Füge eine Handlung in deiner Sprache hinzuBill McCaffery, a plumber, wins big at the racetrack but then his luck runs out and almost ruins his business. Molly Gilbert, his manicurist girlfriend, stands by him and helps him readjust ... Alles lesenBill McCaffery, a plumber, wins big at the racetrack but then his luck runs out and almost ruins his business. Molly Gilbert, his manicurist girlfriend, stands by him and helps him readjust to life as a plumber.Bill McCaffery, a plumber, wins big at the racetrack but then his luck runs out and almost ruins his business. Molly Gilbert, his manicurist girlfriend, stands by him and helps him readjust to life as a plumber.
- Regie
- Drehbuch
- Hauptbesetzung
Henry Armetta
- Caparillo, Barber
- (Nicht genannt)
William Bailey
- Reporter
- (Nicht genannt)
Brooks Benedict
- Cunningham
- (Nicht genannt)
Tyler Brooke
- Undetermined Role
- (Nicht genannt)
Clay Clement
- Arnold Ross, Attorney at Law
- (Nicht genannt)
Mike Donlin
- One of Shelton's Hoods
- (Nicht genannt)
Bobby Dunn
- Cross-Eyed Bettor
- (Nicht genannt)
Willie Fung
- Charley Lee
- (Nicht genannt)
June Gittelson
- Heavy Wedding Guest
- (Nicht genannt)
Al Hill
- One of Shelton's Hoods
- (Nicht genannt)
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... talk about playing against type! Of course this was before he was known for his roles as sympathetic physicians, but still it is a bit of a shock seeing Ayres play what is basically a very deplorable person.
The film tries to soft peddle it with an opening montage of stockbrokers selling bad stocks, bankers saying their banks are on solid ground, a man pretending to be blind and begging, and a common purse snatcher, I guess, the lesson being, that everybody has a racket and is on the take, but it didn't soften the blow for me.
Ayres plays Bill McCaffery, the son in McCaffery and Sons Plumbing. His dad tries to warn him against continuing to play the horses, and his best girl (Ginger Rogers as Molly) says she won't marry him until he stops playing the horses, yet he continues on. First he turns five dollars into 250 dollars, then he turns fifty dollars into 1500. When Molly says she is done with him because of his gambling, Bill takes the train to Saratoga and turns what was to be their honeymoon into a month long horse betting jag. He returns to New York with fifty thousand dollars after making all of the columns in the papers. 50K would be roughly a million dollars in today's money.
Dad and Molly stand their ground. And the law of gravity says what goes up must come down, but Bill is unswayed and thinks his luck will run forever, and complications ensue.
The film has some funny anecdotes that don't make you think any better of your fellow man. One involves a gold digger and the other involves Bill pulling a ruse that could land him in the penitentiary or even in the grave when he crosses a gangster.
I guess the funniest part (unintentional I am sure) of the film is when Bill is at a nightspot in Saratoga and out comes the floor show. They are actually rather pudgy girls in two piece outfits with stripes that make them look like convicts. Their dance routine is basically sitting down, crossing and uncrossing their legs, and then standing up again. Rinse and repeat. Talk about your all talking all singing all dancing convicts! Busby Berkeley this is not!
Lew Ayres and Ginger Rogers, who were married for six years, met making this film. It was probably a bad omen that, although in love and engaged, they spend most of the film feuding and apart.
I'd mildly recommend this, because it is a rare case of an existing Universal that is a straight precode in the Warner Brothers tradition. If you are a film history buff I would definitely recommend it.
The film tries to soft peddle it with an opening montage of stockbrokers selling bad stocks, bankers saying their banks are on solid ground, a man pretending to be blind and begging, and a common purse snatcher, I guess, the lesson being, that everybody has a racket and is on the take, but it didn't soften the blow for me.
Ayres plays Bill McCaffery, the son in McCaffery and Sons Plumbing. His dad tries to warn him against continuing to play the horses, and his best girl (Ginger Rogers as Molly) says she won't marry him until he stops playing the horses, yet he continues on. First he turns five dollars into 250 dollars, then he turns fifty dollars into 1500. When Molly says she is done with him because of his gambling, Bill takes the train to Saratoga and turns what was to be their honeymoon into a month long horse betting jag. He returns to New York with fifty thousand dollars after making all of the columns in the papers. 50K would be roughly a million dollars in today's money.
