The Silver Horde

One of the first talking films, this film has a mediocre storyline but is quite entertaining nonetheless. It was filmed on location in Ketchikan,Alaska and it is very interesting to see the nearly 80 year old footage of that area. It is also worth viewing to see Jean Arthur,even though not her best of roles, and to see a nice early performance from Joel McCrea. Evelyn Brent plays the earthy Cherry Mallott with great finesse.She is very believable in the role and does not over-act as some silent era veterans might.The plot,although average, is not boring at all and it is easy to sit through this delightful piece of cinematic history.

This film, originally made by RKO but fallen into the public domain, is probably not going to appeal to most people, and not even to most fans of precode. However, it is still interesting viewing. It was made in 1930 - that first full year of all-talking pictures, and we are beginning to see the end of some silent acting careers and the beginning of some talking ones.

The story is that of Boyd Emerson (Joel McCrea), a man who wanders into a very unfriendly Alaskan town. He practically breaks down the door of the town lady of the evening, Cherry Malotte (Evelyn Brent), and demands hospitality, which kind of spoils the idea behind hospitality in the first place. Boyd is in love with a society girl, Mildred Wayland (Jean Arthur), but needs to prove himself worthy to her dad before they can marry. He decides to make his home in this small Alaskan outpost and set up a salmon fishery to compete against that of his underhanded and better capitalized rival for Mildred's hand, Frederick Marsh.

Everyone from "San Francisco to Sitka" apparently knows about Cherry's profession, everyone but Boyd. Cherry uses her bodily assets at one point to insure Boyd gets the loan he needs to start his fishery, without Boyd knowing of course. When he finds out what Cherry does and that she did it at least once to help him, fireworks ensue.

Evelyn Brent was a holdover from the silents, and this is the best talking role I've seen her in. She delivers her hooker's manifesto speech to anemic society girl Mildred with gusto that rivals Barbara Stanwyck in "Baby Face". Jean Arthur is stiff as a board and unrecognizable here as the star of the screwball comedies that are to follow, and it is ironic that in spite of that stiff performance and Brent's animated one that Arthur's star is to rise and Brent's is to fall very shortly.

Louis Wolheim is another holdover from the silents. They just don't know what to do with him here and so they basically make him a mindless brute that enjoys busting heads open. He is much better served in 1931's "Danger Lights", and so is Jean Arthur for that matter.

The part of The Silver Horde that I like was the location filming in Ketchikan, Alaska and the realistic depiction of the salmon cannery over which our cast is battling. Unfortunately it's a most old fashioned story that doesn't wear well for today's audience.

Joel McCrea who was the noblest of all screen heroes and when cast right could be an admirable performer was given wrong direction here. He really comes off as a pompous self righteous clod, I can't believe both Jean Arthur and Evelyn Brent are fighting over him.

The film is based on a novel by Rex Beach who wrote the popular and many times filmed The Spoilers. In fact Evelyn Brent's character is named Cherry Malotte, the same as the heroine in The Spoilers.

Evelyn's a bad girl with a notorious reputation that our fastidious hero is repulsed by even though he's falling for her. Jean Arthur in the first film she did with Joel McCrea is totally wasted in the fluffy society girl he's first engaged to. This is hardly as good as The More The Merrier.

In this old fashioned drama you have an old fashioned villain and that's Gavin Gordon who's a villain in the best Snidely Whiplash tradition.

The best performers in the film are Louis Wolheim and Raymond Hatton, a pair of Arctic rustics is the best way you can describe them. Wolheim had he not died the following year probably would have shared a lot of the roles Wallace Beery did in the sound era.

Fortunately better films were on the way for Joel McCrea. Otherwise his career would have terminated in the early Thirties.

Is there a fan of old-timey Hollywood films out there who is NOT in love with Jean Arthur? With her wholesome good looks, spunky demeanor, inimitable cracked voice and superb acting abilities, Arthur was certainly amongst the top-tier comedic actresses of the '30s and '40s. "The Silver Horde" is an early talkie that she appeared in five years before her breakthrough role in 1935's "The Whole Town's Talking." In this one she is third billed, and her part is a subsidiary one, playing a "pasty-faced namby-pamby" society dame; the fiancée of Joel McCrea, who is trying to get a salmon cannery up and running in the wilds of Alaska. McCrea is being secretly abetted by hooker turned businesswoman Evelyn Brent, while his chances of success are constantly being endangered by a rival operation across the bay. Anyway, this is a pretty taut little picture. It moves along briskly, and features some convincing exterior shots. It also boasts at least three very fine sequences: a dukeout between McCrea and a big Swede who wants to quit his job; a face-off between Arthur and Brent over their common love interest (the viewer's sympathies are wholly with Brent, in this case); and a fascinating look at just how salmon are caught, processed and wind up in cans. You'll never look at your salmon salad the same way again, I promise you! Oh...one other thing. The folks at Alpha Video have done it again; yet another DVD with poor picture quality and even lousier sound. This company has a huge catalog of films available, but when will it realize that quality is just as important as quantity?

This is an excellent film. The location footage of Ketchikan, Alaska, the documentary scenes of salmon fishing and canning, and the clash on the water between the two fishing fleets are all first rate.

The crucial dramatic question of the film, can a decent man fall in love with a woman who has had sex with other men, seems hopelessly outdated. But if you replace that question with the more general, which woman should a man choose, one who can offer him a life of ease, or one who can help him fight for success on his own terms, the dramatic crisis becomes not dated but timeless. Good acting and direction, a lesson in the history of film, and in storytelling, that transcends period.