IMDb-BEWERTUNG
6,8/10
2369
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA Greek barber has uncommon skills in playing poker and soon rises in the seedy world of illegal gambling, but pretty blondes remain his Achilles' heel.A Greek barber has uncommon skills in playing poker and soon rises in the seedy world of illegal gambling, but pretty blondes remain his Achilles' heel.A Greek barber has uncommon skills in playing poker and soon rises in the seedy world of illegal gambling, but pretty blondes remain his Achilles' heel.
- Für 1 Oscar nominiert
- 2 Gewinne & 1 Nominierung insgesamt
Billy House
- Irontown Salesman
- (as William House)
Ernie Alexander
- Bellboy
- (Nicht genannt)
Edwin Argus
- Two-Time Phil aka Back-to-Back Shultz
- (Nicht genannt)
Spencer Bell
- Suntan
- (Nicht genannt)
Clark Burroughs
- Mr. 'Deep' River
- (Nicht genannt)
Donald Cook
- Nick's Second Accomplice after Poker Game
- (Nicht genannt)
John George
- Dwarf on Train
- (Nicht genannt)
Eddie Hart
- Detective
- (Nicht genannt)
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This is not exactly the sort of film you'd expect from Edward G. Robinson in 1931. While he was well-known for his gangster roles, this character isn't a saint by any stretch, but he's far from vicious or deadly like "Little Caesar". In addition, this early film is the only film that ever paired him with Jimmy Cagney. Cagney, at this point, was the lesser star and has a rather small role in the film as Robinson's right-hand man. The breakout film, THE PUBLIC ENEMY, was released just before SMART MONEY and at the point of making this second film, the studio didn't know that he was now a mega-star.
Robinson is a barber with an uncanny ability to gamble and win. Eventually, he and his friends pool their money and send him to "the big city" and even though he at first is bankrupted, he eventually becomes the biggest and most famous gambler around the country. The only problems are that he's a lousy judge of women AND the District Attorney is out to get him no matter what it takes! The film is pretty well written and interesting--not the usual gangster stuff. Plus, there are a few neat scenes that took place since the film was created before the strict Production Code was created--so you get to see Eddie kick a woman in the rear as well as have another lady try to offer him sex to pay off her debt to him! Pretty risqué here and there, but in general this isn't really that violent or salacious a film. Just a good drama with some nice twists and decent acting.
PS--When you watch the film, look for a brief cameo by Boris Karloff. He does have a few speaking lines, but he has a rather odd accent--a Brit trying to sound like an American mug.
Robinson is a barber with an uncanny ability to gamble and win. Eventually, he and his friends pool their money and send him to "the big city" and even though he at first is bankrupted, he eventually becomes the biggest and most famous gambler around the country. The only problems are that he's a lousy judge of women AND the District Attorney is out to get him no matter what it takes! The film is pretty well written and interesting--not the usual gangster stuff. Plus, there are a few neat scenes that took place since the film was created before the strict Production Code was created--so you get to see Eddie kick a woman in the rear as well as have another lady try to offer him sex to pay off her debt to him! Pretty risqué here and there, but in general this isn't really that violent or salacious a film. Just a good drama with some nice twists and decent acting.
PS--When you watch the film, look for a brief cameo by Boris Karloff. He does have a few speaking lines, but he has a rather odd accent--a Brit trying to sound like an American mug.
Whilst "Smart Money" was being filmed, Edward G. Robinson had become a star at "Warner Bros," thanks to his film, "Little Caesar." James Cagney had just finished making "The Public Enemy" and that film hadn't yet been released. "Smart Money" isn't another gangster film as the story doesn't allow for that kind of character and Robinson isn't a hoodlum either. He is a professional barber who happens to be a gambler. For a while in the film, Robinson is small time but after avenging himself upon the con men who took all his money, he carves out a gambling empire with Cagney as his right hand man. The District Attorney has had enough of all the gambling and corruption that goes with it and he plans Robinson's downfall. His demise comes in a most unexpected way. Edward G. Robinson dominates "Smart Money" but James Cagney is right there after the half way stage. Their scenes are absolutely superb and I wish the two actors had made more films together. Boris Karloff makes a brief appearance as a gambler. Robinson is a very affable character and his wealth and power does little to change his disposition. The two leads carry this film but the story and narrative are far above average.
This is a nicely tailored story about the rise of Nick the Barber( a real barber)from the small gambling environs of Irontown to his rise to the big time gambling scene. Several things distinguish this film from just another mob movie. And that is just it for starters. This is not a mob movie. Edward G. Robinson's Nick is one of the kindest, most liked, and honest "crime" bosses you will ever see in film. Eddie doesn't shoot it up - in fact no one is murdered(Okay, I'm being a stickler here). This film also shows how difficult gambling can be as a profession. But at the film's heart is Robinson's performance. Nick is a sweet, at times naive, resilient guy with a weak/blind spot for pretty blondes. Aiding Eddie is none other than Jimmy Cagney playing Jack his friend and fellow business associate. Alfred E. Green does a rather deft job directing this very early sound picture. The pace is fast and the mood never compromised. The rest of the cast is quite good. Boris Karloff has a bizarre cameo as a man that has something Eddie just had - but we never know why Boris had it. It's a treat seeing Karloff and Robinson and Cagney in a brief yet memorable scene.
