IMDb-BEWERTUNG
7,1/10
676
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuElderly schoolteacher Nora Trinell, waiting to meet presidential nominee Dewey Roberts, recalls him as her student back in 1916 and his relation to Dan Hopkins, the man she married and lost.Elderly schoolteacher Nora Trinell, waiting to meet presidential nominee Dewey Roberts, recalls him as her student back in 1916 and his relation to Dan Hopkins, the man she married and lost.Elderly schoolteacher Nora Trinell, waiting to meet presidential nominee Dewey Roberts, recalls him as her student back in 1916 and his relation to Dan Hopkins, the man she married and lost.
- Auszeichnungen
- 1 wins total
Shepperd Strudwick
- Dewey Roberts
- (as John Sheppard)
Ann E. Todd
- Kate Hill
- (as Ann Todd)
Empfohlene Bewertungen
This is a very nice little movie that showed Claudette Colbert and John Payne to great advantage as two young teachers who, in 1916, meet in a small mid-western town, teaching at a high school. They fall in love, and we watch the romance blossom into a marriage - the entire effect helped by the nostalgia of a by-gone, simpler era. Parallelling the story we have the story of a young boy that goes to the school and is taught by both Colbert and Payne.
The film is set up with it's heart (the romance) surrounded by a more recent story set in 1940, at the Republican Presidential Convention (a fictional version of the convention). Colbert is there to see the young boy student, who has now grown up. It is not until the film ends that we understand who she is visiting with. And it is not until the conclusion of the film that we get the bittersweet portion of the romance.
The film is very simple, and it's final element for success is that Payne and Colbert had terrific chemistry together. Ironically enough it would be their only film together (one wishes they had done a second film but that was not in the cards for some reason). Also ironically, it's total success should be compared with the comparative failure of TOMORROW IS FOREVER, wherein Orson Welles and Colbert both perform their roles well (in characters very like Payne's and Colbert's here) but lack the spark to make that trickier story more believable.
The film is set up with it's heart (the romance) surrounded by a more recent story set in 1940, at the Republican Presidential Convention (a fictional version of the convention). Colbert is there to see the young boy student, who has now grown up. It is not until the film ends that we understand who she is visiting with. And it is not until the conclusion of the film that we get the bittersweet portion of the romance.
The film is very simple, and it's final element for success is that Payne and Colbert had terrific chemistry together. Ironically enough it would be their only film together (one wishes they had done a second film but that was not in the cards for some reason). Also ironically, it's total success should be compared with the comparative failure of TOMORROW IS FOREVER, wherein Orson Welles and Colbert both perform their roles well (in characters very like Payne's and Colbert's here) but lack the spark to make that trickier story more believable.
Claudette Colbert was always good no matter what kind of part she had to play, but although never funny she was always the perfect comedienne. Here she displays quite a different sort of character, and the moment she appears on the screen you are touched by her sincere melancholy. She plays a teacher, she has been a teacher all her life, she is about 60 when the film begins, and as she has to wait for the arrival of the public person she has come to catch a glimpse of, she recalls the days before the First World War (1916) when she found her husband, a colleague among the teachers at her school. She had very good relationships with her pupils, and one of them stuck out in particular, who actually became jealous of her becoming husband and almost became a rival of his in sending valentines. The film tells the story of these two lovers of hers, one her husband who never came back from the war (John Payne, very similar to James Stewart here,) and the boy, who eventually grew up to become a presidential candidate. The film is very sweet and warm, it's a heart-warming picture, it is well made with good music by Alfred Newman and well up to the best American standard of the time, and anyone could enjoy it for its genuine humanity bordering on sentimentality but never falling out of character. This kind of lovable Hollywood pictures were typical at the time, while the flair for this Hollywood sweetness got hopelessly lost by the war that broke out the year this film was made, 1941.
I've been trying to remember the name of this movie
for 30-40- years ,,, and found it tonight ! I've looked before but couldn't find it ..
i remember watching this on TV in the 50's and loved it and always thought about it .. the ending..was to me ..one of the Great movie endings..
the theme of " loyalty' ... is what always stuck with me .... and the people we've met in our life ...who we never forget...
thank you IMDb!!
for 30-40- years ,,, and found it tonight ! I've looked before but couldn't find it ..
i remember watching this on TV in the 50's and loved it and always thought about it .. the ending..was to me ..one of the Great movie endings..
the theme of " loyalty' ... is what always stuck with me .... and the people we've met in our life ...who we never forget...
thank you IMDb!!
In the vein of CHEERS FOR MISS BISHOP, GOODBYE, MR. CHIPS and GOOD MORNING, MISS DOVE, Fox gave CLAUDETTE COLBERT and JOHN PAYNE a chance to show what they could do in another sentimental tale about the passage of time in a schoolmarm's life and her effect on faculty and students, as well as her remembrance of a lost love.
The good thing about REMEMBER THE DAY is it doesn't wallow in cheap sentiment the way some of the sudsers mentioned above had a tendency to do. Nor is it quite as cheerless. Instead, the script is bright and pleasant for most of the time, giving Claudette and John Payne a chance to create likable characters.
Like so many '40s romances, it's told in flashback as Claudette recalls her romance with football coach Payne at a school where both of them are teachers who never met before. Both have a natural charm that really comes across here with Claudette being the sort of dream teacher everyone should have--warm and thoughtful. And little DOUGLAS CROFT is excellent as her most promising student.
