Füge eine Handlung in deiner Sprache hinzuJimmy idolizes bootlegger Matt, and when he refuses to implicate his friend, he is sent to reform school. He befriends Shorty, a boy with a heart condition, and escapes to let the world know... Alles lesenJimmy idolizes bootlegger Matt, and when he refuses to implicate his friend, he is sent to reform school. He befriends Shorty, a boy with a heart condition, and escapes to let the world know about the brutal conditions.Jimmy idolizes bootlegger Matt, and when he refuses to implicate his friend, he is sent to reform school. He befriends Shorty, a boy with a heart condition, and escapes to let the world know about the brutal conditions.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 2 wins total
- Jimmy Mason
- (as Junior Dirkin)
- Shorty
- (as Junior Coughlin)
- Henry Clark
- (as Charles Grapewin)
- Judge Robinson
- (as Wallace Clark)
- Superintendant Charles Thompson
- (as James Marcus)
- Lucy Mason
- (Nicht genannt)
- Boy at Trial
- (Nicht genannt)
- Detective
- (Nicht genannt)
- Cop on the Beat
- (Nicht genannt)
- Joe - Street Cop
- (Nicht genannt)
- Detective
- (Nicht genannt)
- Doctor
- (Nicht genannt)
Empfohlene Bewertungen
Junior Durkin plays a young man who in all innocence becomes involved with a charismatic bootlegger during the days of prohibition. Jimmy (Durkin's character) is arrested for being in the wrong place at the wrong time, and is sent to reform school, where things get worse. Some of the plot developments are not all that logical or plausible, but the story works in calling attention to the way that the young offenders are often treated simply as annoyances to be minimized, with insufficient attention given to constructive development.
Pat O'Brien is effective as the bootlegger, and Davis, though cast as a stock character, has a few good moments as his tough-minded girlfriend. The rest of the supporting cast, which features Charley Grapewin and Junior Coghlan, is solid, and the story moves at a good pace. Overall, it's a little above average for its time and genre, and it contains some ideas worth thinking about.
Mordaunt Hall observed, "The attempt to pillory reform schools is hardly adult in its attack, but it has a few moderately interesting interludes. The direction of this film is old-fashioned. Pat O'Brien gives a forced performance. Young Durkin's playing is sincere and likewise that of Bette Davis as Peggy."
The biggest problem with this film is how poorly the physical film itself has held up. The Library of Congress has done a great job cleaning it, but it remains a bit of a mess, particularly in the first act. Hopefully some day a better print will be found. The story itself is decent, and tells another angle on the whole gangster theme: what of those who are not gangsters but keep their mouths shut on their behalf?
** 1/2 (out of 4)
Low-budget crime/melodrama is best remembered for the early views of Pat O'Brien and Bette Davis. In the film, a young boy (Junior Durkin) moves to New York after the death of his mother where he quickly looks up to Matt (O'Brien). What the boy doesn't know is that Matt is a bootlegger and he ends up taking the rap for a crime and sent to an abusive reform school. The boy is trapped there unless Matt can grow some guts and admit that he is the one who should be behind bars. This film beat the Warner/James Cagney drama THE MAYOR OF HELL into theaters by nearly a year so I'm curious if this is one of those small studios hearing about a major studios work and then trying to race a finished product into theaters. The film certainly comes off that way because it has the structure of a decent drama but everything seems so rushed that they forgot to add any heart or soul. The movie is pretty flat, especially compared to the Cagney film and its several remakes, because we really don't see too much here. This reform school is suppose to be "hell's house" yet we hardly ever see any of the abuse or torments that the boys are going through. O'Brien's character is underwritten pretty badly as is his girlfriend played by Davis. The two actors are the main reason to see the film because they both come off very likable. O'Brien gets to shine in the role of the bad guy with a heart and it's easy to see why Warner signed him up. Davis doesn't come off as good but it's fun seeing a legend pay her dues. Durkin also does pretty good in his role but I thought he was a lot more believable in his "country boy" state early in the film rather than the hero at the end.
The story opens at a farm where Jimmy Mason (Junior Durkin) helps his widowed mother (Mary Alden) with the chores. The pleasant day turns out tragically when Mrs. Mason is suddenly struck and killed by a passing automobile. Left alone, Jimmy decides to come to the city and live with his Uncle Henry (Charley Grapewin) and Aunt Emma (Emma Dunn), landlords of an apartment building. There he meets one of their tenants, Matt Kelly (Pat O'Brien), who befriends the boy, and later introduces him to his girlfriend, Peggy (Bette Davis), a tough babe with a good heart, who takes an instant liking to this young teen. Jimmy, however, is quite naive and doesn't realize that Kelly is a smooth-talking, small-town operator and racketeer. Jimmy is soon offered a job by Kelly answering the telephone at his bootlegging headquarters. After showing him what to do and say, Kelly leaves Jimmy alone to tend to business. As Kelly slowly drives away, he looks at his rear view mirror to find the police barging in the place and arresting Jimmy. While in juvenile court, Jimmy believes that Kelly will come and speak on his behalf, and be released (no such luck). He refuses to identify Kelly as the man who hired him to the judge (Wallis Clark). Because of this, Jimmy is sentenced to three years in a state reformatory. While there, Jimmy becomes the victim of a cruelly-operated institution.
The supporting cast includes Junior Coughlan as Shorty, a reform school boy with a heart ailment who befriends Jimmy; Morgan Wallace as Frank Gebhardt, a crusading publisher wanting to improve reform school conditions; and James Marcus as the superintendent. While the opening credits presented on TV or video today give Davis and O'Brien star billing over Junior Durkin, the current opening credits are actually taken from reissue prints that capitalized on the stardom of both Davis and O'Brien, and is not the original opening credits as presented to 1932 audiences, hence the misspelling of Durkin's surname spelled Dirkin.
Although a reform school drama like this had been produced numerous times by other studios throughout the 1930s, "Hell's House," is really nothing new, in fact, a trifle slow at 70 minutes, handicapped by low-budget production values. Acting is good and reform school situations are grimly handled. However it's still interesting to see mainly because of the supporting actors of O'Brien and Davis, both of whom would become major film stars in later years, especially at Warner Brothers. (**1/2)
Wusstest du schon
- WissenswertesBette Davis's first starring role.
- Zitate
Peggy Gardner: If you'd give the kid a chance, Kelly, he might amount to something, instead of always thinking about yourself.
- VerbindungenFeatured in V.I.P.-Schaukel: Folge #6.1 (1976)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Juvenile Court
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit
- 1 Std. 12 Min.(72 min)
- Farbe
- Seitenverhältnis
- 1.37 : 1