Ever in My Heart

The First World War saw the debut not only of new military technology, but also new weapons of psychological warfare. It was the first war fought with means of mass persuasion as well as mass production. To get the American public in the proper fighting spirit for their inevitable entry into the war, the authorities deliberately and uncritically passed along British propaganda which wildly exaggerated or just plain fabricated German atrocities. (Sadly for all concerned, real German acts of brutality, especially in the conquered Low Countries, gave this propaganda an air of plausibility.)

It's unfortunate that, given its time and circumstances, this movie can only hint at the pervasive ugliness of these manufactured images of the gleefully nun-raping, baby-bayoneting "Bestial Hun", and the vicious persecution it inspired against German immigrants.

Though the glimpses it does show are often harrowing, as the story tracks the collapse of the blissful marriage between a professor (Otto Kruger) from Germany who teaches at a small college, and his American wife (Barbara Stanwyck), under the pressure of the growing hatred and intolerance they face from almost everyone around them. Even if the plot's predictable and the final twist is pretty contrived, and with few exceptions the acting and direction are about what you'd expect from a time when talking pictures were only four years old, I still have to give Warner Brothers some credit simply for having made a film -- even a low-budget "weeper" like this -- showing at least in some small way how war can corrode our humanity on the home front, too.

The other major thing this picture has going for it from my point of view is, of course, Barbara Stanwyck: In the moments when she subtly transcends what could otherwise have been just another mawkish, pedestrian melodrama, you can clearly see a great actress who's just beginning to hit her stride. She even manages to make the somewhat over-the-top final moments watchable, if not quite believable.

Barbara Stanwyck, the gal who could play any role, is American Mary Archer, who is fawning over her cousin "Jeff" (Ralph Bellamy), until she meets the dashing German Hugo Wilbrant (Otto Kruger). They get married, and soon Germany is invading countries during WW I , which causes turbulence and troubles for the married couple and their family.

Its a shortie, at 68 minutes. I had seen Stanwyck in Ten Cents a Dance in 1931, and in that one, she was still very much a young girl, in style and appearance; in this film "Ever in my Heart", even though only two years has gone by, she is much more grown up, in looks and in sophistication. Too bad Donald Meeks scenes were deleted - he would have spiced up the plot, which could use some humor, with more than its share of sadness. Interesting scene where the little old ladies in the sewing circle giggle and gasp over the horrible things the enemy does to captured prisoners. Technically, the acting and story here are just fine, and I guess the plot would soon be a current event again with the coming of WW II, much less still be an issue with world events going on today. Producer Hal Wallis and Archie Mayo (director) would make eleven movies together in the 1930s.

"Ever In My Heart" starts off slowly and uneventfully, a pretty pedestrian story that seems both tendentious and predictable. Barbara Stanwyck grows up in a waspy New England town. Her best friend/fiancé (Bellamy) returns from Europe with a German friend (Kruger), who sweeps Stanwyck off her feet. They marry. WWI arrives and the town turns against the couple, who are accused of sympathizing with the Germans. Hardships ensue.

Stanwyck is terrific, and Otto Kruger is surprisingly warm and effective in his role. Later in his career he played spies and double agents in scores of WWII films. Ralph Bellamy, of course, played the good-natured slob who lost the girl.

The film is a hyperbolic screed against small-town prejudice, and the first half seems forced and simplistic, but picks up in the second half with the onset of the war. I thought the ending was quite powerful and hard to watch, a tribute to actors who know their craft. I appreciate Stanwyck more with each picture, mostly these early ones which are seldom shown.

BARBARA STANWYCK gives a very sensitive performance as a perfectly normal young woman whose marriage falls apart after the hostility of townspeople towards her German husband during the period of WWI. She does a commendable job as a woman who suffers the consequences when friends and colleagues destroy their relationship, showing a sweet and vulnerable side that she seldom exploited in later films.

It's a subtle look at a German-American marriage at a time when Germany was launching into World War I. OTTO KRUGER is cast as her German husband, and he too gives an understated, sympathetic performance that is compelling to watch.

Poor RALPH BELLAMY has another one of his hapless roles as a man he describes as "an unromantic bachelor." Nevertheless, he brings energy and eagerness to his role of a man in love with Stanwyck.

Stanwyck has a much softer look and is very attractive in the lead. An interesting little item from her early career that exploits her warmth, charm and sincerity as few early films ever did.

Trivia note: It strikes me as unusual that the director is Archie Mayo, more noted for the light, fluffy romantic comedies he did for most of his career at Warner Brothers rather than the sober melodrama with social significance that he does so well, complete with a downbeat ending.

Barbara Stanwyck and Otto Kruger star in "Ever in My Heart," a 1933 film directed by Archie Mayo and also starring Ralph Bellamy.

Stanwyck plays Mary Archer, who, in 1909, falls in love with a young German, Hugo Wilbrandt (Otto Kruger), a friend of her cousin Jeff (Ralph Bellamy). They get married right away and settle down, and eventually have a baby boy. Hugo proudly becomes an American citizen.

Tragedy strikes the couple. When World War I occurs, the anti-German sentiment forces Hugo out of his teaching job and unable to find any other work. Mary's family wants them to move back in with them, but they want Hugo to change his name, which he won't do.

He talks Mary into staying with them, saying he will join her in a week. He doesn't; he turns his back on America and returns to Germany to fight the war with the Germans.

Mary divorces Hugo and later goes overseas to work for the war effort. There, she runs into Hugo.

I knew the plot of this film, but there were elements of it that I did not know, so I found the film even more profoundly depressing than I expected.

Barbara Stanwyck is wonderful, going from a fresh, young, happy woman to one who has to endure horrible sadness. Otto Kruger is very effective as well, but this is really Stanwyck's film. She'll break your heart.

Beautifully done film, but be prepared!