Beine sind Gold wert

Jack Oakie stars as an American brush salesman working in the tiny country of Klopstokia. He meets and fall in love with president W.C.Fields's daughter. He is rejected as a potential suitor until he convinces Fields that the nearly bankrupt country can get the money they need by sending a team to the Olympic games in Los Angeles. This seldom seen film is an absurdist masterpiece ... the slogan for Oakie's brush company is "They brush". Fields stays in office by defeating his cabinet in feats of strengths. This movie is the gift that keeps on giving.

I found Million Dollar Legs to be one of the funniest films I've seen. I was unaware that it is available on video.I'm going to get myself a copy,and show it to my friends who appreciate satire and/or slapstick in the style of the Marx Bros.

They don't make 'em like this anymore! In fact, they hardly ever made 'em like this in the first place. Million Dollar Legs is one of a kind, a truly bizarre comedy with attitude to spare and an otherworldly quality all its own. This is a Flesicher cartoon come to life, full of weird non sequiturs, sassy quips, slapstick violence and sexy dance moves. It's hard to believe that such an off-the-wall concoction was the product of the Hollywood studio system of the '30s; it looks more like something written by Algonquin Round Table wiseacres during a late night, booze-fueled party. The closest cinematic parallel would be the Marx Brothers' Duck Soup, made at the same studio (Paramount) by the same producer (Herman J. Mankiewicz) a year later. Both movies take place in mythical countries and include elements of political satire, with oblique references to the financial crisis then sweeping the globe. Both movies were made when Fascist and Soviet totalitarianism was on the march, and both use crazy verbal and visual gags to suggest a world gone mad. Still, Million Dollar Legs is the one that takes the madness concept deeper into the Outer Limits. The Marx Brothers' classic may be a funnier and more tightly made comedy, but this flick is crazier. Viewers with a taste for surreal silliness will be in seventh heaven.

This film was made in anticipation of the 1932 Los Angeles Olympics. The Paramount brass wanted to have something ready to go into theaters in conjunction with the games, and instead of a routine sports picture it was suggested that a comedy would be novel. The project was given to Herman Mankiewicz to supervise, since he'd worked with the Marx Brothers on Monkey Business and seemed to have a knack for this sort of thing. Mankiewicz, an eccentric wit from New York who'd been a regular member of the Algonquin literary set, assigned the script to his 24 year-old brother Joe and a writer named Henry Myers. In later years Joseph L. Mankiewicz told interviewers that the studio brass responded favorably to his crazy ideas and didn't seem too concerned about what kind of movie it turned out to be, as long as it involved the Olympics. One wonders how those Front Office executives -- not to mention Olympics Committee officials -- reacted when they saw the results.

Our story is set in the republic of Klopstokia, a land that time forgot where, we're informed, the chief imports, exports, and inhabitants are nuts and goats. In Klopstokia all the women are named Angela and all the men are named George -- except for our leading lady's little brother Willie, who shoots people in the butt with arrows. The place has a forlorn backwater atmosphere, although the inhabitants all possess superhuman athletic ability. The plot concerns a visiting American brush salesman (Jack Oakie) blessed with the name Migg Tweeny, who falls in love with a Klopstokian girl (Susan Fleming) who happens to be the daughter of the country's beleaguered President (W.C. Fields). Tweeny's boss is eager to bestow money on deserving athletes, so Tweeny, who has been fired, contrives a plan to recruit a team of Klopstokian super-athletes for the Los Angeles Olympics. Thus he can win prize money for Klopstokia, win back his job, and win his girl. The President, meanwhile, must fend off palace coup attempts in a land crawling with spies.

The plot doesn't matter, this movie is all about gags. Million Dollar Legs is generally remembered today as a W.C. Fields vehicle, but although he has a number a good moments he's really just a member of the larger comic ensemble. The tone of the comedy certainly isn't characteristically "Fieldsian," but feels instead like an attempt to revive the freewheeling, anything-goes atmosphere of the early Keystone comedies, updated with a '30s sensibility and satirical wordplay. The Keystone revival motif is underlined by the casting of numerous veterans of the Sennett studio in supporting roles, including Andy Clyde, Vernon Dent, Heinie Conklin, etc. Most notably, Ben Turpin makes a number of wordless appearances as a spy dressed in black. When talkies came in Turpin began a new career in cameo roles, serving as a kind of instant nostalgia figure representing the old days, nowhere so amusingly as here. Jack Oakie and Susan Fleming are the juvenile leads, and while normally I don't much care for Oakie I must admit he's quite appropriately cast as the feckless American brush salesman. Susan Fleming was a gorgeous brunette who is best remembered as Mrs. Harpo Marx. Based on the evidence at hand she wasn't much of an actress, but her awkward line readings (reminiscent of Ruby Keeler) boost the enterprise greatly: instead of "selling" the material she delivers her dialog with a flat-footed earnestness that makes it funnier. And special mention must go to the great Lyda Roberti in the role of the Mata Hari-like Mata Machree, the Woman No Man Can Resist. Faced with formidable competition Roberti rises to the occasion and practically steals the picture with a show-stopping performance of her big number "When I Get Hot in Klopstokia," a tune that sadly doesn't get much airplay nowadays.

