IMDb-BEWERTUNG
7,2/10
2921
IHRE BEWERTUNG
Die Baronin Teri von Hohenfels ist in Wien mit einem reichen Langweiler. Bei einem Juwelierbesuch trifft sie auf einen Charmeur, der das Geschäft alsbald mit einigen Komplizen ausraubt.Die Baronin Teri von Hohenfels ist in Wien mit einem reichen Langweiler. Bei einem Juwelierbesuch trifft sie auf einen Charmeur, der das Geschäft alsbald mit einigen Komplizen ausraubt.Die Baronin Teri von Hohenfels ist in Wien mit einem reichen Langweiler. Bei einem Juwelierbesuch trifft sie auf einen Charmeur, der das Geschäft alsbald mit einigen Komplizen ausraubt.
- Regie
- Drehbuch
- Hauptbesetzung
André Luguet
- Count Andre
- (as Andre Luguet)
Don Brodie
- Robber
- (Nicht genannt)
Marie Burton
- Maid
- (Nicht genannt)
Jack Chefe
- Jewelry Salesman
- (Nicht genannt)
Charles Coleman
- Charles
- (Nicht genannt)
Sheila Darcy
- Maid
- (Nicht genannt)
John Davidson
- Robbery Accomplice
- (Nicht genannt)
George Davis
- Polacheck - the President's Secretary
- (Nicht genannt)
Empfohlene Bewertungen
Jewel Robbery (1932)
If you haven't seen why Pre-Code films are a riot—and very very well made— watch this one. Here the sassy, sexy, glammed up heist of a jewelry store becomes a game of manners and courtship. Jewels do in fact get stolen, but that's so not the point of the movie.
Centerpiece is William Powell, the superstar status still to come with his "Thin Man" and "Godfrey" roles. He's in top form, always a bit peculiar but really lovable and suave because of it. One of a kind.
Equal to him is Kay Francis, who is alive on screen like few actresses, and a great foil to Powell's cool. If Powell is still famous, Francis is not, and the reasons are not clear. (She was labeled "Box Office Poison" in a famous 1938 article, but that same piece labeled Joan Crawford and Kate Hepburn as well, both of whom had hardly begun their mature careers.) But Francis is a wonder in her heyday and you may as well start here to get why. (She was for years in the 1930s the highest paid actress bar none.)
So if you aren't convinced to see this yet, take the set design, the tightly engineered photography and editing, and the overall direction by William Dieterle, who is an underrated master of the classic Hollywood years. Again, just see this for proof.
As for the Code and its effect here, listen to the banter, which is fast and loaded with double entendres. No one skips a beat, and the fast swirl never gets confusing. Really a remarkably packed 70 minutes.
If you haven't seen why Pre-Code films are a riot—and very very well made— watch this one. Here the sassy, sexy, glammed up heist of a jewelry store becomes a game of manners and courtship. Jewels do in fact get stolen, but that's so not the point of the movie.
Centerpiece is William Powell, the superstar status still to come with his "Thin Man" and "Godfrey" roles. He's in top form, always a bit peculiar but really lovable and suave because of it. One of a kind.
Equal to him is Kay Francis, who is alive on screen like few actresses, and a great foil to Powell's cool. If Powell is still famous, Francis is not, and the reasons are not clear. (She was labeled "Box Office Poison" in a famous 1938 article, but that same piece labeled Joan Crawford and Kate Hepburn as well, both of whom had hardly begun their mature careers.) But Francis is a wonder in her heyday and you may as well start here to get why. (She was for years in the 1930s the highest paid actress bar none.)
So if you aren't convinced to see this yet, take the set design, the tightly engineered photography and editing, and the overall direction by William Dieterle, who is an underrated master of the classic Hollywood years. Again, just see this for proof.
As for the Code and its effect here, listen to the banter, which is fast and loaded with double entendres. No one skips a beat, and the fast swirl never gets confusing. Really a remarkably packed 70 minutes.
