IMDb-BEWERTUNG
6,8/10
2368
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA Greek barber has uncommon skills in playing poker and soon rises in the seedy world of illegal gambling, but pretty blondes remain his Achilles' heel.A Greek barber has uncommon skills in playing poker and soon rises in the seedy world of illegal gambling, but pretty blondes remain his Achilles' heel.A Greek barber has uncommon skills in playing poker and soon rises in the seedy world of illegal gambling, but pretty blondes remain his Achilles' heel.
- Für 1 Oscar nominiert
- 2 Gewinne & 1 Nominierung insgesamt
Billy House
- Irontown Salesman
- (as William House)
Ernie Alexander
- Bellboy
- (Nicht genannt)
Edwin Argus
- Two-Time Phil aka Back-to-Back Shultz
- (Nicht genannt)
Spencer Bell
- Suntan
- (Nicht genannt)
Clark Burroughs
- Mr. 'Deep' River
- (Nicht genannt)
Donald Cook
- Nick's Second Accomplice after Poker Game
- (Nicht genannt)
John George
- Dwarf on Train
- (Nicht genannt)
Eddie Hart
- Detective
- (Nicht genannt)
Empfohlene Bewertungen
Smart Money (1931)
A clever story about crime and misguided love (quasi-love) and about the love of money. What's wrong with that? Nothing here. With a remarkable performance by Edward G. Robinson (as usual), and supporting roles by a young James Cagney and a series of blondes who will more or less look alike at first. It might have been something of a formula production for the cast and crew, but it's during the lively pre-1934 sound era where, especially at a studio like Warner Bros., things manage to pop one way or another.
As much as this is a very good film, completely engaging and without gaffes or sentimental slow downs, it remains secondary for 1931 because of several interesting things. First, Robinson had just become famous for "Little Caesar" where he had a shining (and roughly similar) role as a sort of good guy gangster. Second, Cagney was in a rare supporting role, not yet famous for his breakout role in "The Public Enemy" later the same year. Both of these Warner films are better, all around. And a third twist is the appearance early on of Boris Karloff, who was about to launch to superstardom as, yes, "Frankenstein," a Universal film from later in, yes, 1931.
But you should watch "Smart Money" for what it does so well--tells a fast, multi-layered story with economy and life, and with great performances by the leads. The story and direction might fall short of classic, but it's still really solid.
A clever story about crime and misguided love (quasi-love) and about the love of money. What's wrong with that? Nothing here. With a remarkable performance by Edward G. Robinson (as usual), and supporting roles by a young James Cagney and a series of blondes who will more or less look alike at first. It might have been something of a formula production for the cast and crew, but it's during the lively pre-1934 sound era where, especially at a studio like Warner Bros., things manage to pop one way or another.
As much as this is a very good film, completely engaging and without gaffes or sentimental slow downs, it remains secondary for 1931 because of several interesting things. First, Robinson had just become famous for "Little Caesar" where he had a shining (and roughly similar) role as a sort of good guy gangster. Second, Cagney was in a rare supporting role, not yet famous for his breakout role in "The Public Enemy" later the same year. Both of these Warner films are better, all around. And a third twist is the appearance early on of Boris Karloff, who was about to launch to superstardom as, yes, "Frankenstein," a Universal film from later in, yes, 1931.
But you should watch "Smart Money" for what it does so well--tells a fast, multi-layered story with economy and life, and with great performances by the leads. The story and direction might fall short of classic, but it's still really solid.
Whilst "Smart Money" was being filmed, Edward G. Robinson had become a star at "Warner Bros," thanks to his film, "Little Caesar." James Cagney had just finished making "The Public Enemy" and that film hadn't yet been released. "Smart Money" isn't another gangster film as the story doesn't allow for that kind of character and Robinson isn't a hoodlum either. He is a professional barber who happens to be a gambler. For a while in the film, Robinson is small time but after avenging himself upon the con men who took all his money, he carves out a gambling empire with Cagney as his right hand man. The District Attorney has had enough of all the gambling and corruption that goes with it and he plans Robinson's downfall. His demise comes in a most unexpected way. Edward G. Robinson dominates "Smart Money" but James Cagney is right there after the half way stage. Their scenes are absolutely superb and I wish the two actors had made more films together. Boris Karloff makes a brief appearance as a gambler. Robinson is a very affable character and his wealth and power does little to change his disposition. The two leads carry this film but the story and narrative are far above average.
The only film ever to star both Edward G and Jimmy Cagney together. Made in 1931 during the Warner Bros heyday of gangster blood and guts, it represents a slight departure for them both.