There aren't many movies that even try to be as wacky as this one, but that doesn't mean Million Dollar Legs hasn't been influential. I would guess that its admirers have included everyone from Preston Sturges, Ernie Kovacs and Stan Freberg to the writing staffs of Mad Magazine, National Lampoon, Saturday Night Live and The Onion. The comic sensibility may not be to everyone's taste, but for connoisseurs of Pre-Code surrealism this is a gourmet feast.

Million Dollar Legs is the second feature film with W.C. Fields in the sound era. Still not sure of his box office potential Paramount billed him second under Jack Oakie. That would be something that would change shortly as Fields was given greater creative control of his films.

Although Oakie has his moments as his usual lovable blowhard self, a character that would be gradually taken over by Jack Carson in the Forties, the film really does belong to Fields. A year before Duck Soup was out, Million Dollar Legs took some real good political jabs using the American hosted Summer Olympics in Los Angeles as a background. Certainly saved on location shooting.

In fact one of the best things Million Dollar Legs has going for it is the good use of newsreel footage of the Olympics cut into the film. This was to be a showcase for the United States on the world stage. Remember how cleverly Ronald Reagan exploited the Olympics also held in Los Angeles in 1984 in his re-election bid? Herbert Hoover sent his Vice President Charles Curtis to open the Olympics, but the publicity certainly didn't redound to Hoover's credit. In fact Paramount exploited the Olympics better in this film.

W.C. Fields is the President of Klopstokia, a Ruritanian like country in Europe where all the people are trained from earliest times on earth to be athletes. Fields in fact is the strongest man in his kingdom and that's how one becomes president. It's a test of strength in Indian wrestling. When and if one beats him as Treasury Secretary Hugh Herbert keeps trying to do, you become president.

But Herbert's lined up the rest of Fields's disloyal cabinet against him. The country's national debt is about to put it in chapter eleven. What to do?

This is where Oakie comes in. He's a fast talking salesman for Baldwin Brushes and he's got a great offer from company president George Barbier. Recruit some of the populace for the Olympics and enter a Klopstokian team and he'll pay them whatever for use in his advertising. Sounds like a plan.

Herbert's down, but not out. He recruits international femme fatale spy for hire Mata Machree played by Lyda Roberti. She's to do what she does best, work on the hormones of the Klopstokian athletes so they're not concentrating on the Olympics. Make sure they're heads are not in the game.

Like Duck Soup to which this film bears a lot of resemblance Million Dollar Legs is good satire, a little gentler than Duck Soup, still it hits what it aims at. 220 years ago Million Dollar Legs could have come from the pen of Jonathan Swift.

This film went a long way to making W.C. Fields a star. He was a star on Broadway in the Ziegfeld Follies and in George White's Scandals, but in silent films and in his sound work so far, he played mostly supporting roles in feature films. After this his star status at Paramount and later Universal was assured. He's got some devastating lines here, mostly of his own making because Fields was notorious for just using the script situations as a guide. In a battle of wits, nobody tops him and that includes the director and the writers.

Fields and Oakie are supported by a real good cast of comic actors. Besides who I've mentioned, special mention should go to Andy Clyde as Fields's major domo and Ben Turpin as the silent cross-eyed spy.

For fans of W.C. Fields, a must. Oh, Yes.

There is room among movie aficionados to do a full study about "Ruritanian" Romances and films. Besides THE PRISONER OF ZENDA the number of films dealing with fictitious foreign states include musicals, comedies, and even straight political dramas. While all the studios put them out, Paramount certainly seemed to do more of them than the others. Look at THE LOVE PARADE, THE MERRY WIDOW, DUCK SOUP, and the present film, MILLION DOLLAR LEGS. Basically these countries have very poor populations ("Klopstokia" in MILLION DOLLAR LEGS is said to be basically made of nuts and goats; "Marshovia" in THE MERRY WIDOW, and "Freedonia" in DUCK SOUP depend on the largess of one rich woman in each country). The politics are not really democratic. "Sylvania" in THE LOVE PARADE is a monarchy, and has a particularly ruthless (if hapless) ambassador at work for it in DUCK SOUP. "Freedonia" in DUCK SOUP gives up democracy to satisfy a condition for a loan, and adopts an eccentric dictator (although a sharp one). And, although "Klopstokia" has a President, the election is based on physical strength - not on actual popular demand. Moreover W.C.Fields is as capricious in his way as Groucho Marx was in DUCK SOUP. Witness how Fields imagines a General he is dictating a letter to has insulted him, and breaks him to the rank of private.

It is a land of intrigue - for some incomprehensible reason Ben Turpin keeps turning up as a spy on the goings on of Fields and everyone else. The Vice President (Hugh Herbert - not quite so silly in this film as in others) keeps looking for ways of turning out the President either legally or by underhanded ways. When Klopstokia sends a large team of splendid athletes to the 1932 Los Angeles Olympics, Herbert hires the world's greatest vamp/spy - Mata Machree (Lyda Roberti) to demoralize and split up the team (and so discredit the President).

Fields is forced to rely on Migg Sweeney, a brush salesman (Jack Oakie) who is romancing Fields' daughter Angela (Susan Fleming) by singing the national love song, "Woof Blugle Gif" which is based on the tune of "One Hour With Your" from the Paramount film of the same name. He fortunately never gets to sing the entire song in the movie - he does play it on his ukulele. Migg manages, despite his fear for his safety from his prospective father-in-law, does do the best he can to keep the team in tack, and to try to bring it to Olympic gold.

The film is fast, as well as funny. I would give it an 8 out of 10.