Cracked Nuts

Wheeler and Woolsey made this romp about revolutions, assassinations, and romantic shenanigans, with a supporting cast including Dorothy Lee (who doesn't have much to do), Edna May Oliver (funny in fits and starts but not on screen enough), Boris Karloff (unmemorable), and Ben Turpin (cross-eyed as ever).

There are some cute and funny bits - the opening sequence with Wheeler and the elevator; the 'What' and 'Which' sequence with the map; the flying bombs; the aunt and the shower; and so on.

The one musical number for Wheeler and Lee is awful, nowhere near their usual standard, and actually becomes tedious and irritating very quickly.

'Cracked Nuts' is mildly diverting but not particularly good as a whole; it is one of the team's weaker efforts. Although W&W are always good value and entertaining, their co-stars have a poor script to work with and not much of a plot.

Mild-mannered millionaire Bert Wheeler sails for the fictional kingdom of El Dorania. On the ship over, he romances fellow American traveler Dorothy Lee, and while Lee reciprocates, her aunt Edna May Oliver most decidedly does not approve. Wheeler hopes to find a way to win the aunt's approval.

Meanwhile, fast talking con man Robert Woolsey unexpectedly finds himself crowned king of El Dorania. When Wheeler and company arrive in port, the plot thickens:

Wheeler is approached by some revolutionaries who would like to make him king; Woolsey discovers that the average life span of a king in these parts is very short; and Wheeler and Woolsey bump into each other down on the docks and it turns out that they are old buddies from back in the States.

The plot is kind of wild and of course completely fantastic. The romantic subplot between Wheeler and Dorothy Lee is silly but cute. The cast includes Boris Karloff as a henchman named Boris.

The best bits are a couple of extended scenes in which Wheeler and Woolsey engage in the sort of rapid-fire pun-filled banter that they clearly perfected back in their vaudeville days. The jokes are not that fresh, even for 1931, but the delivery is perfect.

Lots of fun even if it leaves you wondering what you just saw.

That's the way they do it in comic strips when a bad joke takes place. In that case, "Cracked Nuts" would be festooned with these literary exclamations, due to the great number of bad jokes. I take a back seat to no one in my admiration for Wheeler and Woolsey, but this picture must represent the nadir of this very funny comedy team's association.

The inane screenplay is not very good, about Wheeler becoming the king of a mythical kingdom, of which Woolsey is already the king. You can see a very young-looking Boris Karloff as one of his advisers, and also one of Hollywood's best character actresses in Edna May Oliver, who steals most of the scenes she's in. There's a good song and dance number between Wheeler and his girlfriend, Dorothy Lee.

And that's about it in this very disappointing, unfunny comedy. This one is a far cry from "Half Shot At Sunrise", which is one of their best.

Wheeler and Woolsey were a first-rate comic team, now forgotten by most, who churned out a great number of money-making comedies for RKO in a brief period from 1930-1937. Until Fred and Ginger came along, they were the top earners for the studio. Sadly, they were often saddled (as they are here) with second-rate material. In this one, they don't get together until almost half an hour into the story, and even when they do, the jokes are pretty bad. They are surrounded with a top cast of players who would go on to better things-Boris Karloff and Edna Mae Oliver, as well as excellent comic support from Stanley Fields as the heavy and Leni Stengel as the vamp. Bert Wheeler's partner here, as she was to be in many of their films to come is the adorable ingenue Dorothy Lee, who doesn't get much to do. The only song she and Wheeler do is badly staged. There are some excellent Ruritanian sets by the studio's art director Max Rée, and a few spirited marches by Max Steiner in his pre-Warner Bros. days. Most of the fault beyond the script belongs to one of the Keystone Cops, Eddie Klein, who directed with a heavy hand. W&W would get better direction and better scripts in the years to come.

Wheeler and Woolsey are an acquired taste, for sure, but I've liked all their films so far. Their jokey, hokey vaudeville style somehow makes me laugh even (or maybe especially?) when the jokes are lame. The groaning is part of the enjoyment. As always, the happenings are extremely silly- this time with Wheeler and Woolsey competing to be king of a small nation that is not so desirable to lead, and the hilarity takes no prompting to ensue. Many old jokes that have been re-used mercilessly and no doubt pre-date Edwardian times; many dumb jokes that no one dared to use again; and sometimes even a good one, (my fave, "He's the most absent-minded man in the kingdom. Last week he put a cigarette to bed and threw himself out the window.") Dorothy Lee, who was especially good in Half Shot at Sunrise, is also good in this one, to a lesser extent. She and Wheeler form the ultimate sticky-and-sweet-as-molasses couple. Edna May Oliver is the perfect comic foil to, well, just about everyone. It is especially enjoyable when things turn violent vaudeville style.

And if you find yourself thinking that this reminds you of Duck Soup, remember this film came two years before that one. Recommended if you have worked up a taste for Wheeler and Woolsey or think you might be able to do so.