Dad and Molly stand their ground. And the law of gravity says what goes up must come down, but Bill is unswayed and thinks his luck will run forever, and complications ensue.
The film has some funny anecdotes that don't make you think any better of your fellow man. One involves a gold digger and the other involves Bill pulling a ruse that could land him in the penitentiary or even in the grave when he crosses a gangster.
I guess the funniest part (unintentional I am sure) of the film is when Bill is at a nightspot in Saratoga and out comes the floor show. They are actually rather pudgy girls in two piece outfits with stripes that make them look like convicts. Their dance routine is basically sitting down, crossing and uncrossing their legs, and then standing up again. Rinse and repeat. Talk about your all talking all singing all dancing convicts! Busby Berkeley this is not!
Lew Ayres and Ginger Rogers, who were married for six years, met making this film. It was probably a bad omen that, although in love and engaged, they spend most of the film feuding and apart.
I'd mildly recommend this, because it is a rare case of an existing Universal that is a straight precode in the Warner Brothers tradition. If you are a film history buff I would definitely recommend it.
In this film, Bill (Lew Ayres) is a guy who's tough to love...yet inexplicably Molly (Ginger Rogers) is in love with the jerk. Despite having a serious gambling addiction, he promises to reform and they plan on getting married after he makes a big killing at the track. Not surprisingly, his promise meant nothing and she learns that his choice of honeymoon spots is a place known for horse racing! So, she calls off the wedding...and Bill plunges even deeper into gambling.
Although you'd expect to see Bill heavily in debt and miserable, the guy somehow manages to keep winning...and winning big. Despite this, Molly will have nothing to do with him because she isn't stupid. In the meantime, Bill lives high on the hog and has women...and seems okay without Molly. Naturally, his luck can't hold out forever...or can it?!
The problem with this movie for me is that Bill is a terrible person...and it's hard to care about him or his addiction. He's far from the heroic type...and it's an odd sort of amoral role for Lew Ayres. Also, the ending is abrupt and unsatisfying. Overall, some good actors with a second-rate script and nothing more.
Although you'd expect to see Bill heavily in debt and miserable, the guy somehow manages to keep winning...and winning big. Despite this, Molly will have nothing to do with him because she isn't stupid. In the meantime, Bill lives high on the hog and has women...and seems okay without Molly. Naturally, his luck can't hold out forever...or can it?!
The problem with this movie for me is that Bill is a terrible person...and it's hard to care about him or his addiction. He's far from the heroic type...and it's an odd sort of amoral role for Lew Ayres. Also, the ending is abrupt and unsatisfying. Overall, some good actors with a second-rate script and nothing more.
Charley Grapewin is a plumber and his son, Lew Ayres, works for him. His heart is at the track, and when he makes enough money for Ginger Rogers to marry him, she throws him over because he won't give up the ponies. He carries the torch for her, but he wins huge sums of money through his doping out winners.... for a while.
There's lot of snappy patter in this Pre-Code, but it seems that only Ayres and Grapewin put any energy into their performances. 1933 was the year in which Miss Rogers began to distinguish herself, but this is pretty is pretty much a placeholder role, and any of a dozen starlets could have taken her place. It's a one-hour programmer with a conventional message about how hard work will beat luck over the stretch and pretty painless.
There's lot of snappy patter in this Pre-Code, but it seems that only Ayres and Grapewin put any energy into their performances. 1933 was the year in which Miss Rogers began to distinguish herself, but this is pretty is pretty much a placeholder role, and any of a dozen starlets could have taken her place. It's a one-hour programmer with a conventional message about how hard work will beat luck over the stretch and pretty painless.
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- WissenswertesAfter meeting on the set of Don't Bet on Love in 1933, Ginger Rogers and Lew Ayres married a year later in November 1934. The couple was married for six years, but divorced in 1940.
- Zitate
Opening Title Card: Manhattan... the double-crossroads of the world _ _
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