Regen

I'm fully aware that there has been a total of three film versions of

the play, "Miss. Sadie Thompson" by the late John Colton. I've

haven't seen the original silent film version from 1928 with the first sex symbol of the 20th Century, the late Gloria Swanson; nor the third film version with the late Rita Hayworth. However, if I never get to see neither the first nor second film versions of John Colton's play, the second and first talking film version of Mr. Colton's play is sufficient enough. This film should had received Oscar consideration from the members of the Academy of Motion Picture Arts and Sciences. I'd just seen this film during the late night/early morning hours of

Sunday, January 26th on public television station, WLIW - TV, Channel 21, the second oldest public television station in the United States. "Rain" had Oscar written all over it from start to finish! The film score; the cinematography; fine supporting actor performances both

from WILLIAM GARDAN as US Marine Sgt. O'Hara, and GUY KIBBEE, whom

I've seen in many character roles in classic American films from Hollywood's past, as the innkeeper, Joe Horn; a well written screen adaptation by Maxwell Anderson of John Colton's play; visually directed well by Best Director of 1930 Oscar Winner, the late Lewis Milestone ("All Quiet On The Western Front"), who truely deserved another Best Director Oscar consideration; this film was highly acted well with characters whom you could both believe and relate to, and therefore, a Best Picture Oscar certainly should had been possibly considered; but the best part of this film must be given credit to two acting Oscar winners. Angelica Houston's paternal grandfather, and the late John Houston's father: Oscar winner, the late, great Walter Houston. He was the third of Hollywood's dynasty of actors in the family business. As religious reformer, Alfred Davidson, he was both a hypocrite and a bastard who overstepped his bounds in his persistence by both harassing Sadie Thompson and not minding his own business. If there existed someone like Alfred Davidson, he would be dead by now! He had not only the nerve to dictate to Sadie against her will by judging her when he never met her previously in the first place, but had the audacity to take it upon himself to dictate to the Governor of Pago Pago Island just exactly what his legal authority concerning Sadie Thompson should and should not be, although no such scenes displaying Davidson and the Pago Pago Island Governor were never shown in the film in the first place. I know that Walter Houston is both a Best Supporting Actor Oscar winner, and a Best Actor Oscar nominee; but

he should had received a 1932 Best Actor Oscar nomination for this role. He was incredibly believable. He was so real, and so brilliant. However, the most standout of the entire cast was, without question, the late, great, Joan Crawford, who died the same year when we lost Charlie Chaplin, Bing Crosby, Groucho Marx, Freddie Prinze(WHAT A WASTE!), and of course, Elvis. She may had won a Best Actress of 1945 Oscar for "Mildred Pierce"(Warner Bros.), but this was her BEST ACTING PERFORMANCE, period! I don't remember which

actress was awarded the Best Actress of 1932 Oscar at the 1933 Academy Awards for the film releases of January through late

December, 1932, but she should had both been nominated by the Academy and she should had won! She was so believable as Sadie Thompson.

You could really relate to her when she felt trapped without knowing neither what to do nor where to go. There was one thing about Joan Crawford that was apparent about her acting in most of her films during her prime: regarding her behavior, she never bit her tongue when she had something to say! If she either liked you or not, if she liked or disliked what you did concerning herself, she would let you know! With Joan Crawford, WHAT YOU SAW ABOUT HER WAS WHAT YOU GOT! In closing, I think that it's not only crucial for the American and British films of the past to be preserved for future generations of film audiences, actors, actress, film makers, and

film critics; but it's also important for audiences, especially young people in their teens and twentys to WATCH THE FILMS OF THE PAST. These actors, actress, and film makers who made their mark must never be forgotten. If young people simply choose to watch the films of the present, then they will be missing out on a whole lot. The American film industry, via each of the major studios, no longer

releases a film each and every week. Between the 1920's and 1970's, major films, which have become classics, were released weekly. Today, some of the films that are currently released today are great, and the others are not worth paying eight to ten dollars for!

Joan Crawford went on loan out to United Artists from her home studio of MGM to make "Rain" in 1932. The story had been a Brodway success. Some may feel Joan was miscast as the famed Sadie Thompson. I disagree. The film is not perfect, but Joan and the other actors make it worth watching. Joan is matched in the acting by the great Walter Huston, playing the preacher who is determined to "redeem" Sadie. Joan is made up heavily - almost outrageously - in the first part of the film, then softer make up and lighting after her "transformation" by the preacher. The softer make up shows what a real beauty Crawford was. Rumor has it Crawford felt out of her league with some of the other theatrically trained actors, and had some problems with the director Lewis Milestone. But she holds her own in the film. The print of the film I recorded from TCM is not the best, with some static in the sound and the picture quality rather poor. This is a film begging to be restored. Yes, it was made in 1932, but other films from this time do not look this bad.

