Füge eine Handlung in deiner Sprache hinzuA womanizing singer falls for an old-fashioned Southern belle. The problem is, she already has a fiance.A womanizing singer falls for an old-fashioned Southern belle. The problem is, she already has a fiance.A womanizing singer falls for an old-fashioned Southern belle. The problem is, she already has a fiance.
- Auszeichnungen
- 3 wins total
Samuel Bonello
- Waiter
- (Nicht genannt)
Aldo Franchetti
- Arguing Customer
- (Nicht genannt)
Joseph W. Girard
- Officer
- (Nicht genannt)
Carlo Schipa
- Waiter
- (Nicht genannt)
Joe Torillo
- Cook
- (Nicht genannt)
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It's a real treat to watch Lewis Stone, who made a career out of playing fine upstanding men, play a drunken judge. He has the lion's share of very funny lines and takes. Sidney Fox is quite good, although I had a hard time understanding her lines from time to time. But overlooking everything a surprisingly memorable performance from Paul Lukas is turned in here. Lukas was playing against type here as a genial cultured gentleman who finally meets his match with women as he falls hopelessly in love with Sidney Fox. Is it love or is it lust? He does a great turn as a man whose old world charm, courtliness, and politeness collides with his sexual desire. He makes the most out of his part and is genuinely funny. For a man who played heavies and Nazi officers most of his career he must have really enjoyed this stretch.
The humor in this film holds up surprisingly well to this day. It was made at a time when sound technology was still finding it's way, I found myself laughing out loud. Wonderful writing by Preston Sturges!
Now available on DVD.
The humor in this film holds up surprisingly well to this day. It was made at a time when sound technology was still finding it's way, I found myself laughing out loud. Wonderful writing by Preston Sturges!
Now available on DVD.
STRICTLY DISHONORABLE (Universal, 1931), directed by John M. Stahl, stars Paul Lukas (courtesy of Paramount Pictures), Sidney Fox and Lewis Stone (on loan from Metro-Goldwyn-Mayer), in this screen adaptation from the original stage play by Preston Sturges, years before winning fame as a comedy director for Paramount Pictures in the 1940s. With the screenplay by Gladys Lehman, which was reportedly said to have stuck close to the play and mood, this screen adaptation, virtually a filmed stage play, comes to life through much of its then risque dialogue that would never have gone passed the production code of 1934.
Plot summary: Isabelle Parry (Sidney Fox) is a Southern gal engaged to marry the bespectacled stuffy bond salesman, Henry Greene (George Meeker). While driving down the crowded New York City streets of Broadway (with movie marque of Maurice Chevalier starring in "The Smiling Lieutenant" visible) on their way home to New Jersey, the couple decide to stop at a speakeasy. Managed by Tomasso (William Riccardi), the bar also consists of a former judge, Dempsey (Lewis Stone) having a few "old fashions." While Dempsey befriends Isabelle, he gets turned off by Henry's arrogance. Also entering the scene is Gus Di Ruva (Paul Lukas), a famed opera singer better known by his stage name of Tino Caraffa. Like the kindly judge, who lives in the apartments above, he also gets turned off by Henry's unlikable personality. As Officer Mulligan (Sidney Toler) asks the owner (Henry) whose car is parked next to a fire hydrant to have it moved, during his absence, Isabelle and Gus become better acquainted during their dancing to the record playing tune of "It Happened in Monterey," Discovering this, Henry's jealousy and rude remarks force Isabelle to call off their engagement. Wanting to have Mulligan arrest Gus and Tomasso for the abduction of Isabelle, Henry ends up jailed instead. In the meantime, with no place else to go, the free-spirited Isabelle, who has been living with Henry and his parents under the same household, is offered a place to stay - being Gus's apartment on a "strictly dishonorable" basis. While the judge feels Isabel to be immoral and that she's be better off staying at the Martha Washington Hotel instead, Gus comes to the conclusion of buying her train tickets back to where she came from, but begins to have second thoughts. Situations occur when Henry, released from jail, returns to the scene.
In general, STRICTLY DISHONORABLE is a showcase for Sidney Fox. She not only gets enough camera closeups, but is virtually in every scene. Her Southern accent comes similar to her performance in THE MOUTHPIECE (Warners, 1932), for which she once more plays a girl from the South. Lewis Stone, who interestingly was featured in a similar sounding movie title, STRICTLY UNCONVENTIONAL (MGM, 1930), is perfect as the moral-minding judge, a role no different from his Judge Hardy portrayal in the "Andy Hardy" family series (1937-1946) for his home studio of MGM. The top-billed Paul Lukas is perfectly cast as the accented-speaking opera singer whose character is hinted as one being a ladies man and no stranger of having women living in his quarters. His girlfriend, Lilli (never seen) is passed off as his cousin to Isabel.
