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A mild romantic comedy that's atypical of Lubitsch. Merle Oberon looks gorgeous. Her clothes are sensational. Melvyn Douglas is not credible as her crass insurance-executive husband. This is the man who taught Garbo to laugh in the same director's "Ninotcha" and was generally suave and somewhat iconoclastic. As the movie proceeds, he settles into a trick-playing husband not quite consistent with the man who've first met.

Burgess Meredith is sort of wasted as the annoying pianist Oberon meets in a psychiatrist's waiting room. (Alan Mowbry is hilariously dry as the analyst. And in some ways, this is a comment on psychoanalysis.) The Meredith character is the most interest. It is a very convincing study in absolute narcissism. He may be accomplished, indeed; but whether he is or not, he is his own greatest fan and protector.

There are swipes at modern art as well as those at analysis. In some ways, it's a little retrograde.

But it's beautifully shot and the design is fabulous. This is the New York City we'd all love to live in. And Oberon looks ravishing. Her performance is convincingly comic, too, though she is so match for Eve Arden in an all too small role.

Luke warm comedy of manners. The storyline's done with style, but needed verve gives way to too much talk. The results are more sophistication than set-ups, more occasional chuckles than laughs.

Larry (Douglas) is a married insurance executive. Trouble is he's neglecting wife Jill (Oberon) who's having hiccup bouts, probably because his main communication is poking her playfully in the stomach. So she takes up with squirrelly Sebastian (Meredith) who's an egotistical man of the arts. Now Larry's unhappy with the results, but what's he to do.

Oberon and Douglas both low-key their parts. Add that to a talky script and we get some good lines and situations, but mild results overall. Looks like Meredith's sour artiste was intended to supply needed verve. However, his character is too obnoxious to generate much comedy. Too bad, as other reviewers point out, that Eve Arden's comedic potential goes untapped. Some caustic exchanges between her and Meredith would have livened things up. However, two comedic set-ups do stand out: the office scene where divorce plans keep misfiring, plus the climax where Larry pretends to have a girl in his bedroom to make Jill jealous. In fact, that last scene has the vivacious earmarks of a better total comedy than what we have otherwise.

Anyway, it's New York sophistication done Lubitsch style, even if second rank.

Merle Oberon and Melvyn Douglas deal with "That Uncertain Feeling," a 1941 Ernst Lubitsch film based on a Sardou play. It's actually a remake of a silent Lubitsch, "Kiss Me Again." The film also stars Burgess Meredith and Eve Arden.

Jill Baker (Oberon) is married to a successful businessman, Larry Baker (Douglas), but after six years, the bloom is off the rose. She goes to a psychiatrist, where, in the waiting room, she meets an opinionated pianist, Alexander Sebastian (Meredith), who introduces her to the world of art and music. She becomes fascinated with the world of culture and with him. Before you know it, Oberon and Douglas are divorcing, and Oberon and Meredith become engaged.

The best scene occurs in the divorce attorney's office, when the secretary, Sally (Eve Arden) is asked to take a letter. In reality, she's supposed to witness Larry slapping Jill to help them get their divorce.

There are some nice things in this film, including the bright performances of the leads, particularly the beautiful Oberon, whose presence shone in many a film.

All in all, a disappointing Lubitsch, but Oberon's charm is quite special and always worth seeing.

There's a lot of talent here: Merle Oberon, Melvyn Douglas, Burgess Meredith, Ernst Lubitsch. Where the talent was lacking was in the script. It just isn't very clever. Everyone tries their best - it was a potentially great role for Meredith - but they can only do so much with a dull script. So, while there are occasional funny moments here, the movie as a whole is pretty much a dud.

More's the shame, since, as I said, there was so much talent here.

Suffering from hiccups and insomnia, beautiful Manhattan socialite Merle Oberon (as Jill) feels neglected by successful insurance peddling husband Melvyn Douglas (as Larry Baker). While seeing psychoanalyst Alan Mowbray (as Vengard), Ms. Oberon meets fellow patient Burgess Meredith (as Alexander Sebastian), a troubled pianist. As Oberon and Mr. Meredith grow closer, Mr. Douglas tries "reverse psychology" to win back his wife. Meanwhile, secretary Eve Arden (as Sally Aikens) may move in on Douglas.

This lesser Ernst Lubitsch offering was a re-make of the director's silent "Kiss Me Again" (1925), which made the critically polled "Film Daily" and "Motion Picture" magazine's annual year's best lists. Unfortunately, the original is presently a "lost" film. "That Uncertain Feeling" was a letdown after "Ninotchka" (1939) and "The Shop Around the Corner" (1940). But, it's definitely not awful. Douglas is in good form, particularly during the last act. Oberon wears some sexy outfits, especially during the early running.

****** That Uncertain Feeling (4/17/41) Ernst Lubitsch ~ Merle Oberon, Melvyn Douglas, Burgess Meredith, Eve Arden