Tanks a Million

This film essentially begins with a young man by the name of "Dorian 'Dodo' Doubleday" (William Tracy) being drafted by the United States Army and reporting for duty at his basic training site with several other fellow draftees not long afterward. It is then revealed that Private Doubleday has a photographic memory and, as a result, knows the Army regulations better than anyone. This includes the non-commissioned officer named "Sergeant Williams Ames" (Joe Sawyer) who has been tasked to train the new soldiers. Needless to say, this embarrasses Sergeant Ames who immediately decides to put him in his place. Unfortunately for Sergeant Ames, however, the officers appointed over him are quite impressed with Private Doubleday--so much so that they immediately send the young private to a non-commissioned officer course a few buildings away. To everyone's surprise, when he returns a short time later, he is now wearing the rank of First Sergeant. Absolutely enraged by this, Sergeant Ames begins to do everything he can think of to humiliate the young man. The problem, however, is that everything he tries backfires in a spectacular manner. Now, rather than reveal any more, I will just say that this film turned out much better than I initially expected due in large part to the unique solutions Dorian Doubleday used to extricate himself from one highly unlikely situation after another. Everything was totally absurd--but quite humorous at the same time. And although this is a rather short comedy, I still found it to be quite enjoyable, and I have rated it accordingly. Slightly above average.

Starting in the late 1930s, Hal Roach Studios began making less and less one and two-reel shorts (such as those of Laurel and Hardy, the Little Rascals and Charley Chase) and began making short feature-length films (about 60 minutes each). This seemed to be what the public wanted, so Roach made some changes. Additionally, his old money-makers (Laurel and Hardy) went independent--working for Fox and other studios (in hindsight, NOT a good decision by the boys). So, Roach started trying to develop new talent, such as his TOPPER films and a variety of cute comedies (such as NAZTY NUISANCE and TURNABOUT). In addition, he made a short series of WWII army films about Sergeant Doubleday (starring William Tracy) and this film, TANKS A MILLION, was the first.

Before I began watching it, I thought the film had two strikes against it, so I expect it to be at best a "time passer". First, like all these Roach films, it had a small budget and secondly, I haven't yet been very impressed by ANY of these later Roach films (in general, the humor seems VERY broad and the situations VERY contrived). So, with these very low expectations, I was hard to impress. Amazingly enough, I actually was quite charmed by this little sleeper. The character of Doubleday was a very likable guy and the situations he got himself into were often hilarious. In fact, compared to other similar products of the day from other studios, this one was better than Abbott and Costello's BUCK PRIVATES (from Universal) and at least as good as Bob Hope's CAUGHT IN THE DRAFT (from Paramount).

So why did I like it? Well, part of it was Tracy and his character. He was silly and very difficult to believe, but he was also so likable and nice that I really bought into the character. Plus, his nemesis, Sgt. Ames was a great foil and watching Ames try again and again and again to catch Doubleday messing up was great--especially when again and again his sneakiness blew up in his face!! Additionally, James Gleason was a very welcome addition as the Colonel. While far from my favorite character actor, in this film, he was perfect.

The film was a great blend of comedy, WWII propaganda meant to support the war effort and entertainment. While not the funniest film of the era, it is among the best and had me wanting more. Unfortunately, one of the follow-up films in the series (ABOUT FACE) was a severe let-down. I certainly hope that HAY FOOT (1942) and the other Doubleday films (made both during WWII and the Korean War) were better.

The movie starts with Bill Tracy as Dodo Doubleday, proving his incredible memory on a radio talk show. He joins the army after memorizing the regulations, which gets him quickly promoted to sergeant. His youth and inexperience bothers the other NCO's, namely Sgt. Ames (Joe Sawyer), who spends the movie trying to get Doubleday in trouble. But because of is inherent honesty and cleverness, Doubleday is able to bumble through the requisite series of mishaps and inspire loyalty in what looked to be a renegade unit. It's a fun film with good gags and good jokes, and my hat is off to James Gleason for his role as Col. Barkley.

Did I mention the series of mishaps? Or the girl (Elyse Knox)? For 50 minutes, TANKS A MILLION is an good dose of period comedy which holds up very well.

This cute little pre-war comedy is typical fare for the era. Some nice performances make it a nice little catch for fans of immediate pre-war and wartime comedies. I found it by seeing it on James Gleason's filmography. The fine old character actor turns in one of his better performances as Col. "Spitfire" Barkley. Gleason would later gain notoriety for playing William Bendix's father-in-law in the movie version of Life of Riley and for supporting roles in films such as The Night of the Hunter.

I wasn't familiar with William Tracy, but he impressed me as the lead, "Dodo" Doubleday, a railroad information specialist, turned solider, with a photographic memory and a naïve inability to discern when his knowledge isn't wanted. Joe Sawyer is also amusing as the befuddled Sergeant Ames.

Tanks A Million was surprisingly nominated for an Oscar – for best musical score. I wouldn't have expected it to be nominated for any – although Gleason conceivably could have been in the running for best supporting actor in a comedy. Still, for clean, good old-fashioned fun, this is still a nice little movie.

Despite quite an impressive feat of memory on the radio, "Dodo" (William Tracy) looks every inch the hapless type when he joins the US Army, and the already accident-prone "Sgt. Ames" (Joe Sawyer) has his eyes on him for some fun. Before he gets the chance, though, this fella manages to impress one of the officers with his astonishingly precise knowledge of the military code and is soon given three stripes and command of a disparate platoon who have little interest in following his orders. This has to be manna from heaven for his new nemesis, especially when the Major (William Gould) catches the squad barefoot on parade. "Dodo" is quick-witted, though, and concocts the first of many responses that save his bacon, and ultimately, that of his squaddies too. It is a bit of a one-joke film at the start, and is probably quarter of an hour too long, but there is quite a fun dynamic between Tracy and both Sawyer and James Gleason who appears towards the end as their colonel, with a slightly more cerebral series of slapstick army humour than I was expecting. It is cheap and cheerful comedy fodder that you are unlikely to ever remember, but it's enjoyable enough.