Füge eine Handlung in deiner Sprache hinzuA Havana bar girl with a tough "protector" falls for a young sailor.A Havana bar girl with a tough "protector" falls for a young sailor.A Havana bar girl with a tough "protector" falls for a young sailor.
- Auszeichnungen
- 2 wins total
Vince Barnett
- Waiter
- (Nicht genannt)
Frank Brownlee
- Drunk
- (Nicht genannt)
George Chandler
- Barfly
- (Nicht genannt)
Richard Cramer
- Detective Mac
- (Nicht genannt)
Blythe Daley
- Dance Hall Girl
- (Nicht genannt)
Edgar Dearing
- Marine
- (Nicht genannt)
Ausgewählte Rezension
It's a variation of the Frankie and Johnny story with the same cast names and even a Nelly thrown into the mix courtesy of Thelma Todd. Bad guy Ricardo Cortez (Johnny) pimps out Helen Twelvetrees (Frankie) to steal from drunken visitors in a seedy dive on the waterfront in somewhere like Cuba. It's a rough bar that is frequented by sailors and people generally looking for a fight. Occasionally, if a customer gets too friendly with Helen, then that's the end for him - knife in the back.
As in the song - "He was her man and he was doing her wrong" - Cortez has a friendship with Todd. He doesn't seem too nice a person when he's around Twelvetrees. Into the bar strolls a new crop of sailors headed by Phillips Holmes (Dan) and it's love at first sight on his part leading him to dangerously pursue this 'taken' woman.
This film has a gritty, seedy setting which holds an interest with realistic characters. However, the film has to lose marks on 2 counts especially. The first is Phillips Holmes and his attempt to portray a tough sailor. He really doesn't need to puff out his chest when he walks. It's the blueprint for Popeye. Secondly, there was way too much attempted comedy with drunken sailors that just got tiresome. The women, in particular, in this film are good so it's a special mention for Twelvetrees, Todd and drunken lush Marjorie Rambeau (Annie).
As in the song - "He was her man and he was doing her wrong" - Cortez has a friendship with Todd. He doesn't seem too nice a person when he's around Twelvetrees. Into the bar strolls a new crop of sailors headed by Phillips Holmes (Dan) and it's love at first sight on his part leading him to dangerously pursue this 'taken' woman.
This film has a gritty, seedy setting which holds an interest with realistic characters. However, the film has to lose marks on 2 counts especially. The first is Phillips Holmes and his attempt to portray a tough sailor. He really doesn't need to puff out his chest when he walks. It's the blueprint for Popeye. Secondly, there was way too much attempted comedy with drunken sailors that just got tiresome. The women, in particular, in this film are good so it's a special mention for Twelvetrees, Todd and drunken lush Marjorie Rambeau (Annie).
Handlung
WUSSTEST DU SCHON:
- WissenswertesThe film now exists in a 4k digital restoration, shown at London's National Film Theatre in February 2017; it's in superb condition, sharp, well graded and not a mark on it. It really does look as if it was shot yesterday. The sound is extremely good for the period; the stunning opening tracking show has some complex mixing as the camera tracks past various bars and different bands are heard playing (rather like the restored opening to Im Zeichen des Bösen (1958)).
- Zitate
Annie: Say, can't a dame go no place nowadays without bein' insulted?
Detective Mac: The only place you're goin', baby, is right back where you came from.
- Crazy CreditsOpening credits are etched into the sand of a beach alcove, paging continually with each new incoming wave.
- VerbindungenFeatured in Das Mädel aus Havanna (1931)
Top-Auswahl
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Details
Box Office
- Budget
- 400.000 $ (geschätzt)
- Laufzeit1 Stunde 25 Minuten
- Farbe
- Seitenverhältnis
- 1.20 : 1
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