Doctor Bull

"Doctor Bull" is Ford's first of three collaborations with Will Rogers. Much like their later pictures, it combines humor and drama with greater emphasis on dialogue and performance rather than narrative. Mr. Ford admired Rogers' folksy charm and found in him a figure whose moral wisdom perfectly matched with his own. In these leisurely and unpretentious pictures, Rogers is successfully a healer and reconciler, but, like most of Ford's subsequent protagonists, he is also a melancholy and lonely figure.

Though it is nowhere near the charm, subtlety and enduring greatness of "Judge Priest"(1934) & "Steamboat 'Round the Bend"(1935), "Doctor Bull" is nonetheless worth seeing for Mr. Rogers' loving portrayal of a small-town Connecticut doctor combating typhus and narrow-mindedness.

It is interesting to note that in the same year Rogers starred in another whiff of Americana - Henry King's lovely and often underrated "State Fair."

John Ford certainly loved the medical profession. Go through his film list and wherever you see a doctor character it will inevitably it will be a noble if perhaps flawed character. His most famous doctor was Josiah Boone in Stagecoach where Thomas Mitchell won a Best Supporting Actor Oscar. But in Doctor Bull, the first of the three films Ford did with Will Rogers, Rogers is in the title role of George Bull, small New England town physician who has taken care of his town for two going on three generations.

Not that some of the town appreciates his toil. He's angered the powerful Banning family headed by Berton Churchill who has not only poisoned the town water, but poisoned the town against Doctor Bull. His gossipy sisters have filled the town with speculation about the doctor's relationship with Vera Allen a widow. Not like they're not adults, but you have to wonder about the lives that people lead when they're main concern is what everyone else is doing.

The film has some parallels to the Bing Crosby/Barry Fitzgerald film Welcome Stranger when for a brief moment it's thought the town has an epidemic. Some of the vested interests in Fitzgerald's New England town want to remove him as well.

Some of the best comic moments are provided by Rogers and Andy Devine who plays a soda jerk in the local pharmacy and is a constant main in the butt to Rogers because of his imagined ills. Devine is the hypochondriac's hypochondriac.

Rogers is always working 24/7 for his people and using a method that was tried successfully with animals affects a cure from a disease that has left Howard Lally bedridden for months. What happens there gives Rogers the last laugh on his ungrateful town.

The observations on the human condition of Will Rogers are timeless. Medicine does not look the same today as it did for Doctor Bull. But the truths are eternal.

John Ford's first collaboration with Will Rogers introduces itself with the words, "Doctor Bull brings his neighbors into the world and postpones their departure as long as possible. He prescribes common sense and accepts his small rewords gratefully. His patients call him Doc." This opening makes "Doctor Bull" sound like it's going to be a wholesome and folksy tale - but don't expect the film to be the sweet story of a kindly doctor. The New England set town of "New Winton" turns out to be a 1930s "Peyton Place"…

Strait-laced citizens gossip about neighborly Mr. Rogers (as George "Doc" Bull) spending his evenings with lonely widow Vera Allen (as Janet Cardmaker). Telephone receptionist Marian Nixon (as May) fears husband Howard Lally (as Joe Tupping) may never walk again, after an accident leaves him paralyzed...

Matriarch Louise Dresser and the town's wealthy "Banning" family fret about the sudden marriage of pretty daughter Rochelle Hudson (as Virginia), apparently left pregnant after her boozy weekend with a football player. And, as if that wasn't enough drama, the entire town is threatened with typhoid fever. Since this is not supposed to be a serial, all the stories are tied up by the film's end. And, Mr. Ford makes sure you leave the theater laughing, as squeaky "soda shop" clerk Andy Devine reveals a secret...

****** Doctor Bull (9/22/33) John Ford ~ Will Rogers, Vera Allen, Rochelle Hudson, Louise Dresser

I've seen this before, but having watched it after becoming more familiar with the Rogers oeuvre, I became aware of just what a radical departure it was from the Rogers formula in previous and subsequent films. He usually plays one of two characterizations: the wise and beloved father-figure putting up with his flighty family, or the wise and beloved fool-osopher putting up with silly townsfolk.

But as Dr. Bull, Rogers shows a real dark side, not the least of which comes out when he inadvertently causes a typhoid epidemic by failing to inspect the water runoff from a construction camp upstream from the town. Rogers is the town's health officer and when the townspeople justifiably accuse him of dereliction of duty, his response is, "Who has time to run around inspecting water!". When attacked by the townsfolk for his role in this catastrophe, Bull lashes back at them with real venom, telling them they are unworthy of the medical services he's provided over a lifetime. So much for never meeting a man he didn't like.

Bull quells the epidemic (cheerfully testing a veterinary vaccine meant for cows on an adult, then administering it to children), but finally decides to make good on his threat and leaves town for good.

It's a great pre-code film which manages to work in references from the recently lifted Prohibition to pre-marital sex (Andy Devine forced into a shotgun marriage). IMO this is Rogers' best performance by far and shows that he really could act when paired with a great director.

Despite starring Will Rogers and being marketed as a comedy, I really think that does this film an injustice and viewers may well feel confused by the lack of comedy. While Rogers has a few good zingers and one liners here and there, this isn't the point of the film and to me it's much more of a drama--much like the excellent film ONE MAN'S JOURNEY. Maybe much of the reason people see this as a comedy could also be because Rogers and director John Ford also teamed up shortly after this film for the comedy JUDGE PRIEST.

In DR. BULL, Rogers plays the title character--a very, very hard-working country doctor who is too seldom appreciated by the community. While some see him as a sort of savior, many old busy-bodies can only focus on all the perceived wrongs he has done--mostly because they are just vicious and sexless old hags! While these roles are very stereotypical and may seem unreal, I have personally known quite a few women EXACTLY like them. Even today, they pervade small towns, churches, social clubs, PTAs and other groups. Because of this, this film is a great form of social satire--even over 70 years later! As for the aesthetics of the film, I was quite impressed. John Ford really captured the small town feel and the winter scenes looked so real and inviting. Additionally, Rogers showed he really could act--playing a folksy but more complete character than usual--with flaws, strengths and emotions. All in all, a lovely film and a great time capsule. This film should be more famous than it is--and it's certainly much better than JUDGE PRIEST.