Die großen Träume eines Paares weichen einem Leben voller unerwarteter Traurigkeit und unverhoffter Freude.Die großen Träume eines Paares weichen einem Leben voller unerwarteter Traurigkeit und unverhoffter Freude.Die großen Träume eines Paares weichen einem Leben voller unerwarteter Traurigkeit und unverhoffter Freude.
- Regie
- Drehbuch
- Hauptbesetzung
- Für 1 Oscar nominiert
- 2 Gewinne & 2 Nominierungen insgesamt
- Trina (at the Age of 1 Year)
- (as Baby Biffle)
- Mother in Stalled Car
- (Nicht genannt)
- McDougal
- (Nicht genannt)
- Girl
- (Nicht genannt)
- Reporter
- (Nicht genannt)
- Man
- (Nicht genannt)
- Boy
- (Nicht genannt)
- New Year's Party Drunk
- (Nicht genannt)
- Miss Morgan
- (Nicht genannt)
Empfohlene Bewertungen
'Penny Serenade' was luckily not one of those potential wastes, and the reasons as to why it was seen (cast, director, premise) weren't squandered either. Found it to be a great film that was even better than remembered, with genuine emotional impact and immense likeability. Also thought that mostly it avoided the traps that it easily could have fallen into, considering the type of film (essentially a melodrama, not an easy type of film to nail) it was. A type of film that can be done well, and has been done well numerous times, but has a good deal of dangers evidenced by just as many films falling into those traps.
Maybe 'Penny Serenade' moves too slowly at first, it doesn't find its momentum straight away.
The ending also felt a bit too pat and tacked on.
However, 'Penny Serenade' is very nicely shot and looks like it was made with care and love. Stevens directs with expert control, mostly keeping the story engaging, getting the best out of his cast and stopping the story from going over-the-top on the sentimentality, doing all of this with ease. The music is lovely to listen to and didn't ever find the placement questionable, a good thing seeing as music is a very important thing to talk about when reviewing for me and can find how the music is placed as important as the music itself.
Script is thought-provoking and warm-hearted, with the highlight being Grant's big speech that really brought a lump to my throat. Once it gets going, the story is charming and engaging more often than not, with also a relatability factor that's inspiring yet wrenching the gut worthy, but it's the emotional impact that makes 'Penny Serenade' memorable. This is genuinely poignant stuff without being sentimental-heavy, and it is very difficult to not clutch at your heart or reach for the tissues watching the film.
Furthermore, the characters are ones investing in and relating to and brought to life by the note-perfect cast. Dunne radiates class and Beulah Bondi and especially Edgar Buchannan provide sympathetic and knowing support, but it's a superb Grant at his most heartfelt who sticks out the most. He and Dunne's chemistry is beautifully tender.
All in all, slow start but well worth sticking with, because up until the ending it is a beautiful film. 9/10 Bethany Cox
Falling in love, best friends, career challenges, pregnancy, miscarriage, infertility, adoption, death, divorce... it's all covered in this one sweet little movie. And it's all told in a way that reminds us all how important music is as it sets the soundtrack to our lives.
This is a wonderful movie. It may not be Citizen Kane -- but it is definitely worthy of your time.
Director George Stevens does a good job with the pacing, and the story-framing technique with the various songs works pretty well. While there may be a few moments when the sentimentality gets dangerously high, most of the time it remains balanced, and certainly more so than is the case with present-day movies of this kind. It's far from flawless, but it is generally effective in telling the kind of story that takes a combination of sensitivity and restraint to tell believably.
Wusstest du schon
- WissenswertesCary Grant, one of the cinema's greatest comedic actors, was only ever nominated twice for an Academy Award for Best Actor, in both instances for lesser-known dramatic roles. This was one of them, followed three years later by None But the Lonely Heart (1944).
- PatzerThe dress Julie wears at the beginning of playing the records is not the same dress she is wearing when she is playing the last record. This is because she changed into a different dress as well as coat while she is packing to leave and left the record playing.
- Zitate
Judge: [Judge firmly addressing two unseen attorneys] I'll give you an opportunity to better prepare your facts.
Man: [Hands Judge some papers] Adoption proceedings, the Adams case.
Judge: What?
Man: The Adams case.
Judge: [Looks disturbed] Oh yes, yes. Uh...
[turns back to attorneys]
Judge: if either one or both of you gentlemen conduct yourselves like you've been doing today I'll hold you in contempt, the both of ya!