Interesting well-directed adaptation of Somerset Maugham story about a prostitute and a missionary out to reform her. I was surprised to discover this was a box office flop when it was released as I enjoyed it very much. Joan Crawford and Walter Huston are great as the two leads. Beulah Bondi and Guy Kibbee offer solid support. But the real star is Lewis Milestone's wonderful direction. He takes what would otherwise have been a very stagey film, especially for 1932, and keeps the camera moving and lively. Milestone not only directed but produced Rain as well. He was one of the best directors of the 1930s and I don't feel like he gets anywhere near enough credit. Try to catch this if you can but beware of bad prints.

Joan Crawford was reportedly not happy with her performance in Rain although for the life of me, I can't figure out what she had to be ashamed about. In a few years Rain could not possibly have been made due to the imposition of The Code where no man of the cloth could be anything less than decent.

Perhaps Crawford was unfortunately compared to Jeanne Eagels on stage and Gloria Swanson in a silent film adaptation which starred Lionel Barrymore as the sex crazed Reverend Davidson. Still Crawford's Sadie Thompson need not take a backseat to anyone else's.

Somerset Maugham wrote the original novel and John Colton adapted it into a play performed on both the London and Broadway stages. Rain is a deceptive work, at first glance it appears quite dated, but in reality its quite relevant for today.

My favorite character in this is Guy Kibbee's Horne who runs the hotel/ trading post on that tropical South Sea Island where all the characters are stranded temporarily. Joan Crawford is there and in the same hotel are the Reverend and Mrs. Davidson played by Walter Huston and Beulah Bondi. Kibbee says he left the USA because he saw that 'reformers' like the Davidsons were beginning to dominate the body politic in America and he wanted out.

Two things made Rain such a big hit at the time both as a book and play. One was Sigmund Freud who was gaining great popularity talking about repressed sexual desires. Freud would have had a field day analyzing both the Davidsons. It's important to remember that Bondi is just as repressed and uptight as Huston. Freud's writings were not just confined to his profession, they were popularly read by the masses.

The second thing was Prohibition. When Kibbee talks about the reformers triumphing (and you have to get the sneer in his voice when he says reformers)he's talking about their greatest triumph, the 18th amendment. The Evangelical Moral Majority types of the day were the ones that brought Prohibition about and America went on its biggest hypocrisy binge because of it. Folks just like the Davidsons inflicted Prohibition and all that went with it on America.

Sadie Thompson represents everything the Davidsons say they despise, but what Reverend Davidson wants. It all leads to tragedy.

What Maugham is saying and being a gay man himself, knew what it was like to be repressed and show a different face publicly, is just live and let live. Such a simple concept, but one some today have a hard time wrapping their minds around.

As for Joan Crawford, she wouldn't have said what she supposedly said about her performance in Rain knowing in the next generation there would be a musical version with a dubbed Rita Hayworth singing with the island kids. Now that one was one for the books.

One of several versions of the often-retold story of Sadie Thompson, "Rain" is a tense drama that focuses effectively on the tension between two very different persons, portrayed by Joan Crawford and Walter Huston. While not always convincing, it holds the viewer's attention to the end, and often gives us plenty to think about.

Crawford plays Sadie, a young woman with an immoral past, and Huston is Reverend Davidson, a fire-and-brimstone preacher who is stuck with Sadie and several other travelers for a time on a tropical island. A series of confrontations between the two follows, initiated by the reverend, who is outraged by Sadie's character and behavior. The other characters observe, comment, and occasionally try to intervene. Meanwhile, the island is engulfed in an endless, torrential rain, providing an eerily effective backdrop to the story.

As the story proceeds, the two characters begin to affect each other in significant ways. Sometimes these changes seem too sudden and not entirely believable, and at other times they are very believable but discomforting in what they reveal about the characters and about human nature. The cast helps get past some awkward moments with some good acting, and this keeps the viewer interested in how it all will turn out.

"Rain" will not be to everyone's liking, but it is a thought-provoking story that should be of interest to anyone who enjoys psychological drama.