Skippy

I couldn't quite give Skippy a 7. Close, but not quite. The film is like a Little Rascals episode only feature length, slightly more adult in atmosphere, and overall better written. One could look at Skippy as a glance back into what childhood looked like before the internet and really, before television. It isn't quite a perfect portrayal of those days, but it wouldn't be all that far off. Apparently, there is a companion piece, Sooky. If it should ever be shown on TCM, I'll make sure to see it. I say that as a nod to Skippy and its cast of kids, including Jackie Cooper, who 45 years later portrayed Clark Kent's boss, Perry White.

SKIPPY (Paramount, 1931), directed by Norman Taurog, which has nothing to do with a development of the peanut butter product, is a cute story based on the then popular comic strip character as portrayed by Jackie Cooper in a performance that earned this 10-year-old child actor an Academy Award nomination as Best Actor. Losing to one more than twice his age, Lionel Barrymore, for A FREE SOUL (MGM, 1931), SKIPPY did earn other nominations: Best Picture, Best Screenplay (Norman Taurog and Joseph L. Mankiewicz) and Best Director (Taurog, who won the honor that year).

The story opens in a small wholesome town where the camera sets focus on the Skinner household. There's Herbert Skinner (Willard Robertson), a town physician, his wife, Ellen (Enid Bennett), and their little boy they call "Skippy" (Jackie Cooper). Getting ready for breakfast. Mr. Skinner calls for his son to get out of bed and dressed. As he is calling, the camera then pans upstairs into Skippy's bedroom where the boy is still in bed, pretending to be putting on his clothes lazily asking his parents downstairs which shirt to put on. After heading down for breakfast, Skippy is visited by the neighborhood kids, Sidney (Jackie Searle), an obnoxious tattle-taler, and his sister, Eloise (Mitzi Greene) who takes the time to recite a poem, "In Memory of a Dead Dog." Later, Skippy, who spends his free time in a "swell" district known as Shantytown, located on the opposite side of the tracks where poor people live, meets and befriends another boy called Sooky (Robert Coogan). At first Skippy wants to fight him, but when Sooky stands his ground, they become instant friends. Their day consists of innocent fun that lands them into trouble when they accidentally break the windshield of the mean Mr. Nubbins (Jack Clifford) car, whose profession is dog catcher. Later, Mr. Nubbins takes away Sooky's dog, Penny, for not having a license, placing the animal in the pound. Sooky is able to retrieve the dog, only if he comes up with a $3 fine for the license. With Skippy's help, they do, but Nubbins takes the money to replace his broken windshield, forcing the boys to come up with an additional $3 by 3 p.m. in order to get Penny, or else she'll have to "be destroyed." The boys attempt to get that extra cash first by getting some money from Skippy's piggy bank, collecting empty bottles, doing errands, selling lemonade and putting on a show for the neighborhood kids. While the boys successfully raise the money, the unexpected occurs. Skippy soon finds himself resenting his father, who not only warned him to stay away from Shantytown, but has looked down towards those the people whom Skippy finds to be just plain ordinary folks as he and his parents are, with the exception of having more money than they do. As with most family movies, and later TV sit-coms, there's a moral lesson here to be learned. In this instance, rather than the children, it's learned by the parents, particularly Skippy's.

Featured in the supporting cast are Guy Oliver as "Dad" Burkey; Donald Haines as Harley Nubbins and Helen Jerome-Eddy as Sooky's widowed mother, among others. Eddy, a familiar face with sad expressions in many movies of the 1930s, is quite believable and natural as Sooky's struggling poor mother.

SKIPPY is a cute, simple, funny and heartwarming story focusing solely on children, something quite rare for that time, with the exception of comedy shorts featuring Hal Roach's Our Gang (or The Little Rascals). To enjoy this sort of tale about the true loyalty and friendship between two boys is to really love and understand children. Movies such as SKIPPY could also be related by those who had grown up in such an bygone era. Director Norman Taurog presents the children, not just its stars, as normal every day innocent kids. SKIPPY could very well been set in any time frame, any location, whether during the Tom Sawyer era of the 1800s, or pre or post World War I. In other words, kids will always be kids.

Aside from Jackie Cooper's fine performance, ranging from conniving, gentle and extremely tearful in that one climatic scene between him and his Dad, there is Robert ("Bobby") Coogan, the younger brother of Jackie Coogan, whose days as a top child star, which began in the early 1920s, were just about ending. Cute as he is natural, little Bobby Coogan comes very close in upstaging Cooper. So successful was SKIPPY, Paramount turned out an immediate sequel, SOOKY (1931) with the majority of the cast, minus Mitzi Green, reprising their roles.

