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Dick und Doof und die Wundersäge

Originaltitel: Busy Bodies
  • 1933
  • Approved
  • 19 Min.
IMDb-BEWERTUNG
7,6/10
3175
IHRE BEWERTUNG
Oliver Hardy and Stan Laurel in Dick und Doof und die Wundersäge (1933)
SlapstickFamilieKomödieKurz

Füge eine Handlung in deiner Sprache hinzuStan and Ollie do battle with inanimate objects, their co-workers, and the laws of physics during a routine work day at the sawmill.Stan and Ollie do battle with inanimate objects, their co-workers, and the laws of physics during a routine work day at the sawmill.Stan and Ollie do battle with inanimate objects, their co-workers, and the laws of physics during a routine work day at the sawmill.

  • Regie
    • Lloyd French
  • Drehbuch
    • Charlie Hall
    • Oliver Hardy
    • Stan Laurel
  • Hauptbesetzung
    • Stan Laurel
    • Oliver Hardy
    • Dick Gilbert
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,6/10
    3175
    IHRE BEWERTUNG
    • Regie
      • Lloyd French
    • Drehbuch
      • Charlie Hall
      • Oliver Hardy
      • Stan Laurel
    • Hauptbesetzung
      • Stan Laurel
      • Oliver Hardy
      • Dick Gilbert
    • 41Benutzerrezensionen
    • 8Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Fotos44

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    Topbesetzung7

    Ändern
    Stan Laurel
    Stan Laurel
    • Stan
    Oliver Hardy
    Oliver Hardy
    • Ollie
    Dick Gilbert
    Dick Gilbert
    • Shoveler
    • (Nicht genannt)
    Charlie Hall
    Charlie Hall
    • Shop Worker
    • (Nicht genannt)
    Jack Hill
    • Shop Worker
    • (Nicht genannt)
    Tiny Sandford
    Tiny Sandford
    • Shop Foreman
    • (Nicht genannt)
    Charley Young
    • Shop Worker
    • (Nicht genannt)
    • Regie
      • Lloyd French
    • Drehbuch
      • Charlie Hall
      • Oliver Hardy
      • Stan Laurel
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen41

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    Empfohlene Bewertungen

    9quickdog

    OSHA was invented because of this two-reeler

    Have you ever wondered why the government formed OSHA to help promote and protect worker safety on the job? This short demonstrates why OSHA was needed. No. It had nothing to do with unions or workers organizing. It all had to do with Busy Bodies as Laurel and Hardy turn the carpentry shop upside down, backwards and inside out.

    Safety violation 1. No smoking in the work place.

    Safety violation 2. Improper use of glue and adhesives.

    Safety violation 3. Tools used for purposes other than what they were made for.

    Safety Violation 4. Opening and closing windows improperly.

    Safety violation 5. Just being Laurel and Hardy.

    Did I mention that Laurel and Hardy were innovative and on the cutting edge of technology. They were the first to put a disc player in their car. The only problem is: Where's the motor? Their on board phonograph is durable though.

    Busy Bodies is a laugh fest and along with Help Mates and The Music Box is one of the best L&H shorts. For any L&H fan or for any fan of comedy, this is a must see.
    8Ben_Cheshire

    Terrific short, all set pieces reviewed below.

    The short is bookended by lovely titles with a saw rolling across, gorgeous. Any comedy short is only as good as its set pieces, so I break them up thusly:

    * The car, with its special radio, is great and reminds me of a story I heard about John Lennon who apparently had a record player in his fancy car, but you can only use it when you're stopped for a picnic for example, not while you're driving.

    * The sawmill, with wood everywhere you walk. Belly laughs.

    * The boys fight quite a bit, in the way the Three Stooges became famous for later.

    * The window. Goes a bit long.

    * The chute. Incredible.

    * Sawing a (something) in half. Brilliant. This gag: 10/10

    A great first short to see from my new 21-disc set.

    8/10
    7JoeytheBrit

    Something more than run of the mill

    This is one I remember from childhood, and while the passing of a few decades means Laurel and Hardy's antics might no longer be absorbed with the unquestioning adoration and unbridled willingness to laugh at anything and everything they do, it's still easy to forgive them for the occasional lapse of quality. The boys knew what their audience liked and wanted and they delivered it over and over again: the same facial expressions, the same reactions, the same phrases. What sets them apart from other comedy teams whose collection of prepared reactions and responses haven't stood the test of time is the inventiveness they managed to maintain for most of the 1930s.

