Die Marx Brothers auf See

I know there's some controversy among Marx Brothers aficionados about which Marx Brothers films are better, the ones at Paramount or the ones at MGM. Thalberg at MGM demanded more of a structure. The Paramount films were largely based on plays performed by the Marx Brothers. Often it looks like someone turned on the camera and left.

"Monkey Business," which includes Zeppo, is completely chaotic and hilarious. The brothers are stowaways on an ocean liner, hiding in pickle barrels. Most of the action is centered around the ship commander and staff attempting to catch them. Beautiful Thelma Todd appears as a mobster's wife who is unhappily married and wants to ha-cha-cha.

There are many priceless moments, but when they all try to disembark by each stating that he's Maurice Chevalier and then breaking into song has to be the best. Harpo, of course, does all of this with a hidden recording that slows down as he's lip-synching.

For Marx Brothers fans, and any one else who needs a laugh. And who doesn't these days.

In all my years of criticing films, I have never found a team of comedians more funny, more satirical, or more flexible as the four original Marx Brothers. Their comedy and their formula works in ways that no other comedy team has ever worked, and results like this, their third and, IMHO, funniest film, prove what film historians already know: Groucho, Harpo, Chico, and Zeppo are some of the most influential Hollywood legends to ever live!

"Monkey Business" works because all of the brothers are given the same amount of screentime, and each of their characters were very important to the plot. In movies before and after this picture, more emphasis would be spent on different brothers in each film (i.e. Groucho in "Animal Crackers," Harpo in "Love Happy"), and the other bros would have little to do but stand their with their mouths open. Not so in this. They are all main characters here, and each of them are allowed to stick to their own unique formulas that they are best at: Groucho with his wisecracks, Chico with his conning, Harpo with his silent antics, and Zeppo the straight man with his women-swooning.

As far as plotline goes, the four brothers play themselves, stowing away on an ocean-liner and constantly avoiding the captain and his crew by any means neseccary (and I do mean by any means!). The story itself is a very serious one, and it could have passed for a pretty good, if by-the-numbers gangster movie: There are two dueling mob bosses on this boat, one of which is trying to come clean after making his fortune. He has a beautiful young college daughter, and he is trying to get his life straightened out. The other mob boss has a failing marriage with a beautiful young wife (Thelma Todd), and he by no means is trying to reform. He wants his part of the other boss's money, or else he plans on kidnapping the daughter and holding her for ransom.

So what we have here is a pretty standard, serious plotline....The writers were very smart in choosing to make it one, so that it would eventually become all-the-more funny. Suddenly, into this serious movie, the Marx Brothers are dumped into the scene, and everything becomes chaotic. Groucho falls for the bad guy's wife. Zeppo falls for the good guy's daughter. Harpo falls for any girl in a dress. Chico falls for a cow. Chico and Harpo are hired to protect the goodguy. Groucho and Zeppo are hired to kill him. In the meantime, they are still on the run and are constantly trying to foil the plans of the Captain, who wants to put them in irons. The results of their slapstick are all the better now, because they are surrounded by a bunch of straight men who are acting in a very serious film...and it is their job to make it funny.

There is no greater film that better demonstrates just how genius the Marx Brothers' brand of comedy truely is. Groucho's constant insults and depression puns, Harpo's....whatever you call what Harpo does.... Chico's conning and comebacks, and Zeppo's romantic Renniasance man ("Mary, I'll never leave you," he promises his love before deserting her as he runs away in terror at the sight of the approaching the Captain) all make this the greatest of comedies. It also features probably their greatest screen moment: All four must do a Chevalier impression to get off the boat, and the results are....well....interesting.

Don't miss this movie if you want your sides to split in half!

"Would you mind getting off that flypaper and giving the flies a chance?"

**** out of ****

How does one review a plotless movie? In "Monkey Business," the Marx Brothers spend the first hour running around on a ship, then they crash a fancy party, then they fist-fight gangsters in a barn. Is there connecting material? Well, yeah - of the thinnest sort imaginable. Does the lack of a coherent plot hurt the film? Not really. Bottom line: it's hilarious. Groucho in particular steals the show with his weird combination flirting/insulting routines.

It's worth noting that, while I laughed a lot at "A Night at the Opera," I laughed even more at this movie. In fact, I was in exquisite pain by the end. Of course, "Opera" actually makes some sense, so it might still be the better movie.

Definitely the best Marx Brothers film that doesn't feature Margaret Dumont, and the strongest showcase for the brothers' talents as physical comedians.

Much better than the first two Marx Brothers efforts. This is the first Marx Bros. movie written directly for the screen rather than adapted from one of their Vaudeville shows. The result is a faster pace, a bigger production and a wider variety of scenes. This was exactly what the brothers needed to become more effective on screen. The supporting cast is trimmed down, with Zeppo filling the romantic lead, thus combining two non-funny characters into one. This gives more screen time to Groucho, Harpo and Chico, who are on top of their game here. The comic bits don't drag on too long, and the musical numbers don't kill the momentum; both improvements from their earlier films. The storyline and the rest of the cast are just as bad as always, but what do you expect? The point is that the movie is hilarious and entertaining from beginning to end. Monkey Business is where the Marx Brothers really began to hit their stride.

It starts off fantastically, with the four brothers playing stowaways on a ship who are hiding in barrels and singing "Sweet Adeleide". Harpo is fantastic as he goofs in his own unique silent way, and there is a hilarious scene involving him and a Punch And Judy show. Chico is as usual on top form as the Italian who has sent for his grandfather's beard by "hair mail". And Groucho gives his classic wisecracks. Zeppo has more to do in this film than he did in other films and he isn't too bad considering that he didn't want to be in the films but had to due to his contract. Two historically funny Marx Brothers scenes in this film are one where they each in turn pretend to be Maurice Chevalier, and one where Chico and Harpo are cutting a man's mustache ("That sides-a-too short"). You must see this film; it's the Marx Brothers at their best. 10/10