IMDb-BEWERTUNG
6,4/10
1477
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuTwo young women find their friendship strained when one wins a role in a Broadway show, and the other's boyfriend begins to fall for her.Two young women find their friendship strained when one wins a role in a Broadway show, and the other's boyfriend begins to fall for her.Two young women find their friendship strained when one wins a role in a Broadway show, and the other's boyfriend begins to fall for her.
Oscar Apfel
- Doctor Attending Pa
- (Nicht genannt)
Max Barwyn
- Party Guest
- (Nicht genannt)
George Bookasta
- Street Kid
- (Nicht genannt)
Volta Boyer
- Chorus Girl
- (Nicht genannt)
George Cooper
- O'Brien - Stage Manager
- (Nicht genannt)
John Davidson
- Party Guest
- (Nicht genannt)
Empfohlene Bewertungen
One of Marion Davies' best performances in this snappy comedy/drama. Davies plays Blondie, a good girl who becomes a success in the follies despite her best friend's effort. Billie Dove (a big silent star in her best talkie role) is excellent as the friend. Robert Montgomery, Zasu Pitts, Sidney Toler, Douglas Dumbrille, and Jimmy Durante co-star. But this is Davies's film from beginning to end. She is totally wonderful, funny, touching, and gorgeous. Again and again I state that Marion Davies was major talent, a great star, and one of Hollywood's great beauties. She's also one of the finest comic actresses EVER! Watch this film and you'll see that Davies was an A-list star, one who deserves to be rediscovered. Blondie of the Follies may be a minor film, but it's well done, entertaining, and boasts terrific performances by Marion Davies and Billie Dove.
Pleasant precode golddigger comedy with both Marion Davies and Billie Dove becoming kept women as well as Follies dancers to get a taste of the good life.
Includes Marion Davies's parody of Greta Garbo with Jimmy Durante.
Includes Marion Davies's parody of Greta Garbo with Jimmy Durante.
What a treat to see! BlONDIE OF THE FOLLIES is a very entertaining film with terrific performances by Marion Davies and Bille Dove. A great script by Anita Loos and Frances Marion and beautiful Art Deco sets by Cedric Gibbons make this fine film a must see. It is in Turner Classic Movies library, though it hardly ever gets shown. Be on the look out for it though, because it is a real treat. Fast, snappy and skillfully directed by one of the most underrated directors of Hollywood's Golden Age, Edmund Goulding, responsible for such classics as GRAND HOTEL and DARK VICTORY. If you want to read more about BLONDIE OF THE FOLLIES pick up the new Edmund Goulding biography. It's really very good.
Marion Davies stars in this poignant MGM drama, directed by Edmund Goulding, which features excellent performances but is relentlessly downbeat. Writers Frances Marion & Anita Loos, two of the very best, really drag their characters through the Slough of Despond, piling emotional outburst upon painful heartache almost without relief.
The writers also give Miss Davies a most curious scenario: that of a lively, vivacious showgirl, not very good at holding her liquor, who, as the mistress of a wealthy, older tycoon, is settled into a life of luxury. Sound familiar? As the girlfriend of William Randolph Hearst, the nation's most powerful media mogul, and the chatelaine of San Simeon, America's most lavish private estate, Davies must have noted, and been amused by, the script's odd similarities to her own life.
Billie Dove gives a fine performance as Davies' oldest friend and bitterest rival, an insecure woman consumed by jealousy. Suave Robert Montgomery plays the object of both ladies' affections and he is both polished and sophisticated. James Gleason steals a few scenes as Davies' loving, work-weakened father.
The incomparable ZaSu Pitts shines in the small role of Davies' no-nonsense older sister. Sidney Toler (a future Charlie Chan) is her affable, lazy husband. Sinister Douglass Dumbrille plays a lecherous tycoon who likes blondes.
Jimmy Durante appears very late in the film and then only in one scene, essentially playing himself as a guest at a Davies party. His lowbrow humor is a wonderful tension reliever, especially during the few moments he and Davies spoof John Barrymore & Garbo in GRAND HOTEL, which Goulding had directed earlier that same year. It's a shame Durante doesn't get to interact with Miss Pitts, but just having him around for five minutes is a real spirit lifter.
Movie mavens will recognize Charles Williams & Billy Gilbert, both uncredited, as the sleazy producers who entice Miss Dove in the film's opening scene.
The writers also give Miss Davies a most curious scenario: that of a lively, vivacious showgirl, not very good at holding her liquor, who, as the mistress of a wealthy, older tycoon, is settled into a life of luxury. Sound familiar? As the girlfriend of William Randolph Hearst, the nation's most powerful media mogul, and the chatelaine of San Simeon, America's most lavish private estate, Davies must have noted, and been amused by, the script's odd similarities to her own life.
Billie Dove gives a fine performance as Davies' oldest friend and bitterest rival, an insecure woman consumed by jealousy. Suave Robert Montgomery plays the object of both ladies' affections and he is both polished and sophisticated. James Gleason steals a few scenes as Davies' loving, work-weakened father.
The incomparable ZaSu Pitts shines in the small role of Davies' no-nonsense older sister. Sidney Toler (a future Charlie Chan) is her affable, lazy husband. Sinister Douglass Dumbrille plays a lecherous tycoon who likes blondes.
