Der geheimnisvolle Dr. X

The police are investigating a series of murders where victims have been cut up by scalpel and cannibalized. The murders always take place on a night with a full moon. They trace the scalpels to a nearby surgical academy. The head of the academy, Dr. Xavier (Lionel Atwill), doesn't believe someone at the academy is the killer and asks police for a chance to prove this using his own scientific methods. Also on the trail of the killer is reporter Lee Taylor (Lee Tracy). Taylor is suspicious of Doctor Xavier but when he meets the doctor's daughter (Fay Wray) he becomes smitten. Allowed only 48 hours to prove his case, Xavier gathers all the suspects at his mansion to perform his experiment. But things don't go as planned and another murder is committed.

Doctor X is a classic horror-mystery that has many points of interest for film fans. For starters, the two-color Technicolor process it was filmed in was new for the time. It also has great Max Factor makeup that looks especially nice in the early Technicolor. Another thing, it's a pre-Code film. Cannibalism, a major part of the plot, wouldn't have been allowed just a short time later. Lastly it's the horror debut of one of the greats of the genre, Lionel Atwill. Atwill would go on to a great career making many horror films, including two more with Wray the following year. He always brought class and dignity to his usually villainous roles. He's great here as well.

The major complaint about the film seems to be directed at Lee Tracy's comic character. He is probably the worst part of the movie, but not because his performance is bad. He does fine with what he's supposed to do. It's just that comedy in horror films is usually best left to minor supporting roles not for the male lead in the film. However, I personally feel he's not obnoxious enough to hurt the film significantly. It's still very fun and very interesting, both from a film history perspective as well as sheer entertainment value. I would recommend all fans of classic horror films check it out.

Wow, what a shock - a 1932 color movie! Well, sort of......only two colors, but they look great.

I only got this because I saw it at the library as part of a two-pack with "The Return Of Dr. X." It is part of a Hollywood "Legends Of Horror" package that includes several other films I am familiar with and think highly of, so I can see a possible future purchase.

Anyway, the first thing that struck me watching this was that fantastic two-strip Technicolor. Immediately there is a street scene of green and brown that looks tremendous....and eerie. You would think that only black-and-white might make this look eerie, but not so - that combination of green and brown was very effective and made this a fascinating visual film. Hats off to the UCLA film restoration team, which made this 75-year-old film look really good.

As for the story, well, let's just say it doesn't measure up to the visuals. It starts off looking like a fun movie, even - surprise - a comedy as the newsman "Lee Taylor" (Lee Tracy) cracks a few corny jokes. However, it settles down into a crime story (more than horror) and we wind up with a whodunit and a room full of suspects, a la Charlie Chan or Sherlock Holmes. The suspects are all scientists working in the Academy of Surgical Research. A bunch of recent hideous crimes by the "Moon Killer" were all done in the vicinity of the academy, so they're the prime suspects. Even the head man at the academy, "Dr. Xavier," looks a bit suspicious. He is played well by Lionel Atwill.

The police give "Dr. X" 48 hours to find out if any of his employees are the killer before they totally take over the investigation and ruin the reputation of the scientific institution. All of the scientists, by the way, look and act creepy which adds to the mystery. Heck, they all could be serial killers.

The film drags during much of that period - except for a short testing session that Dr. X sets up to see if any of his subordinates are, indeed, the killer. Apparently, it's true because someone kills one of the suspects during the experiment! Then there is another long lull and the cops are getting impatient with the good doctor. They give him another ultimate so he "tests" his employees again, this time using his daughter "Joanne" (Fay Wray) as a guinea pig, so to speak.

Then, we finally see who the real killer is and that part is fun to watch and he transforms into a hideous monster-like man. I guess this why the film is called a horror film instead of a crime movie. I won't give the ending away but I admit, it's pretty good.

If that long middle part had been spiced up a bit, this would have super, but it was too talky for too long. Still, this isn't bad and I love those two colors. I wish more movies looked like that.

The fact that Doctor X was shot in color was pretty rare in 1932 with most of the studios existing from day to day during the Depression. Very few had money to splurge on something like this. Knowing that I'm surprised Warner Brothers didn't bother to use it on one of their Busby Berkeley spectaculars.

There have been a string of mutilation killings in New York, really horrible stuff and forensics has determined the weapon used was a special kind of surgical scalpel only in use at a particular scientific institute. The one headed by Doctor Xavier the Doctor X of the movie title.

Atwill's got some pull with the cops because they allow him 48 hours to find who the killer is and save his institute some scandalous press. The press is in the form of Lee Tracy a determined reporter who sneaks into the institute looking for the inside scoop. He meets up with Fay Wray who is Atwill's daughter, but even she doesn't deter him from his mission.

Horror stories were not the Warner Brothers specialty and when you consider what was coming out of Universal at the time, Dracula, Frankenstein, and The Mummy, Doctor X looks pretty second rate besides them. No monsters in this film except the truly monstrous human being who is doing all the homicides.

Warner Brothers seven years later did The Return Of Doctor X which has absolutely nothing to do with this film and provided Humphrey Bogart with one of the worst roles in his career. Next to that one, Doctor X is like Citizen Kane.

When you think of it, everything about this film is strictly synthetic...the plot, the hokey comic relief, the occasional ham acting--but the atmosphere photographed in crisp looking two-strip Technicolor is fully charged and the taut direction of Michael Curtiz (long before he did another more polished noir called THE UNSUSPECTED), makes this a very watchable early horror film from Warner Bros.

The Anton Grot sets in early color will keep the viewer totally enhanced even when the plot holes become too obvious. The annoying comic relief supplied by Lee Tracy as a fast-talking newspaperman (was there any other kind?), is fortunately not much of a handicap when the cast includes an assortment of richly eccentric characters.

I have to confess I guessed who the murderer was from the start--but it didn't dampen my enjoyment of the melodramatic and very creepy events. The storyline concerns a killer known for striking when there's a full moon and Lionel Atwill is the doctor who thinks he can solve the crime by some scientific detective work of his own.

It's the sort of film that became a staple of the "old dark house" mysteries audiences loved in the '20s and '30s--and even into the '40s with films like THE CAT AND THE CANARY. None of it seems quite as compelling as some of the better known fright films (including MURDER IN THE WAX MUSEUM), but we do get a chance to hear some first rate screams from Fay Wray (who looks very attractive in close-ups even though the Max Factor make-up is a little too extreme), and the capable cast includes such sturdy performers as Lionel Atwill and Preston Foster.

Trivia note: The killer's synthetic flesh make-up is very effective when he's in full mode on the kill. Kudos to Michael Curtiz for a fun-filled fright film.

As a collector of old mystery-horror-comedy films (over 700 in my collection!), "Dr. X" (& "Night Monster") rank as my Top Two Films of All-Time! And, that's quite a statement!

Why? The marvellously spooky sets by Anton Grot, the superstitious antics of the maid, plus the ad-libbing of Lee Tracey make this film a gem! The entire film is extremely "atmospheric" and the effects of the "monster" shadows on the walls, clutching hands, wind (machines!), and all the rest really add to it!

Sometimes I watch this film just to observe the SETS!

(If you see it, watch the scene where Lee Tracey is trying to get into the house on Blackstone Shoals....the "wind" is howling like crazy, but not many of the trees are moving! I LOVE it!)

If possible, try to watch this film in the original tri-color technicolor version, as it's a lot better!

A wonderfully creepy film!