U 13

....don't do it! Although, I do get it was done in ignorance on this occasion. Kenneth MacKenna (Burke) did it whilst captaining a submarine and this led to his submarine's destruction with all life on board lost at sea. Apart from his. He stood trial and was sentenced to death for his misdemeanor. His friend and prosecuting judge Charles Gerrard (Weymouth) put the blame on MacKenna as opposed to the woman (?) and this film begins with both MacKenna and Gerrard turning up in Shanghai. MacKenna is supposed to be dead and Gerrard thinks he has seen a ghost. However, before Gerrard can confirm his sighting, MacKenna sets sail on the China Sea on his next mission. However, things don't go well and the submarine sinks. Gerrard turns up in charge of the rescue mission...

Don't be fooled by the title as there are plenty of women in this film, especially in the beginning sections of shore leave in Shanghai. They sing, dance and entertain the sailors for a price. The majority of the film takes place on the submarine after it sinks and the cast have to battle with mental strength, poisonous fumes, a slight case of water ingress given they are at the bottom of the sea and they only have one oxygen tank which can support them for a few hours. They need divers to find them but they also have a torpedo chute which gets used rather ingeniously. They don't all make it.

The film has the added interest of being in that crossover period to sound and so we get speech title cards, occasional dialogue, silent patches and soundtracked scenes. It's a crazy mix, especially those scenes where a character starts speaking, then we get a title card only to return to the character to finish his dialogue with different words to what we have just been reading. It is always the same gist and it doesn't really matter but it is entertaining to watch. The only point which I couldn't get over was the non-sensical devotion that MacKenna has to this duplicitous woman with whom he had a dalliance. His notion of being a gentleman is rather annoying nonsense.

A sailors-trapped-in-a-sinking-submarine drama: Will they drown? Will the oxygen run out? Will they suffocate from chlorine gas? Will divers get to them in time? And what about that religious fanatic on board? John Ford skillfully ratchets up the tension, but some shaky special effects, unlikely characterizations and broad acting give an uneven effect, compared to later and slicker entertainments like RUN SILENT, RUN DEEP. However, this production has genuine historical value because it shows the difficulties in changing over from silent to sound,: sometimes it's a silent film with sound effects and [tinny] music. Other scenes have dialogue with one character actually speaking while another answers in silent intertitles. Most oddly, sometimes a character starts speaking, then an intertitle shows noticeably different lines, then the character finishes speaking. Not many movies have such a variety of expression.

An American submarine crashes in to a cargo ship off the coast of China and the surviving crew members await rescue

Yeah you've seen this type of movie a few times before . This one is slightly different because it's set in peace time , is directed by John Ford and comes from 1930 which was an era when talkies were making a breakthrough

Actually you have to take onboard as to what films were like in those days. THE JAZZZ SINGER was the first talky but films didn't explode in to full length talkies until a couple of years later and films in the last year of the 1920s often used sound and dialogue as an aural impact aesthetic. In this case MEN WITHOUT WOMEN is somewhat typical featuring a few spoken scenes , sound effects and caption cards featuring dialogue

For the story itself a bunch of men trapped in in a slowly flooding submarine is a movie cliché but to be fair it wouldn't have been in 1930. Narrative wise it also contradicts itself by having a song and dance number featuring a female of the species . As it stands this early John Ford remains interesting for a number of reason including having John Wayne in an uncredited cameo without being any type of masterpiece

This film is of interest since it is in a period of transition between silent and sound pictures. The version shown on AMC has limited sound dialogue as well as title cards, and a few scenes have both! You hear John Wayne's voice before you see him in a small part.

The full sound version of this early talking John Ford film remains lost but thankfully this international work-print with inter-titles for dialogue and narration (and some sound) has survived and is preserved by the Museum of Modern Art. Up to now, this film was only available from VHS recordings of AMC's Film Preservation Festival from 1999.

After being called back to their ship during liberty in Shanghai, the sailors of the S-13 are struck by another passing vessel and sink to the bottom of the ocean. While waiting to be rescued and with oxygen levels dwindling, the men of the S-13 fight for their lives and sometimes each other in suspenseful anticipation to see who will make it out alive.

In addition to Ford's direction, the cast of characters makes the movie an enjoyable experience and makes you care for each of their fates. Kenneth McKenna as the Naval officer with a secret, young Frank Albertson as a rookie ensign who is unexpectedly thrust into being a leader for his men, Warren Hymer as a ruffian sailor hiding a heart of gold, young Stu Erwin as the S-13's radioman and Ford stock player J. Farrell McDonald as the old navy veteran. Be on the lookout towards the end of the film for young John Wayne as a radioman up on the surface.

The film has been restored for Fox's MOD DVD release and I've never seen it clearer and more beautiful. Kudos to everyone involved in getting this film restored and released because it's a true unsung gem in John Ford's very long directorial career.