Jimmy Durante appears very late in the film and then only in one scene, essentially playing himself as a guest at a Davies party. His lowbrow humor is a wonderful tension reliever, especially during the few moments he and Davies spoof John Barrymore & Garbo in GRAND HOTEL, which Goulding had directed earlier that same year. It's a shame Durante doesn't get to interact with Miss Pitts, but just having him around for five minutes is a real spirit lifter.
Movie mavens will recognize Charles Williams & Billy Gilbert, both uncredited, as the sleazy producers who entice Miss Dove in the film's opening scene.
Blondie of the Follies (1932)
*** (out of 4)
Marion Davies plays slum girl Blondie McClune who finally gets out of her dump thanks in large part to he friend Lottie (Billie Dove) who has made it big on Broadway. The two have a falling out when Larry (Robert Montgomery) falls for Blondie but she has more problems as her high life slowly starts to crumble down. I was really shocked at how good this film was because, to be honest, this story isn't all that original and it's one we had seen countless time in the brief time that talkies had come into play. What really makes this film worth watching are the downright marvelous performances and various pre-code elements. The pre-code elements are pretty straight-forward in their sexual innuendo and the film doesn't shy away from Dove's rather large breasts and she's constantly dressed in skimpy little outfits that allows her to jiggle around if you catch what I mean. Even Davies has a brief scene where she's wet and you can see through her top. Even without these elements the film still works because both women are terrific in their roles. Apparently the story here is very close to that of Davies real life and perhaps that's why she dug into the character so much. She's not playing that Davies persona here but instead she really delivers a full character on all levels. Dove is brilliant as well because her sexuality really jumps off the screen and she makes her character very memorable. It was sad to read she retired from Hollywood after this movie apparently because Hearst cut most of her scenes here fearing she'd take the movie away from Davies. Montgomery makes for a great leading mad her and James Gleason is also very good as the concerned father. Even Zasu Pitts is very good here as the sister. She handles the drama quite well and this is coming from someone who really doesn't care for his comedy side. Then we have the fourth-billed Jimmy Durante who shows up for what's basically a cameo but it turns out to be one of the highlights of the film. He shows up and does a little skit on why men shouldn't take women to see GRAND HOTEL because of John Barrymore's great looks. This sly bit of publicity for MGM is a nice little tough as Durante plays Barrymore with Davies doing an impersonation of Greta Garbo. Again, the story itself isn't all that original but that's the only problem with this gem that should be a lot better known than it actually is.
*** (out of 4)
Marion Davies plays slum girl Blondie McClune who finally gets out of her dump thanks in large part to he friend Lottie (Billie Dove) who has made it big on Broadway. The two have a falling out when Larry (Robert Montgomery) falls for Blondie but she has more problems as her high life slowly starts to crumble down. I was really shocked at how good this film was because, to be honest, this story isn't all that original and it's one we had seen countless time in the brief time that talkies had come into play. What really makes this film worth watching are the downright marvelous performances and various pre-code elements. The pre-code elements are pretty straight-forward in their sexual innuendo and the film doesn't shy away from Dove's rather large breasts and she's constantly dressed in skimpy little outfits that allows her to jiggle around if you catch what I mean. Even Davies has a brief scene where she's wet and you can see through her top. Even without these elements the film still works because both women are terrific in their roles. Apparently the story here is very close to that of Davies real life and perhaps that's why she dug into the character so much. She's not playing that Davies persona here but instead she really delivers a full character on all levels. Dove is brilliant as well because her sexuality really jumps off the screen and she makes her character very memorable. It was sad to read she retired from Hollywood after this movie apparently because Hearst cut most of her scenes here fearing she'd take the movie away from Davies. Montgomery makes for a great leading mad her and James Gleason is also very good as the concerned father. Even Zasu Pitts is very good here as the sister. She handles the drama quite well and this is coming from someone who really doesn't care for his comedy side. Then we have the fourth-billed Jimmy Durante who shows up for what's basically a cameo but it turns out to be one of the highlights of the film. He shows up and does a little skit on why men shouldn't take women to see GRAND HOTEL because of John Barrymore's great looks. This sly bit of publicity for MGM is a nice little tough as Durante plays Barrymore with Davies doing an impersonation of Greta Garbo. Again, the story itself isn't all that original but that's the only problem with this gem that should be a lot better known than it actually is.
Wusstest du schon
- WissenswertesFinal film of Billie Dove. She retired after this film both to raise a family and in anger at the "behind-the-scenes" interference from William Randolph Hearst, Marion Davies' lover and the producer of the film. Dove appeared in a small part 30 years later in König von Hawaii (1962), but her scene was eventually cut from the film before its release.
- PatzerThe age of an actress or actor playing a screen age may be a matter of opinion to a viewer, but can NEVER be a 'goof' ... it all depends on how they carry it off, of course. Marion Davies did fine here (as did Billie Dove, who didn't get criticized for the same age gap?)
- SoundtracksGood Night My Love
(1932) (uncredited)
Written by Harry Tobias, Gus Arnheim and Neil Moret (as Jules Lemare)
Top-Auswahl
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- Good Time Girl
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- Budget
- 602.620 $ (geschätzt)
- Laufzeit1 Stunde 31 Minuten
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- 1.37 : 1
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By what name was Blondie of the Follies (1932) officially released in India in English?
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