Verdacht

Despite a flawed ending (imposed we're told, by nervous studio executives) 'Suspicion' is a terrific thriller. It may not be Hitchcock's best movie but it is one of his most entertaining. Cary Grant is perfectly cast as Johnnie Aysgarth, a charming rogue. This was the first of four movies he made with Hitchcock, but it's the performance I enjoy the most. Joan Fontaine, star of Hitchcock's previous movie 'Rebecca', is wonderful as Lina ("monkeyface") the woman he woos. The two make a great couple, and their acting really makes this one believable. Well loved character actor Nigel Bruce (who had also appeared in 'Rebecca', but is best known to most of us as Dr. Watson in the Basil Rathbone Sherlock Holmes movies) is also brilliant as Johnnie's old pal "Beaky". The rest of the cast includes Sir Cedric Hardwicke ('Rope') and Leo G. Carroll (six Hitchcocks in all). 'Suspicion' is a real treat for mystery/thriller fans. I wonder just how many contemporary movies in this style will be as enjoyable in sixty plus years?

I watched this film last night, not knowing what to expect. Hitchcock is my favourite director, yet Suspicion is not treated among his best work. My conclusion from watching the film is that it is very good, but it is not perfect, and not Hitchcock's best. What let it down? Well, a lot of reviews have said so already, but the ending. For me it was abrupt and felt tacked on and somewhat implausible. Then again, StageFright and the Birds both had somewhat abrupt endings. And I know it isn't the fastest paced of his movies, but Torn Curtain's pacing was disappointingly pedestrian. However, Suspicion has a lot to recommend it. The acting is uniformly excellent, with Cary Grant charming and sometimes chilling as the man suspected of trying to murder his wife, and Joan Fontaine, looking gorgeous as ever even better as Lina giving a performance of edge and vulnerability. Out of the supporting performances, Nigel Bruce is simply terrific as Beaky, Leo G Caroll while in a brief role is memorable as the Captain and Cedric Hardwicke who played Frollo in the 1939 film The Hunchback of Notre Dame so memorably is great as the General. The direction is superb, tense when it needs to be and gentle in others and also filled with the fashionable touches that make his very best films great. The film is shot in a very sumptuous visual style, with beautiful black and white cinematography and lovely costumes and sets. The score from Franz Waxman is simply marvellous; the scoring in the scene when Lina writes the letter is enough to give you goosebumps. All in all, not Hitchock's best, but very good all the same. 9/10 Bethany Cox

Cary Grant plays a real creep in this film, a guy who sponges off others and who is allergic to telling the truth. He marries a "spinster" (Joan Fontaine, uh...), the daughter of a wealthy man, but seems to have darker ambitions than simple gold digging. Hitchcock is masterful in building up our dislike of Grant's character over the film, and despite it being a quiet kind of film, he maximizes suspense in several scenes. I loved the little touches like the dinner party with the murder mystery author and her family, and the affable friend "Beaky" played by Nigel Bruce. Unfortunately the ending is just awful, which is a real shame since there were several other possibilities. Half a tick off for that, and frankly the deduction could have been more.

Favorite lines: Johnny (Grant): What do you think of me by contrast to your horse? Lina (Fontaine): If I ever got the bit between your teeth, I'd have no trouble in handling you at all.

And as a side note, never marry a man who:

• Sneaks into first-class and when caught, mooches off you (a stranger) to pay for him
• Constantly calls you monkeyface
• Touches your ucipital mapilary (I confess I just wanted to say "ucipital mapillary")
• Brags about having been with 73+ women
• You don't know diddly about, e.g. what his plans for making a living are
• Practically chokes on the idea of getting a job, and wants to borrow from others instead
• You catch lying to you more than once
• Sells your prized possessions to go gambling (I mean those family heirloom chairs, c'mon)
• Humiliates you in condescending ways with his buddy
• Has an excessive interest in your father's wealth
• Also has an excessive interest in non-traceable poisons

...even if he is Cary Grant.

Hitchcock's 'Suspicion' starts off as a slow moving silly romantic comedy before switching to a thriller. Hitchcock's style of narrating the story as the events unfold is brilliant as usual. Cary Grant turns on the charm button but it is Joan Fontaine who steals the show. Lina's increasing suspicion, confusion and despair as she discovers Johnnie's deadly secrets are skillfully displayed. Hitchcock maintains the element of suspense and increasing tension very well. However, it is the ending that is a let down and the only reason I can think of why such a closing was chosen was to fulfill the Hollywood 'happy ending' standard. 'Suspicion' could have been an excellent dark thriller had the ending been more plausible and made sense of all the preceding events. Yet, it remains a good job mostly because of the crafted way Hitchcock builds tension throughout the movie.

The strangest of coincidences haunt newly-wed Joan Fontaine (Oscar-winning) in this sleight of hand from Alfred Hitchcock. She starts to believe that husband Cary Grant may be too good to be true. It appears that he may be a heartless murderer who may be targeting her as his next victim. Hitchcock, the undisputed master of suspense, does not let the audience off easy here. The film's twists and turns will keep you glued until the stunning final act. Not without flaws, but still another winner from Hitchcock. 4.5 out of 5 stars.