IMDb-BEWERTUNG
7,2/10
4200
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA jealous stump threatens two trees that are in love by starting a forest fire. When the rain comes and puts out the fire the forest revives and celebrates the wedding.A jealous stump threatens two trees that are in love by starting a forest fire. When the rain comes and puts out the fire the forest revives and celebrates the wedding.A jealous stump threatens two trees that are in love by starting a forest fire. When the rain comes and puts out the fire the forest revives and celebrates the wedding.
- 1 Oscar gewonnen
- 2 wins total
Esther Campbell
- Birds
- (Nicht genannt)
Pinto Colvig
- Evil Hollow Tree
- (Nicht genannt)
Marion Darlington
- Birds
- (Nicht genannt)
Walt Disney
- Owl Sirens
- (Nicht genannt)
Purv Pullen
- Birds
- (Nicht genannt)
Empfohlene Bewertungen
10llltdesq
This won the very first Academy Award given for animated short and even after close to 69 years, it is still a marvel to behold. It quite justifiably won its praise at the time and is one of Disney's high points. Everything about this is excellent: story, music, characterization, plot, layout, visuals-everything! Periodically, this is run on the Ink and Paint Club on the Disney Channel and should be out on video. Apparently the powers that make the decisions for The Mouse don't see a point in releasing shorts on home video. Such a shame to have such remarkable material out of circulation. *sigh* The winner, on points. Most highly recommended.
Indeed a very nice work of art on this one! I enjoyed it immensely. I'm certain you will too. It is definitely worth every bit of the few minutes to watch. More than flowers and trees though, even though that's just the title.
This is a beautifully done award-winning animation short, with cleverly done sequences such as the trees and flowers waking up to the day and the characters sounding off the alarm after an old, grumpy tree stump starts a forest fire in a fit of jealous rage.
Wonderful serene music, including some recognizable tunes, as well.
Grade A
Wonderful serene music, including some recognizable tunes, as well.
Grade A
The first Silly Symphony to to be made in Technicolour, Flowers and Trees remains my favourite of the Silly Symphonies. It has a certain charm that is almost irresistible. Flowers and Trees is beautifully animated, with vibrant colours, and considering when it was made, I was most impressed. The characters, although they never speak, are very lovable, especially the Mushrooms. Even the evil tree stump was an engaging character in his own right. The music was wonderfully lyrical, and reminded me of the sort of music you'll find in a ballet. It was so charming and pleasant, it plays a significant role in justifying the undeniable charm of this gem. The story is very simple, and is fairly unrealistic, but everything else that is so good, more than compensate, and it is meant to be silly. The result is a beautiful and imaginative short, with a 10/10. Bethany Cox.
A Walt Disney SILLY SYMPHONY Cartoon Short.
One beautiful Spring morning, the FLOWERS AND TREES awake to rise & shine. Two young trees, swept away by leafy bliss, carry on an arboreal romance which is threatened by the arrival of an evil-hearted old stump...
This cartoon has a cute little story, but its significance lies in the fact that it was the first cartoon produced in Technicolor. Walt had cannily entered into an exclusive contract for the use of the procedure, only the latest of a string of risky innovations he would brave. Technicolor proved to be a sensation, and FLOWERS AND TREES pointed the way to the future. It would be three more years before Mickey Mouse took the Technicolor plunge - his films were so profitable he didn't need to abandon black & white just yet - but eventually virtually all cartoons would appear in one of a handful of competing color processes.
The SILLY SYMPHONIES, which Walt Disney produced for a ten year period beginning in 1929, are among the most fascinating of all animated series. Unlike the Mickey Mouse cartoons in which action was paramount, with the Symphonies the action was made to fit the music. There was little plot in the early Symphonies, which featured lively inanimate objects and anthropomorphic plants & animals, all moving frantically to the soundtrack. Gradually, however, the Symphonies became the school where Walt's animators learned to work with color and began to experiment with plot, characterization & photographic special effects. The pages of Fable & Fairy Tale, Myth & Mother Goose were all mined to provide story lines and even Hollywood's musicals & celebrities were effectively spoofed. It was from this rich soil that Disney's feature-length animation was to spring. In 1939, with SNOW WHITE successfully behind him and PINOCCHIO & FANTASIA on the near horizon, Walt phased out the SILLY SYMPHONIES; they had run their course & served their purpose.
One beautiful Spring morning, the FLOWERS AND TREES awake to rise & shine. Two young trees, swept away by leafy bliss, carry on an arboreal romance which is threatened by the arrival of an evil-hearted old stump...
This cartoon has a cute little story, but its significance lies in the fact that it was the first cartoon produced in Technicolor. Walt had cannily entered into an exclusive contract for the use of the procedure, only the latest of a string of risky innovations he would brave. Technicolor proved to be a sensation, and FLOWERS AND TREES pointed the way to the future. It would be three more years before Mickey Mouse took the Technicolor plunge - his films were so profitable he didn't need to abandon black & white just yet - but eventually virtually all cartoons would appear in one of a handful of competing color processes.
The SILLY SYMPHONIES, which Walt Disney produced for a ten year period beginning in 1929, are among the most fascinating of all animated series. Unlike the Mickey Mouse cartoons in which action was paramount, with the Symphonies the action was made to fit the music. There was little plot in the early Symphonies, which featured lively inanimate objects and anthropomorphic plants & animals, all moving frantically to the soundtrack. Gradually, however, the Symphonies became the school where Walt's animators learned to work with color and began to experiment with plot, characterization & photographic special effects. The pages of Fable & Fairy Tale, Myth & Mother Goose were all mined to provide story lines and even Hollywood's musicals & celebrities were effectively spoofed. It was from this rich soil that Disney's feature-length animation was to spring. In 1939, with SNOW WHITE successfully behind him and PINOCCHIO & FANTASIA on the near horizon, Walt phased out the SILLY SYMPHONIES; they had run their course & served their purpose.
Wusstest du schon
- WissenswertesThe first animated short in full color and the first one to win an Academy Award - Walt Disney's first of twenty-two. Also the first film (animated or otherwise) to use the three-strip Technicolor process.
- PatzerWhile playing the makeshift harp, the shorter "strings" should produce the higher-pitched tones, while the longer "strings" should produce the lower-pitched tones. However, when the tree plays, the opposite is true.
- VerbindungenEdited into Academy Award Review of Walt Disney Cartoons (1937)
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- Flowers and Trees
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- Laufzeit
- 8 Min.
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- Seitenverhältnis
- 1.37 : 1
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