Love Is a Racket

Douglas Fairbanks Jr. Is the Broadway columnist for a big New York paper. He's also in love with gorgeous Frances Dee, just back in the City with her aunt Cecil Cunningham. She's trying to promote a career, either on the stage or Park Avenue, and Doug is trying to help her with the former, as well as a fortune in rubber checks she's passed. But gangster Lyle Talbot is also interested in the lady, and has paid off the checks. He's expecting something in return. Can newspaper pals Lee Tracy and Ann Dvorak figure out where Fairbanks has been kidnapped to?

With that title and William Wellman directing, I was expecting a sardonic comedy; after all, he would helm NOTHING SACRED and ROXIE HART. But Wellman was a master of the tough-men-bonding-in-tough-circumstances stories that Howard Hawks and John Ford liked to tell, and it became clear about halfway through that this movie is about that. The humor starts to drain out of movie about a third of the way in, along with the idea of romantic love. It is replaced, though, with love born of respect and risks faced together. Nor does it limit itself to men, with Miss Dvorak giving one of her graceful, understated performances.

Douglas Fairbanks Jr. decides that "Love is a Racket" in this 1932 film directed by William Wellman and also starring Ann Dvorak, Frances Dee and Lee Tracy. Fairbanks Jr. is Jimmy Russell, who writes a Broadway beat column. He's in love with a young actress (Dee) who finds herself in debt to a criminal and asks Jimmy for help.

The story is okay, with a twist at the end. What impressed me the most is how underrated Douglas Fairbanks Jr. is. He's just wonderful here, as he has been in many other films - perhaps he never got that one breakthrough role. He was in an era of stultifying competition - Errol Flynn, Brian Aherne, David Niven, Ronald Colman - but acting-wise, he was very versatile, talented and charming.

The acting overall is quite good and doesn't suffer from some of the melodramatic work seen in early films.

This seedy, downbeat Broadway tale of love, money, ambition, and power makes for an entertaining film. Credit director William Wellman's felicity with the fast-paced Warner Bros style for the no-nonsense, snappy approach. Douglas Fairbanks Jr is very fine as the hardbitten gossip columnist with a fatalistic, romantic side, but Lee Tracy, Ann Dvorak, Frances Dee, Warren Hymer, and, especially, Cecil Cunningham as the conniving Aunt Hattie, do their best to steal the film. And, as this is a pre-code movie, who says a character can't get away with murder?

Douglas Fairbanks Jr. plays a worldly-wise newspaperman whose beat is Broadway. He always seems to be one step ahead of everyone and is never a chump...except when it comes to one woman (Frances Dee). This lady has written some bad checks and he decides to help her. However, it all ends up backfiring on him. It's a shame, as his lovely assistant (Ann Dvorak) can't get him to notice her. When his lady love gets in trouble, he decides to help her....with results he never anticipated. Along for the ride are Lee Tracy as his sidekick and Lyle Talbot as the tough guy who has the rubber checks.

While this isn't a bad film, it isn't all that great either. One way I knew this is that as I watched, I kept finding my attention drifting. The dialog is a bit snappy but there just seems to be SOMETHING missing. I think it's fun...and perhaps an interesting plot. A time-passer and nothing more.

Love is a Racket (1932)

** (out of 4)

Boring melodrama about a gossip writer (Douglas Fairbanks, Jr.) who falls in love with a struggling actress (Frances Dee) but she might be two timing him with a gangster (Lyle Talbot). William A. Wellman must have fallen asleep in the director's chair because there's not an ounce of energy in this film. Even by 1932 standards the film seems dated and rather routine. There's really not a single thing going for it as we sit there waiting for something to happen yet it never does. Fairbanks is very bland and boring in his role. At the end he gets a big speech about love, which comes off very silly. Frances Dee is good in her role but she doesn't have too much to do. Lee Tracy and Ann Dvorak co-star.