Mystery Ranch

I'm a fan of George O'Brien and have seen many of his silents and two of his later movies with John Wayne, but, until I saw this movie I hadn't seen any of his movies from the 1930's. This is not the formulaic B Western even though it has been lumped into the genre by history, but, a terrific Gothic Western (if indeed there is such a thing) Charles Middleton is suitably creepy as the classical music loving and talented pianist, but, horribly nasty bad guy. George O'Brien was solid as usual as the good guy and Cecilia Parker was very good too, not an annoying whiny girl as many of the females in this type of movie are, basically all the characters were enjoyable and plausible. It goes along at a good pace and there is a stunt by George O'Brien that makes you go "Wow". And the ending is very good too, no cop out in that one. All in all a really good way to spend an hour, the only bad thing was the quality of the print, it would have been nice if it had been better, but, even with that quality it was possible to see the great lighting and camera-work of this movie. I have to say I disagree with some of the other reviewers. The acting was not "stiff". George O'Brien's scenes with Cecilia Parker were not forced and for my money, he didn't have his shirt off enough ;)

Mystery Ranch may well have the best teaming of bad guy and henchman ever. It is hard to find such unrepentant evil with such joy in accomplishment than Charles Middleton and Noble Johnson. The James Bond films had such pairings but they were done tongue in cheek. Here the evil is deadly serious but not outrageous in the tie-her-to-the-railroad-tracks vein. The fact that the heroine is taking matters into her own hands helps a lot. The cinematography shows major studio quality. All of this raises the film well above standard B westerns.

Don't get me wrong: Mystery Ranch is no magnum opus. But put in perspective with B westerns it's head and shoulders above the pack. I give it an 8 because of Middleton and Johnson.

The story and writing and much of the acting is not so great, but the Gothic atmosphere and visuals are worth a look. (I'd like to see a better version than the Sinister Cinema DVD-R, but at least it's from a 35 mm print, if I recall correctly.) Charles Middleton is great as the grand piano-playing bad guy (and only says "heh" once), but George O'Brien as the hero is kind of a stiff. I also liked Noble Johnson as the murderous, mute Apache. Between his appearance and the piano-playing villain, this movie starts to make me think of another 1932 adventure film, THE MOST DANGEROUS GAME. But the shadowy cinematography of Joseph August is the real attraction here, and there are some terrific tracking shots as well. Some of the action sequences are also pretty exciting, but in the end the stakes of the plot just aren't strong enough to generate any tension. I agree with the other comment, however, that the ending is great stuff.

I was interested in seeing this film for one reason and one reason alone, Charles Middleton. "Flash Gordon" is without a doubt one of my all-time favorite films, and I was curious to check out some other work by the actor who played Ming the Merciless, one of the greatest villains in cinema.

"Mystery Ranch" did not disappoint, and I highly recommend this creepy, gothic western to anyone who appreciates unusual films. Parts of this movie are more like a horror film than a standard western, and there are some great, atmospheric scenes. The ending of the movie is also quite memorable.

"Mystery Ranch" is included in the book "Forgotten Horrors," which documents many poverty-row talkies of the early 30s. Both the book and this movie are worth seeking out.

Mystery Ranch is hailed by some as the perfect blend of Gothic horror elements and B-western. While I wouldn't call it perfect, it was unique and a very entertaining movie.

Excellent character actor Charles Middleton portrays a classical piano playing madman and land baron, who in order to expand his empire, uses his deranged Apache servants to kill. He also holds the daughter of his late partner prisoner in his foreboding ranch house with hopes of making her his bride, while our (bland) hero George O'Brien schemes to free her and bring Middleton to justice.

The performance by Middleton, along with Joseph August's excellent cinematography with his really effective use of light and shadow, help to give this a great Gothic atmosphere.

This has a great end scene too!