    The boys are employed by a saw mill in this one, and at the beginning of the film all is well with the world. Of course, this being a Laurel & Hardy film, such a state of affairs isn't allowed to last and it isn't long before they're trading punches with workmates and Ollie has a paint brush glued to his chin. Stan barely utters a word for the first five minutes which is, perhaps, an indication of how this film could easily have been made without sound. All the gags are visual (apart from the unique car radio).
    10planktonrules

    It's about as good a Laurel and Hardy short as you'll find

    It's amazing how many times Laurel and Hardy's best comedy short involve rather mundane scripts where the action is mostly confined to one setting. Instead of feeling claustrophobic, films such as this one and BIG BUSINESS are wonderful throughout and brilliant in their simplicity.

    Stan and Ollie are on their way to work and they talk about how much they love their new job as carpenters. It seems they are working at some sort of combination lumber yard and carpentry shop--which is really hard to imagine as this job would take both talent and brains--something the boys are sorely lacking! At first, the predicaments they get into are pretty mundane--such as Ollie getting his hands stuck in a window frame or getting a paint brush glued to his chin. However, as the film continues, the outlandish gags get bigger and crazier and the film ends with several of the most memorable stunts I have ever seen. However, so as not to spoil the film, I think it's best just to let you see it yourself.

    See this film. It's highly original (even though Stan and Ollie did several shorts where they are fixing or building things, this one is certainly unique) and amusing throughout--a truly standout film.
    9erwan_ticheler

    20 minutes of slapstick perfection!

    This is probably the only movie that makes me cry of laughing each time I see it and I have seen it hundreds of times! Laurel & Hardy are really getting it on in this one.The way that Hardy gets "tortured" is unbelievable but never over the top.Just watch the scene when Laurel slams the door against Hardy after which Hardy slams the door back and gets a huge bucket on his head and then again the door,hilarious! Of course there is also the usual "in the camera looking" by Hardy(the scene with the sigar!).Busy Bodies is for me their best short feature and equals their long masterpiece Way Out West (10/10). Laurel & Hardy are truely the Kings of slapstick comedy,if you haven't seen this one you haven't lived! 10/10

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    Handlung

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    Wusstest du schon

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    • Wissenswertes
      The final gag has Stan Laurel and Oliver Hardy accidentally driving their Model T through an industrial band saw; the blade passes between them and cuts their vehicle in half. Laurel & Hardy biographer Charles Barr claimed the comedians were nearly killed filming this scene, but Roach Studios special-effects director Roy Seawright asserted that they were never in danger. "That gag was a collaboration between Fred Knoth's mechanical department and my photographic department," Seawright said. "It was done with a traveling matte, a traveling split-screen. We had one half go through first, and then we introduced the other half. So, ultimately, it was accomplished on an optical printer."
    • Patzer
      When Hardy yanks at the hose connected to the sink, he is wet. When he comes out of the sawdust chute, there isn't ANY sawdust stuck to him.
    • Zitate

      Ollie: Would you mind opening the window?

      [watching in disgust as Stan goes and opens the shop window behind him]

      Ollie: Not THAT window - THIS window!

      [seeing Stan pull out a large sheet of heavy paper and study it carefully]

      Ollie: What are you doing?

      Stan: Well, I was looking at the blueprint to try to figure out how to open the window.

      Ollie: Why, that's a blueprint of the BOULDER DAM!

    • Alternative Versionen
      There is an Italian edition of this film on DVD, distributed by DNA Srl ("NON ANDIAMO A LAVORARE", Various Shorts on a single DVD). The film has been re-edited with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
    • Verbindungen
      Edited into Ein Tolpatsch kommt selten allein (1982)
    • Soundtracks
      Ku-Ku
      (1928) (uncredited

      Written by Marvin Hatley

      Played during the opening credits

    Top-Auswahl

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    Details

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    • Erscheinungsdatum
      • 7. Oktober 1933 (Vereinigte Staaten)
    • Herkunftsland
      • Vereinigte Staaten
    • Offizieller Standort
      • Official Site
    • Sprache
      • Englisch
    • Auch bekannt als
      • Am Rande der Kreissäge
    • Drehorte
      • 517 N. Canon Drive, Beverly Hills, Kalifornien, USA(Laurel and Hardy stop the car to change the phongraph record under the car's bonnet)
    • Produktionsfirma
      • Hal Roach Studios
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Technische Daten

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    • Laufzeit
      • 19 Min.
    • Farbe
      • Black and White
    • Seitenverhältnis
      • 1.37 : 1

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