Judge: [Walks into chambers, sees Roger, Miss Oliver, and the baby all seated. Sits at desk] Uh, oh this is the child in question. Ahem, let me see. Yes, I recall looking over these adoption papers. I see you have no income at present.
[Looks at Roger]
Judge: Is that correct?
Roger Adams: Yes your Honor.
Judge: Now what is this Miss Oliver? You know this case should never have come before me.
Miss Oliver: Well your Honor I feel that this is a special case. I kept hoping until the last minute Mr. Adams might be able to resume the operation of his paper or get a job. But unfortunately he hasn't been able to do either, so i thought...
Judge: Under these conditions I can't grant the adoption. This child will have to revert to the orphanage.
[Gestures to Roger]
Judge: Will you draw up a chair please while I prepare these release papers for you to sign? Just a matter of routine.
Roger Adams: If you please your Honor, it can't just be a matter of routine for people to have their baby taken away from them. This child is ours Judge...
Judge: [Interrupting] Those are the requirements of the law.
Roger Adams: Yes but you see we've had her since she was six weeks old. It just doesn't seem reasonable to give her back to-to-to strangers.
Judge: Mr. Adams, you're not here to plead your case. You've had the regular opportunity to prove your fitness to provide.
Roger Adams: We are *fit* Judge if you just look at the record.
Judge: Without any income I have no alternative. Didn't you make that clear Miss Oliver?
Miss Oliver: Yes your Honor I did, but I thought...
Judge: [Firmly] I'm sorry but that is the law.
Roger Adams: Look your Honor, she's not like an automobile or an icebox or a piece of furniture or something you buy on time and when you can't give up the payments they take it away from you!
[Baby starts to cry]
Roger Adams: Now sit still and be a good girl. Anyone could give up those kinds of things, but I ask you Judge how can you give up your own child? And she is our child just as much as if she'd been born to us!
[Baby continues crying]
Roger Adams: Now, now, Daddy's not going to go away.
[Baby stops crying and smiles]
Roger Adams: Look Judge, we've had her over a year now. Why we-we walked the floor with her when she had the colic. We've lost nights of sleep worrying every time she cut a tooth. We've gone through everything, everything real parents have with one of their own. Ask Miss Oliver here about the inspections we've had to have. Her-her weight charts, her vaccination certificates, h-her toys, her toothbrush! How many parents could keep one of their own and
[voice cracks]
Roger Adams: go through that? And you sit here and say it's a matter of routine for you to take her away from us.
Miss Oliver: Please! Mr. Adams...
Roger Adams: I'm sorry Judge, but we weren't as fortunate as most people. We would've had one of our own only-only... well you don't know how badly my wife wanted a child. It wasn't so important to me. I-I don't know, I suppose most men are like this but children never meant a great deal to me. Oh I liked them alright I suppose, but well what I'm trying to say is your Honor the first time I saw her... she looked so little and helpless. I didn't know babies were so-so little. And then she took a-hold of my finger and I held onto it. She-she just sort of walked into my heart Judge
[begins to cry]
Roger Adams: and-and she was there to stay. I didn't know I could feel like that! I'd always been well, kind of careless and irresponsible. I wanted to be a big shot. And I couldn't work for anybody, I had to be my own boss, that sort of thing. Now here I am standing in front of a judge pleading for just a little longer so that I can prove to you I can support a little child that doesn't weigh quite twenty pounds. It's not only for my wife and me I'm asking you to let us keep her Judge, it's for her sake too. She doesn't know any parents but us.
[starts sobbing]
Roger Adams: She wouldn't know what'd happened to her. You see there's so many little things about her that nobody would understand her the way Judy and I do. We love her Judge, please don't take her away from us. Look, I'm not a big shot now, I-I'll do anything, I'll work for anybody.
[Starts to break down]
Roger Adams: I-I'll beg, I'll borrow, I-I'll... please Judge I'll sell anything I've got until I get going again. And she'll never go hungry, she'll never be without clothes not so long as I've got two good hands so help me!
[Camera fades out as Judge, Roger, and Miss Oliver all ponder what has just been said]
- Alternative VersionenAlso shown in computer-colored version.
- VerbindungenEdited into Know Your Enemy - Japan (1945)
- SoundtracksYou Were Meant for Me
(1929) (uncredited)
Music by Nacio Herb Brown
Lyrics by Arthur Freed
Played on a record and sung by Johnny Johnston four times
Played as background music often
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- Serenade für das Christkind
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit1 Stunde 59 Minuten
- Farbe
- Seitenverhältnis
- 1.37 : 1
Zu dieser Seite beitragen