Eddie G plays a small town gambler - a big fish in a little pond so to speak - with big ideas. His friends put a 10K poke together and send him off to the city to try his luck with the big boys. He is soon sucked into a crooked game by a sexy blonde at the hotel cigar counter. The scam artists soon take him to the cleaners. He is then humiliated by the sexy blonde and Sleepy Sam, played with delicious menace by Ralf Harolde.
He is joined by his pal Jimmy Cagney, and they put together another grubstake. This time, they outcon the cons, humiliate the blonde and he becomes the biggest gambler in town. It becomes clear throughout the movie, that Eddie is learning on the job, but his one very big blind spot is his attraction to blondes. Gee, I can't understand it - a short, dark, rather unattractive guy falling for some of the sexiest females on celluloid.
Well, the results are predictable,though I have to admit, the final blonde was a genuine surprise. It was the process that was interesting.
The pairing of Robinson and Cagney was a masterpiece. They played off each other like dueling banjos. It is too bad that they both got so big they couldn't fit on the same screen together again.
Eddie G plays a small town gambler - a big fish in a little pond so to speak - with big ideas. His friends put a 10K poke together and send him off to the city to try his luck with the big boys. He is soon sucked into a crooked game by a sexy blonde at the hotel cigar counter. The scam artists soon take him to the cleaners. He is then humiliated by the sexy blonde and Sleepy Sam, played with delicious menace by Ralf Harolde.
He is joined by his pal Jimmy Cagney, and they put together another grubstake. This time, they outcon the cons, humiliate the blonde and he becomes the biggest gambler in town. It becomes clear throughout the movie, that Eddie is learning on the job, but his one very big blind spot is his attraction to blondes. Gee, I can't understand it - a short, dark, rather unattractive guy falling for some of the sexiest females on celluloid.
Well, the results are predictable,though I have to admit, the final blonde was a genuine surprise. It was the process that was interesting.
The pairing of Robinson and Cagney was a masterpiece. They played off each other like dueling banjos. It is too bad that they both got so big they couldn't fit on the same screen together again.
1931's "Smart Money" is the only time Edward G. Robinson and James Cagney were paired in a film. Robinson is definitely in the lead here, though. Although it's impossible to really describe Cagney as "subdued" in anything he ever did, he is toned down a bit. Robinson plays Nick the barber, who gets 10K together to gamble in one of the syndicate's big games. This turns out the way you'd expect when a small time guy goes up against the mob and expects them to play on the level. Robinson's character vows revenge as a result of this double-cross. He eventually does become a successful big-time gambler with a gambling syndicate of his own. At this point he begins to attract the attention of law enforcement.
Don't expect Robinson's Little Caesar character to show up here - Nick the Barber is a kinder gentler gangster. In fact, he's really not much of a gangster at all. He pretty much limits his law-breaking to participating in and backing gambling until the final scene, which turns out to be the height of irony. Very much worth your viewing time.
Don't expect Robinson's Little Caesar character to show up here - Nick the Barber is a kinder gentler gangster. In fact, he's really not much of a gangster at all. He pretty much limits his law-breaking to participating in and backing gambling until the final scene, which turns out to be the height of irony. Very much worth your viewing time.
Robinson is a barber who owns his own barbershop, but who goes off to gamble with some real card-sharks. He goes to the hotel where the action is and meets the girl at the magazine counter who tells him what room the game is in, after the desk clerk tells him nothing like that is allowed in this hotel. Little does Edward know what's in store for him. Of course Robinson, as the barber, is great, and James Cagney is a secondary character with not much development to make him really interesting. But, it's Robinson that makes this film worth watching. He has such presence, and this is only a sample of what is yet to come in his career. The only problem I have with it is that its ending is rather anti-climatic. But as usual Robinson has the flair to take it all in stride and he makes the viewer feel honored to watch a master of his craft at work.
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- WissenswertesDespite both Edward G. Robinson and James Cagney having spent most of their acting careers with Warner Bros., this was the only film the two acting legends appeared in together.
- PatzerIn the beginning of the film, when Nick finishes talking with the hotel clerk, he sits in an armchair in the lobby smoking. The big pot ashtray is on the left of him. In the next scene, the ashtray is on his right. He goes for it to the left, surprisingly finding it on the right, so he drops his cigar on the floor.
- Zitate
Snake Eyes - Porter: Who'll give me a half a dollar for my hand?
Nick 'The Barber' Venizelos: Uh, I wouldn't give you a nickel for your whole body.
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