The Unholy Three

Make no mistake, Lon Chaney Sr. was one of the most talented and versatile actors in the history of American Film. And in this, his only completed sound film, he is brilliant. As Professor Echo he uses his own pleasant voice (William Holden's voice is a good comparison), while he effectively and believably changes his voice during his old lady disguise. One wonders if he knew he was terminally ill when he made this film. Several sound vehicles were planned for him: "Dracula" (Bela Lugosi became a star inheriting the Chaney part), "The Sea Bat" (Charles Bickford), "The Phantom of Paris" (John Gilbert), and "The Big House" and "The Bugle Sounds" (Wallace Beery, the former establishing him in sound films.). One can only wonder how any of these films would have been if Chaney had lived to complete them.

But Chaney's is not the only good performance here. Lila Lee and future director-screenwriter Elliott Nugent are both good as the young lovers, the former's scenes with Chaney being some of the best in the picture. And, just as much as he did in the silent version, midget Harry Earles conveys pure menace as the depraved dwarf Tweedledee, although a combination of early sound equipment and his thick German accent make many of his lines all but incomprehensible. Reducing that accent by half, he would do impressive work in "Freaks" and, of course, "The Wizard of Oz" later in the decade. The only other roles of any size fall to veteran character men Clarence Burton and John Miljan, and they prove themselves more than up to the task.

Probably the only way anyone will get to see this film, until MGM decides to release it on video, is on Turner Classic Movies, which is where I saw it recently. If you do see it, you're in for a rare treat.

This is a fine debut for a top & unique silent film star. Considering Chaney's vocal accomplishment in the early torturous sound on film system, one wonders how Chaney would have faired a few years down the road in films like The Invisible Man with only his voice and no face whatsoever. Lon barely was able to make this remake as he was suffering from advanced stages of throat cancer and it shows on his face throughout the film. His face is gaunt and withdrawn which only adds to the oddness of the story. Thalberg most likely gave the go ahead for Lon to remake his 1925 silent hit as it was popular with the public and after five years he would have been still familiar with the story. Thus learning lines would have come a lot easier to the suffering and ultimately dying Chaney. Sound actually improves the story somewhat and indicates the same circus environment that Chaney's director friend would make two years down the road in Freaks. Browning had actually made the silent Unholy Three and the script or scenario must have not gathered too much dust when director Jack Conway did this sound remake. But Conway & Chaney scored a 1930 triumph and it's a shame Chaney had to die on the cusp of it.

The only reason I decided to watch this was because this was Lon Chaney Sr.'s only talkie movie as he'd untimely die after this came out. I had not seen his previous silent one and while I had the option to also check that out from my local library, I just decided to see this version, for now. It's not bad as an early sound film and I appreciated the humor of some scenes but, like others commenting here, I did have trouble hearing some of the little person Harry Earles' words when he spoke them as well as that of the strongman played by Ivan Linow. Lila Lee wasn't bad as the pickpocket-turned-betrayer Rosie and neither was Elliott Nugent as her eventual boyfriend though he had more success when he turned director of various Bob Hope comedies. It was also a nice surprise that part of this film took place on Christmas Eve since the holiday just passed as you can tell by the date of this review. Oh, and yes, Lon was fine voice-wise whether doing his own or that of an old woman when wearing a disguise and also as a dummy's voice when throwing it as well as a parrot. Maybe a haunting music score could have helped in some scenes but overall, this version of The Unholy Three was good enough that I say this is worth a look.

Why this wonderfully crazy film from 1930 isn't more readily available is a total sin. Of course, THE UNHOLY THREE (1930) is most famed for the only time we can hear the great silent horror star Lon Chaney speak. When he speaks, this rather gruff, but ordinary voice comes out. I sat there thinking "That's Quasimoto, Eric the Phantom, Dead Legs Flint, and that's what Dracula would of sounded like if Chaney lived to get the part? Wow!")

The film is really out of control. Three out of work circus performers (Chaney, midget Harry Earles and strongman Ivan Linow) decide to become a trio of jewel thieves. Midget Earles has the best dialog, delivered in a squeaky voice- "I like it" (meaning the plan) "It's unholy!" This motley trio decide to disquise themselves very outlandishly (Chaney as an old woman, Earles as a cooing baby) They couldn't just lay low, or take assumed names? They had to resort this sort of lunacy? Lila Lee is also a wonderful treat here. Why didn't she do more talkies?

Indeed, Lon Chaney was the man of a thousand faces, a make-up genius so ahead of his time that "three quarters of a century later" well accomplished professionals are still to be awed at the visual effects he compassed. Sadly, for most, he will always be remembered as Erick, the Phantom and Quasimodo. However, Chaney was much than just a horror actor and a pioneer of many stage make-up techniques; he was a gifted actor, as well as, a matchless performer and person. He was an incredibly skilled actor and, thankfully, The Unholy Three (1930) let's us actually see that.

In this film, Chaney did five voices; those of a parrot, an old woman, a girl, a ventriloquist, and the ventriloquist's dummy. His voice work was such that he had to sign a notarized statement largely as a publicity stunt, attesting to his versatile voice work in The Unholy Three. While the film is notable as a vehicle for the actor's vocal gymnastics, the story of this talkie version of the 1925 version is pretty much identical to the silent, but with a few exceptions: As a talkie, The Unholy Three is a bit less gripping by the sounds becoming explicit, as well as, lacking much of the macabre horror the silent version featured. Mae Busch is replaced by the far better Lila Lee, who was not only better as the roll of Rosie but much prettier as well. However, Victor Mclagen who played Hercules in the silent version was much better than his replacement, Ivan Linow. As far as, Harry Earles is concerned, his voice is completely incomprehensible. Not to mention, the man sitting behind the chair is no longer Tod Browning, but in fact, Jack Conway. Also, at the climax (differing much from the silent version), Mrs. O'Grady appears in court to testify on Hector's behalf. Under the strain of the cross-examination, Echo's voice cracks, and the prosecuting attorney pulls off his wig. Echo's subsequent confession clears Hector, but Echo is sent to prison. In the tearfully painful final scene, Hector and Rosie wave goodbye as Echo is sent off to prison by train.

The question that will forever remain, is if Chaney had lived, what else would he have accomplished? My guess is he would've easily conquered the movement in Hollywood toward more complicated make-up techniques, making any such effects icon look rather amateurish. Perhaps several nominations, maybe even an Oscar winner! He certainly would've played Count Dracula, Frankenstein's Monster, The Mummy, and Dr. Jekyll and Mr. Hyde. If that were the case, what would ever come of such actors like Fredric March, Bela Lugosi, and Boris Karloff who became famous from playing their landmark Monster roll? He undoubtedly could've played anything and been anyone he wanted. His abilities were far beyond any actor of his or any other era. Unfortunately, out of 150+ films Chaney appeared in, less than 50 survived, and all we really have left of this brilliant, phenom of a talent are the monster movies that made him famous. Chaney was known for much more, for comedy and drama. In fact, he was also a highly skilled dancer, director, writer, singer, and comedian. And yet it was cancer that took him from film just as he proved he could successfully speak within the new realm of sound.

Lon Chaney could have been, perhaps, the greatest actor of all time, though, with much of his work missing, it's still justifiable that he is and beyond all the thousands of faces, there was one true Chaney: an incredibly gifted artist. Too bad we don't get to see it more often.