This film has to be on the short list of films-that-epitomize-pre-code-Hollywood. Adultery, drugs, crime, flaunting of morals and convention, free-spirit thumbing their nose, all done with humour and glamour. One can understand why the church was upset! Problem was that there were many films that played on these themes so it must have seemed that Hollywood was really out to corrupt the world. This one has the full package but with a wink and smoothness that today's garbage film-makers would never have the patience to pull-off. Too bad the code swung the pendulum way too far in the other direction. A must-see for Francis and Powell fans.
This is a wonderful companion to TROUBLE IN PARADISE, also featuring the immortal and neglected Kay Francis; it features the great William Powell in one of his most unrivaled moments on screen. Another great one from Dieterle who also directed the American classic DEVIL AND DANIEL WEBSTER, which was recently released on DVD. Be nice to see this other classic of his become available. I viewed this on TCM and was entranced by the sparkling dialog; I wondered again why this effect seems impossible to achieve nowadays - was it that so many of these early actors had honed their talents on the stage? I would like to see this released on a disc with HIGH PRESSURE, another early Powell.
This is one of the raciest films of the 1930's. A married woman is having affairs all over the place, and then is willingly seduced by a gallant jewel thief. The movie just drips with illicit sex - you've got to see this one to believe it. Damn the Production Code for stopping films like this! Wavising Kay Fwancis has never been better!
"Jewel Robbery" is a movie made by grown-ups, written for grown-ups and starring grown-ups. This one almost qualifies as a costumer as everyone is in 'evening dress', this being 1932. It aired on TCM the other morning and I can't tell you what a refreshing break it was from what passes for modern comedy.
Do you like William Powell? Here he was never more debonair and urbane, not even in his Philo Vance pictures or as Nick Charles. Are you familiar with Kay Francis? She was so - what's the word - 'feminine' will do. Yes, that's perfect. And together they were perfect in this Pre-Code comedy which keeps you waiting for the next exchange of delicious dialogue.
He is a gentleman thief and she is a bored wife looking for excitement, adventure, etc. The story is clever enough but the script is the thing here. Truly, they don't make films like this anymore. Adam Sandler, you have no clue, son. This is sophisticated stuff.
'Jewel Robbery' is only the 2nd picture I have given a 9 to, and it was richly deserved.
Do you like William Powell? Here he was never more debonair and urbane, not even in his Philo Vance pictures or as Nick Charles. Are you familiar with Kay Francis? She was so - what's the word - 'feminine' will do. Yes, that's perfect. And together they were perfect in this Pre-Code comedy which keeps you waiting for the next exchange of delicious dialogue.
He is a gentleman thief and she is a bored wife looking for excitement, adventure, etc. The story is clever enough but the script is the thing here. Truly, they don't make films like this anymore. Adam Sandler, you have no clue, son. This is sophisticated stuff.
'Jewel Robbery' is only the 2nd picture I have given a 9 to, and it was richly deserved.
Wusstest du schon
- WissenswertesKay Francis as Baroness Teri says "In the morning, a cocktail. In the afternoon, a man. In the evening, Veronal." Veronal is an old brand name of barbital pills, the first commercial barbiturate. It was prescribed as a sleep aid from 1903 until the 1950s.
- PatzerWhen the police let go of the rope they are pulling Johann Christian Lenz of the Vienna Protection Agency out of the well with, he doesn't immediately fall but slowly drifts back down into the well.
- Zitate
Johann Christian Lenz, Nightwatchman: [smoking a 'funny' cigarette, using two phones, one at each ear] Hello. Hello. Hello. This is Napoleon.
- VerbindungenFeatured in Two for One: Jewel Robbery (2024)
- SoundtracksOn the Beautiful Blue Danube (An der schönen blauen Donau, Op. 314)
(1867) (uncredited)
Music by Johann Strauss
Played on the phonograph during the robbery
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- El ladrón galante
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 291.039 $ (geschätzt)
- Laufzeit
- 1 Std. 8 Min.(68 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.33 : 1
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