsy characters.
I found "That Night In Rio" quite delightful when I watched it on AMC. It was bubbly with a lot of really lighthearted music and comedy, and sophisticated fashions worn by Carmen Miranda and Alice Faye. I got a kick out of Carmen's hot-tempered character, who kept on throwing her shoes at Larry when he made her angry. Not to mention, Don Ameche was a brilliant actor who could play two different characters quite well, and can compare each of them onscreen. :)
Good film...enjoyable for anyone who likes old movies! :)
This is a bit of a mad farce...but it's story, actors and romance really hold it together and in the end brought me pleasure and take this from a watch and delete to a fun must see. The story involves the Baron and his two business partners seeing Larry's impersonation of the Barron and coming up with the inspired idea to have him impersonate the Barron for real as he desperately tries to save his airline business. Inadvertently, Larry ends up providing more that one kind of help to the Barron and everything ends as it should.
This is a wonderful feel good movie that was a bit of a surprise to me. Initially, I wasn't sure that I was going to enjoy this film but the romantic storyline really won me over. I recommend this to all those romantics out there like me and to classic film fans this is a colorful and real look at a time period when Americans and Hollywood had an interest in the "exotic" or Latin. Oh! And did I mention it also has S. Z. Sakall?
That's the gist of this story, but much of the film is filled with song and dance numbers, with Alice Faye, Carmen Miranda, and Ameche singing. Miranda's numbers often include short but elaborate choreographed routines with several dancers in costume. The comedy occurs on two fronts, but there isn't much of it. The first is in the lover's feuding between Ameche's Larry Martin and Carmen. The second is in Ameche's substitute role as the baron, with Alice Faye, the Baroness Cecilia Duarte, and a business rival of the baron's, Machado (played by J. Carrol Naish).
This may be a familiar theme to movie buffs - it was in "Folies Bergere de Paris" of 1935 with Maurice Chevalier and Merle Oberon, "On the Riviera" of 1951 with Danny Kaye and Gene Tierney, and "Let's Make Love" of 1960 with Yves Montand and Marilyn Monroe. The plot is essentially identical for all of these films but the last. And, the original was the best one going into 1951 when "On the Riviera" was made. That is by far and away the best of all of these. It received two Academy Award nominations, and Danny Kaye won the best actor Golden Globe for his performance.
While this film can't hold a candle to either the 1935 or 1951 versions, it is entertaining. Those who especially like the beat and rhythm of South American music should enjoy this film. That overpowers the comedy and takes up much of the story.
Here's the best line in this film. Arthur Penna (S. Z. Sakall) is watching Larry Martin as he's impersonating the baron with the baron's wife, played by Alice Faye. Penna says to Felicio (played by Curt Bois), "It's hard to tell when he leaves off and she begins."
This is a cute story, nothing new about it, but it is done in an amusing way. At one point, the Baron returns from his trip early, and the two Barons are in a room at the same time. They keep switching back and forth while talking to a businessman. The businessman, convinced someone else is in the room after hearing noises behind a screen and seeing the screen move, decides to continue the conversation in French. The actor, of course, can't speak it, so has to say oui, oui throughout. It's very funny. Also, the businessman searches behind the screen - the actor walks from behind the screen and into the room while the Baron goes the opposite way meets the businessman behind the screen and says, "See?" indicating there is no one there.
The cast is the typical Fox musical cast - by 1941, Tyrone Power was no longer doing musicals, so it's Ameche, Faye, and Carmen Miranda. Miranda is very funny and outlandishly dressed as usual; Faye sings well and looks lovely, although she seems stuffed into a gold gown.
There is plenty of music - in fact, the whole beginning is one number after another. Miranda sings a couple of her standards: "I, Yi, Yi, Yi, Yi (I Like You Very Much)," and "Chica Chica Boom Chic." Ameche and Faye sing "Boa Noite" and "They Met in Rio" - and there are plenty of production numbers.
Wonderfully entertaining.
Wusstest du schon
- WissenswertesDon Ameche considered this his favorite screen role.
- Zitate
Baroness: [Larry has made a plan with the baroness to help her get even with her husband. Larry meets the baron in the hall, where he explains to the baron what his wife intended to do. Larry leaves, and the baron enters the room, where the baroness mistakes him for look-alike Larry] Oh, hurry! Hurry, I just saw his car in the driveway. Now, get ready. I expect him to come in any minute. He didn't see you, did he? Oh. A little closer, huh? No, no. Maybe you'd better take me in your arms. Oh, I'll show him! I'll give him the most unhappy moment of his life. I will.
[the baron kisses her passionately]
Baroness: Mmm! No! Not now, and not so violently! Wait until he comes in the room!
[the baron picks her up, bridal style, and carries her out of the room and up the stairs]
Baroness: Ohh! You can't do this to me! Stop! Put me down! Ohh, my husband will kill you for this! Manuel! Oh, Manuel! Stop! Ohh, leave me alone! Put me down! Manuel! Manuel! Ohh!
- VerbindungenEdited into Myra Breckinridge - Mann oder Frau? (1970)
- SoundtracksChica Chica Boom Chic
(uncredited)
Music by Harry Warren
Lyrics by Mack Gordon
Portuguese Lyrics by Pedro Berrios
Sung by Don Ameche and Carmen Miranda
Copyright 1941
Top-Auswahl
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Details
- Laufzeit
- 1 Std. 31 Min.(91 min)
- Seitenverhältnis
- 1.37 : 1