Baby Face

The National Gallery of Art showed the long-thought lost original uncut version of this film on July 10, 2005. It restores vital scenes cut by censors upon its release. The character of the cobbler, a moral goody-goody individual in the original censored release of 1933 is here presented as a follower of the philosopher Nietsze and urges her to use men to claw her way to the top. Also, the corny ending of the original which I assume is in current VHS versions is eliminated and the ending is restored to its original form. A wonderful film of seduction and power. Hopefully, there will a reissue of this film on DVD for all to appreciate its great qualities. Look for it.

Finally, the uncut version of "Baby Face" surfaces and from what source? The Library of Congress. The restored four minutes, snippets here and there, make for a much better film. We now know that Baby Face was pimped by her old man from the time she was at least fourteen years of age. Another reason d'tat for her behavior and cold, calculating exterior.

Barbara Stanwyck is indeed amazing in the role of Lily Powers (notice the moniker), a part that called for just the right amount of sexuality coated with power, cunning, and revenge, yet tinged with virginal pretense when called for, a very difficult portrayal to make convincing. Barbara Stanwyck conveys the necessary nuances to show that though she sleeps her way to the top (literally), she still has good in her heart--note the way she treats those few who have been kind to her such as Chico (the marvelous actress Theresa Harris) and the old philosopher. And though she exploits her sexuality to make mush of men who are rich and powerful, those same men are attempting to exploit her for their carnal desires with no intention of permanent ties until they fall in love with her.

Lily Powers fails to understand, at first, that emotions are difficult to ride, that it's easy to lose control. One possible result is death. Hitching a wagon to a star of course materialism can take one to a destination where nothing else exists but the ephemeral, and it's a cold lonely location.

A word should be said about the philosophy of Friedrich Nietzsche whose will to power is stressed in "Baby Face" by the elderly philosopher who befriends Lilly when she is still turning tricks for her old man. "Baby Face" was released the same year Adolf Hitler came to power in Germany. Though it's highly unlikely that the semi-literate Hitler understood much about Nietzsche, he considered himself a Nietzschean to the nth degree and touted it along side his other rantings. "Baby Face" serves as an indictment of the popular interpretation of Nietzsche's will to power concept, especially in the final scenes.

Although "You've got the cutest little baby face." is apropos as a theme for "Baby Face," an even more telling and applicable melody is W. C. Handy's "St. Louis Blues" played throughout the film, especially at times when the camera has to drift away from what would otherwise be sexually explicit scenes. "St. Louis Blues" is also used wisely toward the end as Lily begins to see beyond materialism to eternal values. Chico is singing a raw, salacious version of "St. Louis Blues" when Lily, now disagreeing with the lyrics, orders her to stop.

The restored version of "Baby Face" makes the film more modern in its approach and attitude toward sex as power than many a new Hollywood release. By all means watch this gem from the distant past and enjoy.

This is a very good movie. Unusual for its day, due to the overt sex and plot. It also has a black playing a major role that is not a typical maid or servant, but more of a wise cracking best friend. Barbara Stanwyck, who I never considered very attractive, is quite stunning in a trampish sort of way. You will recognize a very young John Wayne as one of her boy friends, as well as many other character actors and actresses of the day. The woman playing the black girl, is new to me, she has a nice voice, as she sings a few jazz tunes of the era, I wonder what happened to her. This movie was before the Hays Code of Decency and it shows. I highly recommended this movie.

"Baby Face" is a precode melodrama starring a very young Barbara Stanwyck, an almost unrecognizable George Brent, and Theresa Harris. It's about a girl who goes to the city to make good...or should I say make time. Stanwyck's father has been pimping her for one reason or another her whole life in dingy, depressed, filthy Erie, Pennsylvania.

After her father dies, one older father type who knows what she's been through and truly cares about her future advises her to go to the big city and take advantage of opportunities there - and not the easy ones - and to take the high road in life. (Note that I saw the censored version and not the uncut - this part of the film was redone for the censors.)

She and Chico (Harris) go to New York where Lily (nickname: Baby Face) decides the low road's a lot smoother and will get her where she wants to go a lot faster. In the movie's most famous scene, the camera moves us up the corporate ladder by taking us from floor to floor as Lily sleeps her way to the top. She finally corrals the big man himself and is able to quit her day job. Trouble follows, and she's soon involved in a huge scandal.

Stanwyck wears lots of makeup and for most of the film is cool as a cucumber as she seduces one man after another with no regrets, and she's great at playing the innocent victim. In one scene, she sits staring at a king's ransom in jewels while wearing a black dress that looks like it's decorated with diamonds at the top. Then she asks Chico for another case, and that's filled with more jewelry, plus securities. All in a day's work.

Theresa Harris was an interesting talent - she could be played down or glamorous, and was a talented singer and dancer as well. Here, she sings or hums the movie's theme, "St. Louis Woman" throughout. She worked in literally dozens of movies and is very good here as a friend of Stanwyck's, her best work being in the precode era. As a bizarre byproduct of the code, blacks were often given less to do in films after it was put in place.

Precode films could be more sexually blatant and therefore, though they're 70+ years old, seem more modern. Even though these films didn't have to have moral endings, Baby Face learns her lessons - how like life it is after all. There were several endings of this film, all with the same message. The one I saw had an added scene, but apparently, there were two other endings that didn't pass the censors. (There wasn't a code but there were always censors.) At any rate, it's a neat surprise. "Baby Face" is an important film in movie history - a must see.

An original uncensored print of this amazing film was discovered in 2004 in the Library of Congress, and has been shown in a few specialized theaters around the world in 2005. According to current reviews that I've found online, the original has all of the nastiest dialog and innuendos intact; they were later either removed or completely re-shot by the studio prior to initial release, in order to pass the New York state censors. I have also read that a DVD is "expected in 2006" and one can only hope! If we're really luckily, it will include comparisons between the 2 versions. Note that the released censored version was originally available on Laserdisc, which I have seen. Stanwyck rules!