One interesting aspect for STRICTLY DISHONORABLE is the camera tracking through windows and stairways to keep this 91 minute production from being virtually stage-bound. Maybe not as amusing as it was back in 1931, STRICTLY DISHONORABLE comes as surprising through its frankness as the Isabelle character showing no shame in saying she lives with her fiance. This dark-haired beauty with a male-sounding name, Fox proves herself worthy in what might be considered her best screen performance to her short-lived movie career. Situations move briskly throughout the story, especially how one could fall in love and want to marry a total stranger the very same evening of their first encounter. George Meeker is strictly obnoxious in character while William Riccardi (reprising his stage role) is strictly available throughout for comedy relief gestures involving both judge and opera singer friends.
Unavailable for viewing due to the 1951 MGM remake starring Enzio Pinza and Janet Leigh, which has been softer in tone, this 1931 original, which has never been distributed to either video cassette and DVD, has been rediscovered to a new generation of movie lovers in 1997 on cable television's Turner Classic Movies. Though broadcasts for the original STRICTLY DISHONORABLE have been limited, the film in general is strictly worth viewing mainly out of curiosity. (***)
Plot summary: Isabelle Parry (Sidney Fox) is a Southern gal engaged to marry the bespectacled stuffy bond salesman, Henry Greene (George Meeker). While driving down the crowded New York City streets of Broadway (with movie marque of Maurice Chevalier starring in "The Smiling Lieutenant" visible) on their way home to New Jersey, the couple decide to stop at a speakeasy. Managed by Tomasso (William Riccardi), the bar also consists of a former judge, Dempsey (Lewis Stone) having a few "old fashions." While Dempsey befriends Isabelle, he gets turned off by Henry's arrogance. Also entering the scene is Gus Di Ruva (Paul Lukas), a famed opera singer better known by his stage name of Tino Caraffa. Like the kindly judge, who lives in the apartments above, he also gets turned off by Henry's unlikable personality. As Officer Mulligan (Sidney Toler) asks the owner (Henry) whose car is parked next to a fire hydrant to have it moved, during his absence, Isabelle and Gus become better acquainted during their dancing to the record playing tune of "It Happened in Monterey," Discovering this, Henry's jealousy and rude remarks force Isabelle to call off their engagement. Wanting to have Mulligan arrest Gus and Tomasso for the abduction of Isabelle, Henry ends up jailed instead. In the meantime, with no place else to go, the free-spirited Isabelle, who has been living with Henry and his parents under the same household, is offered a place to stay - being Gus's apartment on a "strictly dishonorable" basis. While the judge feels Isabel to be immoral and that she's be better off staying at the Martha Washington Hotel instead, Gus comes to the conclusion of buying her train tickets back to where she came from, but begins to have second thoughts. Situations occur when Henry, released from jail, returns to the scene.
In general, STRICTLY DISHONORABLE is a showcase for Sidney Fox. She not only gets enough camera closeups, but is virtually in every scene. Her Southern accent comes similar to her performance in THE MOUTHPIECE (Warners, 1932), for which she once more plays a girl from the South. Lewis Stone, who interestingly was featured in a similar sounding movie title, STRICTLY UNCONVENTIONAL (MGM, 1930), is perfect as the moral-minding judge, a role no different from his Judge Hardy portrayal in the "Andy Hardy" family series (1937-1946) for his home studio of MGM. The top-billed Paul Lukas is perfectly cast as the accented-speaking opera singer whose character is hinted as one being a ladies man and no stranger of having women living in his quarters. His girlfriend, Lilli (never seen) is passed off as his cousin to Isabel.
One interesting aspect for STRICTLY DISHONORABLE is the camera tracking through windows and stairways to keep this 91 minute production from being virtually stage-bound. Maybe not as amusing as it was back in 1931, STRICTLY DISHONORABLE comes as surprising through its frankness as the Isabelle character showing no shame in saying she lives with her fiance. This dark-haired beauty with a male-sounding name, Fox proves herself worthy in what might be considered her best screen performance to her short-lived movie career. Situations move briskly throughout the story, especially how one could fall in love and want to marry a total stranger the very same evening of their first encounter. George Meeker is strictly obnoxious in character while William Riccardi (reprising his stage role) is strictly available throughout for comedy relief gestures involving both judge and opera singer friends.
Unavailable for viewing due to the 1951 MGM remake starring Enzio Pinza and Janet Leigh, which has been softer in tone, this 1931 original, which has never been distributed to either video cassette and DVD, has been rediscovered to a new generation of movie lovers in 1997 on cable television's Turner Classic Movies. Though broadcasts for the original STRICTLY DISHONORABLE have been limited, the film in general is strictly worth viewing mainly out of curiosity. (***)
Perhaps "Strictly Dishonorable" played well back in 1931, but today it's a very boring talk-fest--and about as enjoyable as having a migraine. If you do watch it, don't say I didn't warn you! The film begins with a dopey couple (he from New Jersey, she from Mississippi) who seem to have nothing in common. In fact, soon after they arrive, she starts flirting with a real Lothario (Paul Lukas) and he stomps off to sulk. In the meantime, an ex-judge (Lewis Stone) takes it on his own to try to save her from this playboy's advances, though she CLEARLY knows his intentions are strictly dishonorable.
