Dick und Doof als Einbrecher

Cop Edgar Kennedy is in trouble. Their have been forty-two robberies in the police chief's neighborhood and he'll be fired unless he makes an arrest. He gets an idea. Rather than run off two vagrants, Stan and Ollie, he convinces them to rob the police chief's house so he can arrest them in the process. It was a pretty good idea, if Stan and Ollie hadn't proved to be the most inept burglars in history.

"Night Owls" was the team's seventh talkie and definitely the best one to date. The concept itself is funny, and the slapstick gags are plentiful and well-performed. (My favorite bit is when the boys pretend to be cats.) Nor does it hurt that Stan and Ollie are backed up here by Edgar Kennedy and James Finlayson, two of their best foils. Stan and Ollie themselves seem very comfortable in this film. Their interplay has a smooth, naturalistic rhythm that one expects from the boys at their best.

This film isn't quite a classic, but it fine little film. The team had finally found their footing in the new medium of talking films.

NIGHT OWLS

Aspect ratio: 1.37:1

Sound format: Mono

(Black and white - Short film)

Hoping to make an arrest that will please his boss (Anders Randolph), a lowly cop (Edgar Kennedy) persuades two vagrants (Laurel and Hardy) to rob Randolph's house in the dead of night, so he can 'arrest' them. However, things don't go according to plan...

An early sound-era comedy, in which absolute silence is the main objective! Naturally, L&H make enough noise to wake the dead whilst attempting to extricate themselves from a tricky legal dilemma (Kennedy threatens to arrest them if they decline his 'request'!), leading to the usual array of comic complications. James Finlayson hams it up as Randolph's clueless butler, hurling shoes at 'cats' in the garden (actually L&H, trying to evade detection) and getting one hurled back at him for his troubles! Ollie bullies Stan into compliance at every turn, though Stan tolerates his behavior only so far, resulting in conflict at every turn, timed to perfection by artists at the peak of their craft. Directed by James Parrott.

Stan Laurel makes most of the gags in 'Night Owls' work. In this comedy short a police officer (Edgar Kennedy) will be fired when he screws up one more time. He finds Laurel & Hardy sleeping on a bench in a public park. They have a choice. They can spend some time in jail or help the police officer. He wants them to break in with his chief. He will save the day and the chief will like him again.

The short, with sound, shows us Laurel & Hardy as burglars most of the time. They must be the worst burglars ever. They enter the house over and over again but they also manage to lock themselves out every single time. We have some laughs, all because of Laurel. Although this is definitely not the best Laurel & Hardy comedy short, it is another fine little movie.

Night Owls (1930)

** (out of 4)

A policeman is on the down and outs with the captain so he has L&H to pretend to be robbers so that he can arrest them. The boys think the policeman will then get them off the hook but breaking into a house is harder than they thought. This is a pretty lifeless short with only a few chuckles and mostly dead jokes. The scene where the boys pretend to be cats is certainly the highlight.

Ladrones (1930)

** (out of 4)

Spanish version of Night Owls has the exact same story, although there's an added third reel, which is a different ending. Like other Spanish versions, the alternate ending here is actually a lot funnier than the American one so you've gotta wonder why it was cut. Some of the physical gags also work better here but it's still not one of the duo's best.

A LAUREL & HARDY Comedy Short. A cop finds himself in trouble for not making any arrests during a robbery spree. So, he talks vagrants Stan & Ollie into breaking into the Chief's home, where he can then arrest them. Like a couple of NIGHT OWLS, the Boys descend upon the house. Chaos erupts during their attempt to scale the wall & get through a window. But matters only get worse when they finally get inside...

A good little comedy, filled with hardy slapstick. Edgar Kennedy plays the cop; that's James Finlayson as the Chief's butler.