The Wet Parade

Produced at a time when America was having second thoughts about the 18th Amednment, this is an interesting period piece that shows the effects of alcohol on two families as well as the unintended consequences of Prohibition. Unfortunately, the movie runs too long as the plot tries to develop the eventual interconnection of the two families. However, it does treat the effects of Prohibition in an evenhanded manner. Neil Hamilton has the best roll as the upright son of the Southern family who descends into alcoholism, despite having seen the effects of booze on his father. Robert Young, who has the corresponding position in the city family, remains "dry", but comes across as somewhat of a prude. Jimmy Durante is totally miscast as a Treasury Agent.

Probably Upton Sinclair's novel was ambiguous so the MGM film version had to be equally so. But The Wet Parade was made and released before the public's verdict on Prohibition was in. At the end of 1933 the 21st amendment to our Constitution was passed repealing the 18th amendment banning liquor. The cure was worse than the disease.

The Wet Parade deals with two families headed by Lewis Stone and Walter Huston. Stone is a southern colonel who likes his branchwater and bourbon and Huston a New York hotelier who also is a drinker. The culture of drink is inculcated in both families.

Two who missed it are Stone's daughter Dorothy Jordan and Huston's son Robert Young. Alcohol claims family and friend all around them. And Prohibition just seemed to make it worse.

Among the rest of the cast look for outstanding performances from Neil Hamilton as Jordan's brother, Jimmy Durante as a Prohibition agent , and Myrna Loy as a flapper who abandons Hamilton in a crisis. In the case of Hamilton he did in real life develop a serious drinking problem.

A good film that was made before it's time.

Upton Sinclair for once wrote a novel with a balanced look at the social problem of chronic alcoholism and the discredited law meant to address it - Prohibition.

It deals with two families - a rural southern family, the Chilcotes, who live on a large plantation with the patriarch being a hopeless lifelong alcoholic (Lewis Stone). here not exactly Judge Hardy. In the north there is the Tarleton family, who run a New York City boarding house while dad is always tipsy.

The two families come together when Roger Chilcote Jr (Neil Hamilton) travels to New York to finish his book and takes a room in the Tarleton boarding house. But he gets involved in heavy drinking and he, too, becomes a hopeless drunk. His sister goes to New York to try and sober up her brother where country mouse (Persimmon Chilcote) meets city mouse (Kip Tarleton). They both think Prohibition will solve all of their familial problems, but in fact it just makes matters worse to the point of tragedy. And there have never been more speak easys in New York until the sale of alcohol was against the law.

So Kip marries Persimmon and joins up with the government forces meant to bring down all of speak easys. But the government is only half heartedly fighting, and Kip and his colleagues are underfunded. This is probably one of John Miljan's best roles as Kip's boss who does his job because it is the law, but he is extremely verbally cynical about how useless he thinks it all is. It was good to see Miljan, who had a problem with the bottle himself, playing a normal person rather than some kind of uber villain for a change.

The worst part of the film? L.B. Mayer really liked Jimmy Durante so he basically manufactures a role that is completely unsuited for him as Kip's partner in busting up saloons. Durante even gets an introduction and an "entrance" in the grand comedic style of vaudeville. I just don't think Durante's schtick worked in this picture. He was put to much better use in "Hollywood Party", one of the last precodes.

With Myrna Loy as a saloon keeper who doesn't exactly stand by her man in times of trouble, and with Wallace Ford in a supporting role as a rambling reporter, this one does a good job explaining the attitudes surrounding the lead up to prohibition and the complete failure that the law was after it was enacted with tons of unintended consequences.

Victor Fleming's "The Wet Parade" (1932) would be an appropriate double feature companion to "Reefer Madness". But while it shares that film's exaggerated (insert hysteria here) style, it is a much higher budget production and ultimately delivers a balanced and well- reasoned message.

It also has an all-star cast, although many of them are very early in their careers. The story centers around an old southern family, the Chilcotes; Lewis Stone, Dorothy Jordan, and Neil Hamilton (Commissioner Gordon on television's "Batman" series). Other name actors included Walter Huston, Robert Young, and Myrna Loy, Wallace Ford, and Jimmy Durante.

The film is almost an epic as it covers a 15-year span from 1916 to 1931. During WWI Congress expands federal regulation with a wartime measure called the Food Control Act (regulating grain among other things). This leads to the ill-advised Volsted Act and the 18th Amendment outlawing liquor (insert nationwide "Prohibition"). But prohibition curtails only legal drinking, and gives criminal elements a huge base of potential customers. Although much of the demand is met by smuggling (especially from Canada) and domestic distillation, there is quick money to be made with bogus product. Criminals simply take bulk denaturated (meaning unfit to drink) cleaning fluid ( a mix of ethyl alcohol and methanol) and package it as a name brand product. The film shows an excellent sequence of this process.

The film also shows the consequences of consuming this product; blindness or death.

The intention of the film is not to promote drinking but to illustrate a bigger evil, the unintended consequences of the government's ill-advised attempt to prohibit the activity. "The Wet Parade" was a rare example of mainstream Hollywood's willingness to openly take a side in a political issue. In doing so they risked alienating a huge potential audience (the President had vetoed the original legislation and it took legions of pietistic voters to pass the 18th Amendment). The effectiveness of the "The Wet Parade" message no doubt contributed to the passage of the 21st Amendment the following year (1933), which repealed nationwide prohibition. Then again, what do I know? I'm only a child.

It's difficult to find old movies that I haven't already seen, so it was with great anticipation that I watched The Wet Parade, 1932, for the first time. It was like taking a vicarious time machine journey that landed smack in the middle of one of America's less memorable self-righteous escapades: The Prohibition. The best part is that this intensely dramatic flick was made a full year before prohibition ended, so the full flavor of the alcohol-soaked theme really hits home. It includes some historically accurate details, which were still very fresh in everyone's minds when the movie was produced. It also depicts some of the darker details of desolation and desperation the general public wrestled with after losing complete access to drinkable alcohol. Walter Huston, one of Hollywood's most convincing actors of his era, outdoes himself in this movie. Young Robert Young is quite dashing in his role, although the sight of him paired up with the gregarious Jimmy Durante might prompt a quick reality check if you're not prepared for this early "odd couple" concept.