Unseen for many years, both SKIPPY and SOOKY were resurrected during the early years of cable television's U.S.A. cable network way past the midnight hours around 1987 before turning up again on Retroplex in August 2010, and Turner Classic Movies where it premiered February 22, 2011.

Regardless of its age, SKIPPY is still timely, thanks to a literate script. For comedy, it delivers, For serious moments, it doesn't hold back. The crying scenes cannot actually be viewed without shedding at least one tear of emotion. As young as both Cooper and Coogan are, or were, they have presented themselves as real professional actors, or in better terms, common every day kids pretending to be somebody else, that as Skippy and Sooky. (****)

The little son of a doctor makes friends with a poor kid from shantytown.

First time viewing for me and I liked it very much. Jackie Cooper is great in the title role, so much that he got an Oscar nomination for Best Actor. The thing I liked most about this was how it shows what it is like to be a kid, especially in the early 1930s but still has some timeless quality. All the children in this film seem like real kids, not actors. It has a bit of Our Gang vibe to it, as in the scenes where the kids put on a show and sell lemonade. Cooper and Donald Haines were both members of Our Gang. Haines played a bully in this, just as he did in the Our Gang short The First Seven Years (1930) . Cooper and Haines appeared together in that one too.

Some interesting trivia is that Jackie Cooper was at the Oscar ceremony but fell asleep on Marie Dressler's arm, so he did not hear that he lost to Lionel Barrymore in A Free Soul. Norman Taurog, the director did win for this. He was Cooper's uncle (by marriage). This became infamous years later when Cooper revealed that Taurog got him to cry by pretending he was going to shoot Jackie's dog. His crying scene here is heartrending.

This movie is a MUST for Jackie Cooper fans or for anyone who likes sentimental comedy/dramas of the early 1930s.

... and even though it was a Best Picture nominee, I figured a film about a comic strip character involving child stars would probably not be up my alley. But it was quite good.

Skippy (Jackie Cooper) is the only child of Dr. And Mrs. Skinner. Dr. Skinner is the head of the city board of health and has condemned the poor side of town - "shanty town" - to be destroyed because he considers it a breeding ground for disease and ordered all of the inhabitants to move. I guess he just can't figure why they haven't, without prompting, put a few cases of Perrier water in the back of the family Suburban and signed a lease for a more sanitary upscale condo, to put it in very modern and similarly elitist terms. So dad is overconcerned with work and a bit clueless.

Over in shanty town, which is a place Skippy's parents don't want him to play, Skippy has made friends with Sooky. Sooky has a problem because the dogcatcher, Nubbins, has caught Sooky's dog and it will take three dollars - a princely sum in 1931 for a child - to get the dog the needed license and rescue him from being killed, which is scheduled to happen in three days if the boys don't return with enough money for a dog license.

Perhaps I had a bad attitude going into this because of all of the saccharine movies involving child stars made over at MGM during the same time period, movies that are very available thanks to Ted Turner's largesse during the 1980s. Maybe it was because, besides Jackie Cooper, the only other child star's name that I recognized was that of Mitzi Green, the lone child star of the period contracted to Paramount and extremely annoying in every role I had seen her in. Fortunately, though, she is in small doses here and doing what she did best - being annoying.

At any rate, this really is good entertainment for child and adult alike that doesn't drag at any point. Some of the adults actually learn something and it also illustrates that poor people can really be complete jerks for no good reason just as easily as rich people can.

Skippy (Jackie Cooper) is the spunky son of stern Dr. Herbert Skinner who hates the poor and forbids him from returning to the poor side of town. Nevertheless, he goes back to the shantytown with his friend Sidney. He saves new kid Sooky from bully Harley Nubbins.

I really like the kids. In fact, I like most of the kids and their amateurish acting. This is Our Gang or Peanuts. Jackie Cooper would get an Oscar nomination. I'm not sure if this film deserves Best Director. It's all about the kids and Jackie in particular. The movie is best when it's just the kids. I would like more of Sidney and Eloise. I even like the bully. Robert Coogan does try but he's mostly half step behind his older brother except for the last act. The story takes over at that point and hits the audience with a brutal turn. It takes the movie to another level.