Chandu the Magician

I have to agree with other reviewers on this film: Bela Lugosi steals the show. He's good a usual in this underrated fantasy film.

The sets and costuming are lavish, elegant and beautiful eye candy. Loved the Egyptian setting. The special effects are great for it's time era.

The story is good, it has quite a bit of romance and comedy in it. The film does have some action and it's fun adventure to watch. It's simply a worthwhile film classic to view.

Simply worded: If you like film surrounding magic, mysticism, fantasy, Egyptian-themes, and/or Bela Lugosi then I'm sure you will enjoy Chandu the Magician.

7.5/10

Okay, I'll admit that technically speaking, this film isn't what you'd expect for a score of 8. After all, this was a very low-budget production and occasionally it really shows it--though most of the time, they do make the most of their limited resources. The film does earn super-high marks, though, for its ability to entertain, as there is one thrill after another after another--just like a Saturday morning movie serial condensed into one great package. In fact, it isn't all that surprising that just two years later they DID make a serial version of the Chandu character and a couple more movies--though oddly, he was played by Bela Lugosi in them, while in CHANDU THE MAGICIAN, he actually played the evil villain!!

Edmund Lowe stars here as Chandu--a Westerner who has "learned the psychic powers of the East". In other words, he spent years with gifted Hindu holy men and learned to use their great powers to control mens' minds. Using hypnosis, Chandu can make just about anyone do or see anything!! This makes him one heck of an amazing super-hero. Some of his tricks involved making men think their guns had turned to snakes, the ability to make doubles of himself to lure away the bad guys and his funny ability to mess with his man servant whenever he tries to take a drink!! Aside from comic heroes such as Mandrake, this is a truly unique character--and a very, very unique one for film. The closest I can think of are films such as THE COBRA WOMAN and ALI BABA, but they really aren't the same. Considering how exciting and fun this film was, I really wished they had made more of them--especially since the writing was so "seat of your pants" good.

In addition to these cool psychic powers, the film features a death ray, kidnappings and an evil cult of followers for Lugosi--what more could you possibly want in an old-time action-suspense film?! This is really great and exciting stuff--much better than the usual film for Lugosi or Lowe--who both do an exceptional job in this film. Too bad they just don't make 'em like they used to.

... I almost expect somebody in this film to say those tired old lines. This is one of the few precode Fox films that has managed to survive. So many were lost to vault fires or just nitrate deterioration from neglect. Odd how this obscurity survived and is on DVD even!

Chandu (Edmund Lowe) is a magician who seems to just be "graduating" as the film begins with a ceremony full of mumbo jumbo that I cannot make sense of even when I rewind and replay it several times. Chandu finds out that his brother-in-law, who was working on a death ray invention, has been kidnapped by Roxor (Bela Lugosi), and so he rushes to his sister's side to protect her and her daughter and try to save his brother-in-law before Roxor can learn the secret of the death ray. And what does Roxor want? Power? RIches? Fame? no he wants to destroy society so mankind will revert to beasts and he can be the smartest guy in the world. Weird. I guess this is what happens when a sociopath is forced to wear a dunce cap as a kid.

If this sounds like something out of silent film, that is how it plays out too. The romance scenes, the action scenes, everything plays out with silent film technique in direction and acting. I generally really like Edmund Lowe and his roles, so I have to lay this at the feet of the director. I could take this in stride in 1929 and 1930 during the transition to sound, but that time is long over.

Probably the most tiresome character, though, is Albert, Chandu's loyal companion. He is cowardly, a drunk, and always having to be rescued by Chandu even though saving Albert from himself is NOT his primary mission. Prohibition was still in force, so maybe all of these unfunny drunks I encounter in these Prohibition era films are supposed to be knocks at an unpopular law. But today, it's just not funny.

Mildly recommended for fans of Edmund Lowe and Bela Lugosi.

Willian Cameron Menzies does a more than adequate job creating suspense in this early serial-style thriller about a yogi mystic named Chandu protecting the world, his sister and her family, and his Egyptian princess love from the evil megalomaniacal ways of Roxor. Roxor has built a death ray to make himself master of the world. Only trouble is that the inventor will not give him the secret of the ray and Chandu is on to his dastardly scheme. Edmund Lowe makes a dashing, affable hero with his ready wit and his theatrical gestures conjuring magic. Roxor is played with aplomb by heavy Bela Lugosi. Lugosi steals all of his scenes and gives a first-rate performance. Irene Ware as the Princess Nadja makes an attractive, bright leading lady, and the rest of the cast fares well too. A thoroughly nice comedic turn is performed by Herbert Mundin as Mr. Miggles. He is a drunken friend/servant of Chandu and sees himself in miniature every time he takes a drink. The film boasts what must have been relatively high production values for the day. It plays well considering it was made in 1932. There are some great scenes in the film. Menzies, best known for directing Invaders From Mars, uses a very fluid camera. A scene where Chandu looks into a crystal is most impressive as the camera zigs and zags through a Egyptian tomb. Another memorable scene depicts the scientist's daughter, clad only in a tight slip, offered on the slave trading block. The scene was risque for its time to be sure. While Chandu is certainly not a great film, it is definitely a cut above many films made in its time.

Sixty or more years ago, I saw this movie in Tehran, Iran. I was about ten at that time and there was a huge poster of the movie in the bicycle shop where I took my bike for repairs. The whole poster was the face of Chandu the Magician with his hands and opened fingers in front of him. I was mesmerized by the supernatural powers of that magician, who could make the audience see things that were not there. It was the first movie I fell in love with, but they didn't show the sequels which I now see on this website had been produced. I was waiting in such earnest to see more of my favorite hero. They were innocent times....