Ich tanze nur für dich

1933 was a watershed year for the movie musical. It was the year Busby Berkeley helped make it exciting again with his numbers for 42nd Street and Gold Diggers of 1933. Ginger Rogers was a factor in that excitement when she performed the "We're in the Money" number in the latter. And if that had been it for her career, she'd at least be an important footnote in the movie musical's history. But bigger things were coming her way later in the year. And it wouldn't be at Warner Bros. where she was at the time but at RKO. Her future legendary partner was already there but had yet to make his film debut. But since the studio had no assignments for him yet, he was allowed to go to M-G-M for a specialty spot there as himself. And so it was at Leo the Lion's place that Fred Astaire-previously a Broadway sensation with sis Adele-got his first stint in front of the cameras. His partner there was Joan Crawford, who had displayed much of her dancing ability in many of her previous films so she wasn't a bad first film dancer for Fred to start with. So on that note, this movie is worth a good look for that reason alone. But there's still some good acting by leading man Clark Gable, second lead Franchot Tone (whom Ms. Crawford would briefly marry) and Ted Healy as Gable's assistant who was still the leader of his stooges: Moe, Curly, and Larry, all represented at their slapstick best here. Other notable supporting turns came from Robert Benchley who keeps looking for a pencil, Winnie Lightner as Crawford's friend, May Robson as Tone's grandmother, and Eve Arden-years before playing her Oscar-nominated role opposite Oscar-winner Crawford in Mildred Pierce-in a small part as a rejected potential chorus girl. Oh, and this was one of Nelson Eddy's earliest singing spots. In summary, Dancing Lady is enjoyable enough to watch as entertainment with a historical first as an extra treat.

Perhaps the most eclectic cast in movie history. Here we have Clark Gable and Joan Crawford, Franchot Tone in his man-about-town mode, Fred Astaire playing himself in his movie debut, Nelson Eddy in his second film, Robert Benchley contrasting with Ted Healy and the Three Stooges, (in by far their most prominent role before the TV era) and even a young Eve Arden. Gable spends the film snarling at everybody and demanding that they produce a "modern, up-to-date musical" that's about what's happening now. Somehow this morphs into a finale in which Astaire and Crawford are prancing about in liederhosen, (which has a relevance to 1933 they perhaps didn't anticipate). What it all proves it that MGM, while it had the know-how to make the greatest musicals of all-time in the 1940's and 1950's, just didn't quite "get it" yet in 1933. RKO and Warners were still miles ahead of them.

'Dancing Lady' (1933) is about a woman (Joan Crawford) who lives to dance. After being arrested for dancing at a burlesque house, she meets a rich playboy (Franchot Tone), who, behind the scenes, paves the way for her to get her big break. Clark Gable is the director of the musical and makes you fall in love with him! Joan Crawford is a reasonable dancer - no Fred Astaire or Eleanor Powell - but she is quite good.

This lavish glossy Busby Berkley-ish musical dazzles you from start to finish! A combination witty, quick lines, the appeal of the stunning Joan Crawford and dashing Clark Gable plus some great songs and dances makes this 1933 movie a mega hit! This movie went surprisingly fast and was a pleasure to watch. Definitely recommend it.

While the love triangle between Clark Gable and Franchot Tone for Joan Crawford is very routine, this film offers several pleasures. It is the first film of Fred Astaire, playing himself (or at least, a dancer called Fred Astaire). He dances with Joan Crawford and is as light as a feather and as smooth as silk, compared to Crawford's clunky style of dancing. He also sings in his inimitable style. It's also Eve Arden's first film, playing a would-be actress faking a southern accent in a very short scene. And, to top it off, it is the first film where the three stooges were actually billed as "stooges," and they come complete with their finger-poking and face-slapping antics. If these are not enough, it's also the second film of Nelson Eddy, who sings a Rogers and Hart tune, so there is lots of movie history connected with this film. Despite the talented song composers contributing to this musical, the only song that stuck with me was the lovely "Everything I Have is Yours" by Burton Lane and Harold Adamson. This is not a great film, but is certainly one to see.

For those interested in credits, about 82:30 minutes into the film, Franchot Tone opens his program guide to see what's next in the show he's watching, and the complete list of all the chorus girls used in the film is shown and is readable. It includes Lynn Bari (spelled Barri) in her first role, but I could not spot her. If you do, please let me know which scene she's in.

"Dancing Lady" is a breezy & enjoyable backstage musical, a vehicle for Joan Crawford, co-starring Clark Gable & Fred Astaire. Crawford & Gable are fantastic together.

Brilliantly directed by Robert Z Leonard, the film swiftly moves from a burlesque setting to Broadway as Crawford chases Gable, and ends ecstatically with a grand Busby Berkeleyish number with Astaire.

Nelson Eddy & The Three Stooges make an early intriguing appearance.