Two very famous little guys playing cocky guys - Edward G. Robinson and Jimmy Cagney; who could ask for anything more? Well, maybe a little more Cagney, as he is just a supporting player here, but overall I had no complaints watching this 1931 film.
Robinson was great in the lead as "Nick the Barber," (full name "Nick Venizelos.") Cagney is "Jack," an old friend who is employed by Nick. The Greek is a barber, but he's really a full-time gambler or evolves into that role quickly during this story. He goes from small-town hick to big city boss but the road is bumpy along the way. He gets taken by the big crook in town twice, gets hustled by a couple of blondes (Nick's real weakness) but overcomes all of them to be gambling czar.
After Nick's successful jaunts at revenge are completed, the last third of the film is devoted to the city's district attorney trying to get some goods on Nick and put him away and get him out of his city.
This movie, as expected considering the year it was made, is very dated but another of those early '30s films that has a lot of snap, crackle and pop to it. The dialog is crisp and edgy with the expressions of the day and everybody is just nasty enough to make them all interesting characters.
Robinson, as in "Little Caesar," is super in here, much like the cocky gangster roles Cagney also would play in the same period ("The Public Enemy," "Lady Killer," etc.).
The blondes all look similar with the short curly hair of the period and the sexism, racism and other "isms" are all on display here in this fun "gangster movie." The ending was odd but that, too, was the mark of these Pre-Code films which certainly were different.
Now that it's out on DVD, check this film out if you're a fan of the early crime genre, or a fan of Robinson's. You won't be disappointed.
Robinson was great in the lead as "Nick the Barber," (full name "Nick Venizelos.") Cagney is "Jack," an old friend who is employed by Nick. The Greek is a barber, but he's really a full-time gambler or evolves into that role quickly during this story. He goes from small-town hick to big city boss but the road is bumpy along the way. He gets taken by the big crook in town twice, gets hustled by a couple of blondes (Nick's real weakness) but overcomes all of them to be gambling czar.
After Nick's successful jaunts at revenge are completed, the last third of the film is devoted to the city's district attorney trying to get some goods on Nick and put him away and get him out of his city.
This movie, as expected considering the year it was made, is very dated but another of those early '30s films that has a lot of snap, crackle and pop to it. The dialog is crisp and edgy with the expressions of the day and everybody is just nasty enough to make them all interesting characters.
Robinson, as in "Little Caesar," is super in here, much like the cocky gangster roles Cagney also would play in the same period ("The Public Enemy," "Lady Killer," etc.).
The blondes all look similar with the short curly hair of the period and the sexism, racism and other "isms" are all on display here in this fun "gangster movie." The ending was odd but that, too, was the mark of these Pre-Code films which certainly were different.
Now that it's out on DVD, check this film out if you're a fan of the early crime genre, or a fan of Robinson's. You won't be disappointed.
Smart Money is famous for the teaming of Edward G. Robinson and James Cagney in the only time they shared the screen. Both men had just come off their breakthrough performances in Little Caesar and Public Enemy respectively. Of the two of them, Robinson comes off far the better.
I'm not sure why Cagney did this film, more than likely because he was told to and was not yet rebelling against Jack Warner. He's strangely subdued in the part, the usual Cagney bounce and cockiness just isn't there for me.
Cagney plays the best friend of Greek barber Edward G. Robinson who in his career played any number of ethnic types. Here he's a happy go lucky barber whose place doubles as a betting establishment. He likes to play, but when friends raise a bankroll for him to try his luck in the big city he gets good and clipped.
Robinson's down, but not out. He goes back and clips the clippers and becomes a big gambling racketeer. Problems do arise when he and Cagney quarrel over the same woman.
It's definitely Robinson's picture, maybe it's why Cagney and he never worked together again. I would like to have seen them both in a film with a more typical Jimmy Cagney.
Still when it's broadcast it should not be missed.
I'm not sure why Cagney did this film, more than likely because he was told to and was not yet rebelling against Jack Warner. He's strangely subdued in the part, the usual Cagney bounce and cockiness just isn't there for me.
Cagney plays the best friend of Greek barber Edward G. Robinson who in his career played any number of ethnic types. Here he's a happy go lucky barber whose place doubles as a betting establishment. He likes to play, but when friends raise a bankroll for him to try his luck in the big city he gets good and clipped.
Robinson's down, but not out. He goes back and clips the clippers and becomes a big gambling racketeer. Problems do arise when he and Cagney quarrel over the same woman.
It's definitely Robinson's picture, maybe it's why Cagney and he never worked together again. I would like to have seen them both in a film with a more typical Jimmy Cagney.
Still when it's broadcast it should not be missed.
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- WissenswertesDespite both Edward G. Robinson and James Cagney having spent most of their acting careers with Warner Bros., this was the only film the two acting legends appeared in together.
- PatzerIn the beginning of the film, when Nick finishes talking with the hotel clerk, he sits in an armchair in the lobby smoking. The big pot ashtray is on the left of him. In the next scene, the ashtray is on his right. He goes for it to the left, surprisingly finding it on the right, so he drops his cigar on the floor.
- Zitate
Snake Eyes - Porter: Who'll give me a half a dollar for my hand?
Nick 'The Barber' Venizelos: Uh, I wouldn't give you a nickel for your whole body.
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