Dracula

This is an immensely enjoyable version of 'Dracula'. It is not perfect, as I will explain in a minute, but the acting is excellent throughout. Lugosi, who of course plays the eponymous count, gives a performance that is equally cultured and creepy (as far as I know he pioneered this interpretation), and I also liked Helen Chandler as Mina, David Manners as Harker and Dwight Frye as Renfield. The story has been changed from Bram Stoker's novel, in part quite substantially so, but the changes work well. My one quibble in this context is that the ending of the film is abrupt and unconvincing. In want to avoid spoilers, so I won't tell, but at 1 hour 15 minutes I would have thought that a few minutes more to wrap up things and provide an explanation for one person's miraculous recovery/survival should have been possible. The photography is excellent, especially the scenes in Transylvania. I was initially startled to find an opossum and an armadillo in the Carpathians, but after all, vampire bats are from South America, too, so why not? Speaking of bats: director Tod Browning judiciously decided not to use special effects (for example to show how Dracula transforms into diverse creepy animals), but he did include bats flapping about, and they don't work. They really don't. They look like Tutulla the bat in 'Kleiner König Kalle Wirsch' by the 'Augsburger Puppenkiste' theatre that was on the TV when I was a kid (check it here: https://www.imdb.com/title/tt0184133/?ref_=nv_sr_srsg_0; https://www.imdb.com/title/tt0184133/mediaviewer/rm2171260161/). Bad idea, but still: Great acting, the plot works mostly well, and very good photography with a few limitations. In sum: a very good film.

Dracula is a figure that is known by virtually all and can be credited in large part to this 1931 classic. Bela Lugosi who plays Count Dracula is horrifyingly creepy and finding a better Dracula would be nearly impossible. From the first encounter between Renfield and Dracula to the closing scene, the audience is on the edge of their seats and don't know what to expect, which is an essential part of most horror movies. I was a big fan of this film not only because it is an American classic but because it is a true horror film. In my opinion, too often in horror films today, the story itself isn't scary at all. The experience of going to the movie theatre with a huge screen and incredibly loud speakers help scare audiences by having things pop out when you are least expecting it. I believe that anyone can make a movie like that and is completely insignificant. The story behind Dracula is truly creepy and horrifying. A great story like this makes this one of the most significant horror films in history.

"I bid you welcome," "I never drink wine," "Children of the night...what music they make," and of course "I am Dracula" are memorable lines that resonate throughout horror films, literature, art, etc... throughout the 20th century because of a landmark film made in 1931 starring Bela Lugosi and directed by Tom Browning. This film was the birth of the horror film as we know it. Its importance can not be underestimated. Dracula is a wonderful film for so many reasons, but first let's look at its many faults.

The film is by today standards very antiquated. It has almost no soundtrack, stage acting for the most part, limited special effects, and a slow pacing. It has long parts of little action and lots of chat. It shows little while leaving much to one's imagination(a plus for those like myself that are good at envisioning what is not shown). With all this not going for it, why is Dracula such a classic? Why is it considered to be such a great film and a great horror film?

The answer is that even with all these flaws (and bear in mind some of these flaws are not flaws for all) the film offers a rich story in an eerie, atmospheric way. Bela Lugosi was Dracula. He was the model for oh so many vampires to come. His gesturing, his deliberation in speech, his facial movements all created a vampire never to be forgotten. Despite Lugosi, however, is the real genius of the film....Tod Browning. Browning created a movie and a setting hitherto imagined and conjured on a screen. Browning was the man behind the camera that created the cob-webbed stairs of the Dracula castle and the squalid emptiness of the crypt. He created the ghoulish female vampires thirsting for blood. Dracula is not just a film to see, it is film history and should be viewed with that in mind and not put under a microscope of today's languishing tastes.

While Tod Browning's Dracula is not the definitive take on the most famous vampire of all time, it is possibly the most memorable one. This is not due to Browning's technical achievements or directorial wizardry, by ANY means. It is due to Bela Lugosi's career-defining portrayal of the title character. Born in what is now Lugoj, Romania, Lugosi brings to the part the flavor of his homeland, making him more believable as Dracula. This other-worldly aesthetic helped to make his performance what many consider the ultimate incarnation of Stoker's Dracula. Having played the Count in Hamilton Deane's Broadway version of Dracula, which started in 1927, Bela Lugosi was more than prepared for the role when it was time to commit it to film. Still struggling with the English language, however, he had to learn his lines phonetically. European accent in tact, he was able to deliver such memorable lines as, "I bid you welcome," "Listen to them. Children of the night. What music they make," and, of course, "I am Dracula." His performance alone is reason enough to watch this monster movie classic. If only the rest of the film was as spectacular as Lugosi. Dwight Frye's Renfield, while perhaps a little too over-the-top, is still another highlight to the film, and even Edward Van Sloan's Van Helsing is enough to challenge the might of Count Dracula. The rest of the film is rather flat to me. Now, I know it was made in 1931, and that, at the time, it horrified audiences, but I still stand by my opinion that the overall movie pales in comparison to Bela Lugosi's performance. Everyone else just seemed to be going through the motions, and it seems especially evident while Helen Chandler and David Manners are on screen. They just aren't convincing. I'm not saying that their performances ruin the film. It is still a classic, and certainly worth a viewing, but if you are in the mood for a vampire movie that is worthy of Bram Stoker's name, look no further than F. W. Murnau's Nosferatu. It is much more convincing and even scarier than Tod Browning's Dracula, despite being nine years older and silent. All in all, though, one cannot overlook the stellar performance of Bela Lugosi in the role he was born to play!

This is the movie that set the horror genre into action. Sure there may be a few campy scenes that look like they might be out of some high school play production (the rubber bats and armadillos in Dracula's castle come to mind), but there is an unmistakable suspense and eerieness about the film. If you are lucky enough to find the DVD reissue from 1999, you have three great versions: the original 1931 version with basically no background music, the 1999 rescoring of the movie by composer Philip Glass, and the extremely interesting Spanish version, made at the same time as the original (with totally different actors). If you have this DVD, watch the movie twice: once with no soundtrack and once with the Glass rescoring.... totally different movie. Glass' score is great, but it doesn't really help the movie at all (it actually hurts it in many cases). But the utter silence in Browning's original just makes my skin crawl! The acting is actually quite great (Lugosi is, of course, phenomenal as is Dwight Frye as Renfield). The fear, the suspense, and, believe it or not, the sexuality, combines for a great movie that was an unbelievable success in its first release ($700,000 in it first US release, $1.2 million worldwide). Not bad for a movie made 72 years ago!