This was originally a stage production written by Preston Sturges. However, despite him being a highly respected writer, here his work just seems VERY dated. It also looks just like a play put directly on the screen--with little action and LOTS of talk, talk, talk. In fact, it's such a talk-fest that I honestly have rarely ever felt this bored by a film. Occasionally hammy acting didn't help any. Overall, I can't even think of a reason to watch this film--it's bad but not in a funny or ridiculous way...it's just BAD!
This was originally a stage production written by Preston Sturges. However, despite him being a highly respected writer, here his work just seems VERY dated. It also looks just like a play put directly on the screen--with little action and LOTS of talk, talk, talk. In fact, it's such a talk-fest that I honestly have rarely ever felt this bored by a film. Occasionally hammy acting didn't help any. Overall, I can't even think of a reason to watch this film--it's bad but not in a funny or ridiculous way...it's just BAD!
Early film musicals kept the Broadway viewpoint, shooting all the their musical numbers under the proscenium arch. Just a few years later they looked old fashioned. Strictly Dishonorable shows the same problem with shooting a play exactly as seen on Broadway. It dismisses almost entirely with the opportunities of the camera. Lighting is flat, camera movement minimized, and closeups almost non existent. For a wordy play, where almost nothing physical happens, this is death. Cinematographer Karl Freund must have gone home every night in tears. It is slooooooooow. The few witty lines are swallowed up by the inane.
I thought the entire cast, with the exception of the bit players, miscast. Sydney Fox, in particular, didn't have the chops for such a large and varying role. Paul Lucas didn't seem to me sleazy enough to be a rue'. Lewis Stone couldn't carry off a drunk. And Sydney Toler as an Irish cop?
I found the constant changes in attitude of the principals to unbelievable. Fox's coquettishness, like her accent, came and went.
Now, I must say, although I love pre-code films, there are some I do not burn to disk. This would have been one of them. However, my wife, who hates these films, saw it as a teenager, insisting on watching it in its entirety. I stayed for about an hour of it, before leaving out of complete boredom. I think this was sentimentality on her part, just like my watching The Phantom Empire serial several times a year, even though I know it's pretty bad.. So, at her request, I'm burning this one while holding my nose.
I thought the entire cast, with the exception of the bit players, miscast. Sydney Fox, in particular, didn't have the chops for such a large and varying role. Paul Lucas didn't seem to me sleazy enough to be a rue'. Lewis Stone couldn't carry off a drunk. And Sydney Toler as an Irish cop?
I found the constant changes in attitude of the principals to unbelievable. Fox's coquettishness, like her accent, came and went.
Now, I must say, although I love pre-code films, there are some I do not burn to disk. This would have been one of them. However, my wife, who hates these films, saw it as a teenager, insisting on watching it in its entirety. I stayed for about an hour of it, before leaving out of complete boredom. I think this was sentimentality on her part, just like my watching The Phantom Empire serial several times a year, even though I know it's pretty bad.. So, at her request, I'm burning this one while holding my nose.
There is no need to go on and on about this film. The plot is pretty simple and I don't even want to spoil that. Trust me in saying the film is funny, has great characters, and both Fox and Lukas work well together.
I do not know Sidney Fox's career but after seeing this, I look forward to more viewings of her. She has a Southern accent in this film, and I am not sure if it is for the part, or that was just her. Unfortunately she only had a career from 1931 to 1935. She deserved more recognition.
The story moves smoothly. You will recognize Lewis Stone, who later was known as "Judge Hardy". He plays a judge in this film too.
I found myself laughing out loud at certain situations and lines. Lewis Stone is called a "barfly" in one scene and his reaction to this characterization is hilarious. They just don't make "fun" movies like this any more.
Check it out. It is a piece of fun fluff but it is still a Classy Classic to be enjoyed.
I do not know Sidney Fox's career but after seeing this, I look forward to more viewings of her. She has a Southern accent in this film, and I am not sure if it is for the part, or that was just her. Unfortunately she only had a career from 1931 to 1935. She deserved more recognition.
The story moves smoothly. You will recognize Lewis Stone, who later was known as "Judge Hardy". He plays a judge in this film too.
I found myself laughing out loud at certain situations and lines. Lewis Stone is called a "barfly" in one scene and his reaction to this characterization is hilarious. They just don't make "fun" movies like this any more.
Check it out. It is a piece of fun fluff but it is still a Classy Classic to be enjoyed.
Wusstest du schon
- WissenswertesThe play opened in New York City, New York, USA at the Avon Theater on 18 September 1929 and ran for 557 performances. William Ricciardi originated his role in the play, and Louis Jean Heydt was also in the cast.
- VerbindungenReferenced in American Grindhouse (2010)
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By what name was Strictly Dishonorable (1931) officially released in Canada in English?
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