Of course, true love never does run smooth in these sort of things and soon a hint of scandal puts a damper on the Colbert/Payne romance when their moral conduct leads the school president to believe they spent the summer together violating school rules. Colbert rejects Payne's proposal of marriage at first, but later they do wed and he goes off to war.
ANNE REVERE is excellent as a prim and proper spinsterish teacher who misunderstands gossip about Colbert's romance. The period flavor is nicely captured but Alfred Newman's overly busy background score is a bit too schmaltzy for comfort, with old time songs constantly playing away in the background
With Payne joining the service (the Royal Canadian engineers), you know something has to happen to make it an ill-fated romance. Fortunately, the lighter side of the romance keeps the picture from falling into the bathos of many a tear-jerker, saving it from the fate of a film like CHEERS FOR MISS BISHOP.
Summing up: Well wrought sentiment nicely directed by Henry Koster with Colbert at her charming best and Payne as a promising newcomer.
The good thing about REMEMBER THE DAY is it doesn't wallow in cheap sentiment the way some of the sudsers mentioned above had a tendency to do. Nor is it quite as cheerless. Instead, the script is bright and pleasant for most of the time, giving Claudette and John Payne a chance to create likable characters.
Like so many '40s romances, it's told in flashback as Claudette recalls her romance with football coach Payne at a school where both of them are teachers who never met before. Both have a natural charm that really comes across here with Claudette being the sort of dream teacher everyone should have--warm and thoughtful. And little DOUGLAS CROFT is excellent as her most promising student.
Of course, true love never does run smooth in these sort of things and soon a hint of scandal puts a damper on the Colbert/Payne romance when their moral conduct leads the school president to believe they spent the summer together violating school rules. Colbert rejects Payne's proposal of marriage at first, but later they do wed and he goes off to war.
ANNE REVERE is excellent as a prim and proper spinsterish teacher who misunderstands gossip about Colbert's romance. The period flavor is nicely captured but Alfred Newman's overly busy background score is a bit too schmaltzy for comfort, with old time songs constantly playing away in the background
With Payne joining the service (the Royal Canadian engineers), you know something has to happen to make it an ill-fated romance. Fortunately, the lighter side of the romance keeps the picture from falling into the bathos of many a tear-jerker, saving it from the fate of a film like CHEERS FOR MISS BISHOP.
Summing up: Well wrought sentiment nicely directed by Henry Koster with Colbert at her charming best and Payne as a promising newcomer.
A marvelous film in the genre of Miss Dove, Mr. Chips and every wonderful teacher you ever had.
The role was just perfect for Claudette Colbert. She really worked magic with co-star John Payne.
This picture really offers Americana circa 1916 in Indiana. The embodiment of the school structure at that time is so well done. The obedient student, the prim and proper schoolteachers who dedicated their lives to teaching and nothing else.
Nora Trinell (Colbert) is a dedicated, wonderful teacher but she goes against what society thought of as a role for teachers when she finds love with Payne.
The "crisis" that leads to his dismissal and his ultimate redemption on the part of the principal is beautifully done here.
For me, the picture was so good because Trinell reminded me of my grade 5 teacher who inspired me in the field of social sciences.
Colbert, as the teacher who found love and tragically lost it, has one of her best film roles here. A caring person to her students, especially Dewey, she certainly tells the truth when she says that each year a teacher finds a student who she can really love as her own. Those words will forever stay with me.
As the typical spinster teacher, Anne Revere, was wonderful. Prone to be a gossip, she embodied what society thought was the role of a teacher in this period.
The ending will tug at your heart. Nostalgic and so wonderfully realized.
The role was just perfect for Claudette Colbert. She really worked magic with co-star John Payne.
This picture really offers Americana circa 1916 in Indiana. The embodiment of the school structure at that time is so well done. The obedient student, the prim and proper schoolteachers who dedicated their lives to teaching and nothing else.
Nora Trinell (Colbert) is a dedicated, wonderful teacher but she goes against what society thought of as a role for teachers when she finds love with Payne.
The "crisis" that leads to his dismissal and his ultimate redemption on the part of the principal is beautifully done here.
For me, the picture was so good because Trinell reminded me of my grade 5 teacher who inspired me in the field of social sciences.
Colbert, as the teacher who found love and tragically lost it, has one of her best film roles here. A caring person to her students, especially Dewey, she certainly tells the truth when she says that each year a teacher finds a student who she can really love as her own. Those words will forever stay with me.
As the typical spinster teacher, Anne Revere, was wonderful. Prone to be a gossip, she embodied what society thought was the role of a teacher in this period.
The ending will tug at your heart. Nostalgic and so wonderfully realized.
Wusstest du schon
- WissenswertesAt the inn during their honeymoon, the song sung by Dan Hopkins (John Payne) is "Pretty Baby," which was first recorded the year that the scene is set, 1916.
- Zitate
Dan Hopkins: I just happened to be staying at a lake about 210 miles from here so I thought I'd drop by...
- VerbindungenVersion of The 20th Century-Fox Hour: Men in Her Life (1957)
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- Recuerda aquel día
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- 1 Std. 26 Min.(86 min)
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