Untamed

"Bingo" is exactly the word! This film hits all the right spots and its not all about Joan Crawford, who simply sparkles. I fell totally in love with her character!

It is not by accident that IMDb lists 107 films by Director Jack Conway between 1912 and 1948. This was his 72nd film according to that chronology and his expertise shows. I found it thoroughly engrossing and continuously entertaining. I laughed aloud often -- some really great gags and a fine early sit-com.

I don't know much about the writer Charles E. Scoggins, but co-writer Sivia Thalberg is credited with 15 films and is the sister of Irving Thalberg. That ought to tell you this film deserves close attention. Don't allow yourself to think of it as "cornball" and just engross yourself in it. You won't be disappointed.

But not too bad, with some comedic moments, my favorite unintentional one being when Montgomery knocks back a shot and the liquid dribbles down the shoulder of his tuxedo!! Cut! Wait, just leave it in, who will notice. This is an early talkie, anyhow. Next scene! Joan is lovably fresh in her first talkie as the improbably nick-named Bingo, falling head over heels in love with poor but noble Andy McAllister. When she gets the monkey off her back (literally; she's grown up in the jungle), she moves to the city with her "uncles" (really her father's friends who are charged with her care) and enters society, with a little help from the MGM make-up, hair, and deportment departments. Can Bingo and Andy make a go of it? Will Andy go back to his girlfriend? Will Bingo realize one of her "uncles" likes her in that special way? As others have said, it's a wildly improbable tale but it is fun to watch such an early talkie, when everything was so awkward and painful, like adolescence. Montgomery in the fight scenes was indeed pale and slender; in fact, a muscular double had to be used for him during the strip-search scene in "The Big House." Oh, well. Men were littler then. Some of us like the suave, intellectual type.

Not a bad way to spend 90 minutes. Interesting to note the use of card titles in this movie, and also Joan's rather stilted emoting, both holdovers from the silent days which really were just days behind at that point. Such a curiosity in this day and age...

''Untamed'' surprised & delighted me, in the way, that I've never seen Joan play such a sassy, upbeat role before...... It's totally different from all her other roles, and I don't think, she played another similar part after...... Joan plays her part ''Bingo'', so charmingly & adorably...... (in a way, naive & innocent) It's really not something, Joan fans are used to watching...... This proves again, Joan's versatility, and her capability to do comedy...... Even though, certain parts in ''Untamed'' were silly & offbeat...... I really didn't seem to care, or really noticed it...... Because, Joan & Robert Montgomery had such marvelous chemistry together..... (It's always a refreshing & fun experience watching them every time) They had so much give and take, in their scenes together....... ''Untamed'' is obviously dated, but in a classy, old fashioned way...... What ''Untamed'' has, that other same genre movie lacks today is, ''classy romance''....... I recommend Joan & Robert Montgomery fans to check out this movie...... Really wished Joan & Robert could've made movies together...... They're simply superb, each time they team together......

Yet another one of those late 1920s - early 1930s "a poor man cannot possibly marry a rich woman because everyone will think he's doing it for her money only" movies. It's a bit of inconsequential trivia, and overlong to boot (85 minutes), but it's fun to watch a young, beautiful Joan Crawford as a fiery Latin America wildcat - cum - New York society girl, and Robert Montgomery already shows in this early role why he was one of the best leading men of his era. The film does feature one sequence that I've never seen before: an impromptu boxing match (complete with ring and bell) in the middle of a high-society party! And although the ending is predictable, the means by which we get there are not. ** out of 4.

From her first scenes looking bronzed as a Tahitian as she sings and dances on the beach at night, to the porcelain aristocratic beauty she presents later in the film, Joan Crawford shines in a role that she seems born to play. The film combines melodrama and comedy to bizarre contrast, and features a number of choice supporting performances (and accents!) Young and handsome Robert Montgomery plays the object of Crawford's affection, and such is the level of her love that when she is told that "the woods are full of men like him", she replies, "take me to the woods." This film also might show her earliest use of a Crawford trademark prop, the revolver.