Füge eine Handlung in deiner Sprache hinzuJack's father sends him and friend Ossie on a road trip to California to avoid vices. En route, they meet Poncho and almost fight him. In Pasadena, Jack meets Connie, proposes, but his ex-fi... Alles lesenJack's father sends him and friend Ossie on a road trip to California to avoid vices. En route, they meet Poncho and almost fight him. In Pasadena, Jack meets Connie, proposes, but his ex-fiance Mabel appears, complicating matters.Jack's father sends him and friend Ossie on a road trip to California to avoid vices. En route, they meet Poncho and almost fight him. In Pasadena, Jack meets Connie, proposes, but his ex-fiance Mabel appears, complicating matters.
- Regie
- Drehbuch
- Hauptbesetzung
- Hotel Guest on Veranda
- (Nicht genannt)
- Casper
- (Nicht genannt)
- 1st Policeman
- (Nicht genannt)
- Man at Fire Escape Window
- (Nicht genannt)
- Huntington Hotel Guest
- (Nicht genannt)
- Tim - 2nd Policeman
- (Nicht genannt)
- Maitre d'
- (Nicht genannt)
- Restaurant Diner
- (Nicht genannt)
- Hotel Guest in Hallway
- (Nicht genannt)
Empfohlene Bewertungen
All through the picture, I kept picturing Jim Carrey in Joe. E. Brown's role. They are both terribly cloying.
I couldn't get over Lugosi's Romanian accent being put across as "South American." All in all,though, it was worth seeing, and only an hour long, but I deleted it from my DVR once I had seen it. I wouldn't sit through it twice. It was a passable time killer.
** 1/2 (out of 4)
Pretty good comedy about a playboy (William Collier, Jr.) whose father grows tired of his constant woman-chasing so he sends him out west with his cousin (Joe E. Brown), which turns out to be a major mistake. Out west the playboy strikes up a relationship with a woman who he plans to marry if they can stay away from a crazed South American (Bela Lugosi) that they keep running into. At 73-minutes the plot doesn't really carry even that short running time but there are enough good things here to make this worth sitting through at least once. Brown gets top-billing but the picture actually belongs to Collier with the big-mouthed comedian playing more of a supporting role. Brown certainly eats up each scene that he's in and actually manages to turn in some very funny moments including one where he spoofs Jekyll and Hyde and another sequence where he talks about how he almost beat up a South American only he doesn't realize the guy is sitting and hearing everything he's saying. Marjorie White and Margaret Livingston add nice supporting performances as does Thelma Todd who plays a friend of the boy's who ends up getting them into more trouble. I didn't care too much for Collier and in fact thought he dragged the film down a bit as he was a bit too stiff in the role and really didn't add any laughs. The highlight of the film is without question Lugosi who easily steals the film with his hilarious performance. I've often wondered what would have happened had the actor never appeared in Dracula and got type cast in horror roles. Many of his early films show he had some nice talent that studios could have worked with and he shows that off here. He mainly plays a guy whose job is to scare Brown by screaming and raving but Lugosi is so good that you'll have a laugh riot just watching him. The strawberry shortcake scene is a minor classic as is the scene that follows during the car wreck. The screenplay has several weak spots but I guess that's to be expected as the film certainly goes for many laughs but in the end it only gets about half of them. I doubt those who hate older movies are going to change their opinion by watching this but this remains a must-see for fans of Lugosi and of course Brown fans will want to check it out.
It's clear to me that this film is the Warner Bros. idea of how to cash in with a cheapie madcap story.
Thelma Todd is as wonderful as ever. She was a fine actress who always managed to do a fine job even with the sorriest material.
Grayce Hampton who played what should have been Margaret Dumont's role is flat and unfunny. The male lead, played by William Collier Jr., looks like a peeled potato, and yet he's a lady killer. He picks up every good looking woman he sees. But he's lumpy and wimpish. He's a very poor choice for the role. I think he's supposed to be Zeppo Marx playing the love interest, but he's not even that good.
Ona Munson is pretty good as the female lead, but she's not given anything to do.
Joe E. Brown who is the putative star does what he does. He mugs unmercifully throughout, and he makes the most out of his circus clown mouth, and he makes a tremendous number of unwarranted sounds. I grew up in the last years of his really active career, and I thought he was great until I was about seven, when that wore off, and from then on I found him to be darn near intolerable.
But even if were someone else playing the part, it would still be a (in my opinion of course) dull and completely predictable film.
There is absolutely zero witty repartee in this film. There's no singing, no dancing, no harp or piano or guitar playing.
Bela Lugosi does steal the greasepaint mustache that Groucho put on, but now it's in the form of extenders for Lugosi's sideburns.
Lugosi pretty much mugs his way through this film along with the rest, but he looks as though he's playing along because he's being paid. And he's never convincing. He's always Bela Lugosi gone slumming. Not that he was bad, but I'd say that he was skirting it.
I'm glad I had a chance to see this film, I've been hungering for it for several decades now, and it's often presented in movie books as practically a tour de force performance for him.
It isn't.
I did not keep a copy of the film, although I've got many Lugosi films in my library. I just don't think I'll ever want to sit through it again. As it was, it took me two days to get through it.
I gave it a five rating because my tastes aren't universal, and Lugosi and Todd fans should certainly see it.
So apart from odd casting, what are we left with in the film? Well, as a comedy, it isn't particularly funny most of the time. As a romance, it only works slightly better. No, in the end we are left with a movie that is a definite time-passer--not particularly offensive but not at all memorable except for the scenes with Lugosi.
By the way, it is worth watching just the first few minutes just to say you've seen something DIFFERENT. It's a really creepy and somewhat disturbing sequence where a bunch of rich knuckleheads have a "baby party" where they all come dressed like little kids. Seeing Joe E. Brown in a stroller and drinking booze from a baby bottle just seemed really, really creepy--like they're all at a very sick and creepy "adult" party. YECCH!! I wonder if Sigmund Freud ever saw this film? It was made in 1931 and he didn't die until 1939, so it is possible!!
Wusstest du schon
- WissenswertesBela Lugosi completed his scenes in March 1931, after Women of All Nations (1931) and before Charlie Chan: Der Tod ist ein schwarzes Kamel (1931).
- PatzerJoe E. Brown asks Bela Lugosi's Pancho Arango what country he is from. Pancho replies proudly: "South America!" Of course, that isn't a country but a whole continent. It is unclear why the writers thought it was the kind of answer Pancho Arango would give, instead of naming one.
- Zitate
[Ossie and Jack are in a diner getting breakfast, and after the waitress brings them their food, Ossie knocks the salt shaker over, spilling the salt]
Ossie Simpson: Oops. Spilled the salt.
[Ossie starts pouring the salt over his left shoulder, dumping it on Pancho, who is sitting right next to him]
Pancho: Hey! Look!
[Pancho points to the salt on his shoulder]
Ossie Simpson: Ah! Dandruff!
- VerbindungenReferenced in You Must Remember This: Bela and the Vampires (Bela & Boris Part 2) (2017)
- SoundtracksBridal Chorus (Here Comes the Bride)
(1850) (uncredited)
from "Lohengrin"
Written by Richard Wagner
Sung by all at the baby party
Later whistled by William Collier Jr.
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- Laufzeit
- 1 Std. 5 Min.(65 min)
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