The Pip from Pittsburg

This is one of the most charming Hal Roach comedy shorts ever made. Charley is set up on a blind date with Thelma. He, of course, believes that she will be unattractive and makes himself unkempt. Once he meets beautiful Thelma, he must attempt to clean himself up. Chase is at his best when he portrays a reasonable, single guy. The sight gags are fast and furious and Leroy Shield's music score adds to the charm of this short.

The Pip from Pittsburgh is one of the better Charley Chase shorts I've seen.

It is so titled because Charley's roommate Griff tells him that the blind date he has set up for him is a "pip." Charley complains that's what he told him last time, when the "pip" turned out to be unattractive to Charley. This time, to protect himself, he makes himself unattractive in order to repulse "The Pip." When he discovers it's the ravishing Thelma Todd, his backpedaling antics make up most of the rest of the film.

Particularly hilarious is the scene on the dance floor where Charley steals his suit back from Griffin. Each of them wearing one leg of the same pair of pants must be seen to be believed.

It delivers lots of genuine laughs. I'd have given it an 8/10 except for the sudden ending which resolves nothing and is rather stupid. It's like they ran out of ideas and just decided to stop in mid-stride.

'The Pip from Pittsburg' serves as a valuable record of the late lamented Charlie Chase at his absolute best, making a complete fool of himself trying to undo at very short notice various ploys initially intended to discourage a blind date about whom he had serious reservations but swiftly changes his mind upon discovering that she is turn out to be the gorgeous Thelma Todd and spends the rest of the film attempting with little success to reverse the original bad impression.

The plot anticipates Neil Simon's later comedy of embarrassment 'The Goodbye Girl'. Curiously I always recall this as a silent, since for early talkie the humour is surprisingly visual.

Charley Chase was one of the funniest old-time movie comedians, and made hundreds of two reelers. "The Pip From Pittsburgh" is not one of his best but is representative of Charley's everyman style, presenting 'everyman' in various goofy situations. Here, he is accompanied by the tragic Thelma Todd, who would become the victim of one of Hollywood's unsolved murders just three years later. She had a genuine flair for comedy and could be called an early Carole Lombard.

As stated, the humor is pretty ordinary in "The Pip", because I am thinking of many other Charley Chase shorts which were funnier. But I am not going to lowball a short by one of Hollywood's funniest - not on your life. If you haven't seen him before, just know that he is even funnier in some other shorts.

"The Pip from Pittsburgh" is undoubtedly a great short which can compete with the top shorts of any comedian of that time. But personally I can't quiet understand the high praise it usually gets; to me this is NOT Chase's best sound short. A few years later his style has much more refined. The shorts under his own direction (signed with his real name, Charles Parrott) were real masterpieces of subtle screwball comedy. "You Said A Hatful", "The Count Takes the Count" or "Neighbourhood House" all have a touch of real originality - they were films that only could have been made by Charley Chase. "The Pip" wears not quiet his own personal style of handwriting - but it is developing.