Füge eine Handlung in deiner Sprache hinzuWhen delusional madman Roxor kidnaps a scientist in hopes of using his death ray to achieve world dominance, he is opposed by Chandu, a powerful hypnotist and yogi.When delusional madman Roxor kidnaps a scientist in hopes of using his death ray to achieve world dominance, he is opposed by Chandu, a powerful hypnotist and yogi.When delusional madman Roxor kidnaps a scientist in hopes of using his death ray to achieve world dominance, he is opposed by Chandu, a powerful hypnotist and yogi.
- Betty Lou Regent
- (as June Vlasek)
- Bobby Regent
- (as Nestor Aber)
- Yogi Teacher
- (Nicht genannt)
- One of Roxor's Henchmen
- (Nicht genannt)
- Bidder at Slave Market
- (Nicht genannt)
- One of Roxor's Henchmen
- (Nicht genannt)
- Ali
- (Nicht genannt)
- Bidder at Slave Market
- (Nicht genannt)
Empfohlene Bewertungen
CHANDU boasts dazzling set design and fluid cinematography that create a fascinating, mysterious Egyptian milieu with majestic temple sets and an atmospheric desert locale. CHANDU's sense of adventure and mystique is further enhanced by special effects illustrating the powers of both Chandu and a death ray Roxor plans to employ in his world-domination plot. Even by today's Industrial Light and Magic standards, these effects look impressive.
Edmund Lowe is acceptable in the title role of Chandu but Bela Lugosi in the role of Roxor steals the film. Lugosi tackles his part with a demonic zeal, displaying odious glee over his scheme in both his facial expressions and line deliveries. There is little restraint or subtlety in his performance, but Lugosi projects such persuasive charisma that one can forgive his indulgences. Overall, CHANDU is no classic, but it's fun escapist entertainment.
Chandu (Edmund Lowe) is a magician who seems to just be "graduating" as the film begins with a ceremony full of mumbo jumbo that I cannot make sense of even when I rewind and replay it several times. Chandu finds out that his brother-in-law, who was working on a death ray invention, has been kidnapped by Roxor (Bela Lugosi), and so he rushes to his sister's side to protect her and her daughter and try to save his brother-in-law before Roxor can learn the secret of the death ray. And what does Roxor want? Power? RIches? Fame? no he wants to destroy society so mankind will revert to beasts and he can be the smartest guy in the world. Weird. I guess this is what happens when a sociopath is forced to wear a dunce cap as a kid.
If this sounds like something out of silent film, that is how it plays out too. The romance scenes, the action scenes, everything plays out with silent film technique in direction and acting. I generally really like Edmund Lowe and his roles, so I have to lay this at the feet of the director. I could take this in stride in 1929 and 1930 during the transition to sound, but that time is long over.
Probably the most tiresome character, though, is Albert, Chandu's loyal companion. He is cowardly, a drunk, and always having to be rescued by Chandu even though saving Albert from himself is NOT his primary mission. Prohibition was still in force, so maybe all of these unfunny drunks I encounter in these Prohibition era films are supposed to be knocks at an unpopular law. But today, it's just not funny.
Mildly recommended for fans of Edmund Lowe and Bela Lugosi.
This pre-code potboiler from Fox Films introduces Edmund Lowe as Chandu the Magician, an American who has learned almost supernatural powers from the Yogi of the East. He can control men's minds, he possesses powerful protective powers of divination, he can walk on fire or astrally project or perform any number of other miraculous feats.
For reasons that defy logic, Chandu's brother(?) Robert, a Scientist, has been working on developing a Death Ray which can take out an entire city. Just as Robert has finally perfected this project, the evil Roxor (the fabulous Bela Lugosi as "That Monster in Human Form") and his Arabic henchmen kidnap Robert in an attempt to wrest the Secret of the Death Ray from its creator.
In the meantime, Chandu has fallen in with the beautiful Egyptian Princess Nadji, with whom he has been in love for 3 years... Princess Nadji is also in love with Chandu, but has been sacrificing herself Most Nobly for her People. Will these unusual interracial lovers find happiness at last? (Since miscegenation was illegal in many parts of the U.S. during this period in history, this is actually a genuine question!)
Of course, Princess Nadji falls into the clutches of the evil Roxor, and a great deal of deranged soliloquizing follows in the villain's Super-Scientific Laboratory (filled with the requisite Bride of Frankenstein-like crackling electrical apparatus). Will Robert have the strength to keep his Secret of the Death Ray before Roxor has tortured or destroyed all of his loved ones? Will Chandu be able to find Roxor's secret lair in time to Save the World and rescue Robert and the Princess?
In the directorial hands of Marcel Varnel and the brilliant William Cameron Menzies, this unpromising material becomes a stylish-looking, stunningly photographed and beautifully paced bonbon of pulp-y goodness.
If you are in the mood for a campy, beautifully designed, fast-moving melodramatic kiddie-matinée "thriller", I highly recommend this movie. Yummy, stupid, enchanting... and surprisingly progressive about miscegenation for a 1930's film that otherwise wallows in racial stereotypes!
Containing more action than most serials this is a true popcorn movie that moves pretty much from start to finish. There are dangers aplenty as Chandu struggles to save the world.
The film is near perfect, but suffers from a couple of small flaws. The first is the over use of the small man that Biggles sees each time he drinks. Chandu enchants Biggles to prevent him from drinking and its used a couple of time too many. The second is that toward the end the effects look weak. The underwater sequence is terrible, and the use of rear screen as people flee the temple is awful.
Still this is a movie to sit down with a big bucket of popcorn and enjoy.
9 out of 10.
Wusstest du schon
- WissenswertesThis movie was based on "Chandu the Magician," a radio show that was airing at the time. Chandu was the basis for many of the later magician characters, including DC's Sandor the Mystic and Marvel Comics's Dr. Strange.
- PatzerDuring the scene where Chandu sneaks into the slave auction by luring the guard away with an astral projection. The guard chases the illusion, corner it, only to see it disappear before him. Shot over his shoulder we see him raise his hands in amazement and drop his rifle. There is a cut and the new angle shows the guard from the front with a look of stupefaction on his face - but still holding the gun.
- Zitate
Yogi Teacher: Thou has done well, my son. To few, indeed, of thy race have the secrets of the yogi been revealed.
Chandu - aka Frank Chandler: To you, my teacher, I express my thanks. What more can I learn?
Yogi Teacher: Nothing now. The world needs thee. Go forth in the youth and strength and conquer the evil that threatens Mankind.
- Crazy CreditsA magician's hand waves the opening credits on and off the screen.
- VerbindungenFeatured in Masters of Magic: The World of ''Chandu'' (2008)
- SoundtracksHow Dry I Am
(uncredited)
Music by Arthur Fields
Lyrics by Fred Hall
In the score when Miggles is about to take a drink
Top-Auswahl
- How long is Chandu the Magician?Powered by Alexa
Details
Box Office
- Budget
- 349.456 $ (geschätzt)
- Laufzeit1 Stunde 11 Minuten
- Farbe
- Seitenverhältnis
- 1.37 : 1