The Saturday Night Kid

Hard-living was visibly taking its toll on Clara Bow by the end of the roaring twenties, hence her casting as Jean Arthur's wiser older sister in this disarming preCode quickie that establishes its tone of breezy amorality from the very outset when Miss Bow is required to postpone her morning bath since her friendly neighbourhood bootlegger, racing tipster & gambler Charles Sellon is using the tub to manufacture his liquor.

It's Clara who assumes the mantle of responsibility when little sister loses Edna Mae Oliver's welfare fund betting on a horse (while the film itself contains a remarkable but generally overlooked moment in film history where Bow and Arthur fleetingly get to share the screen with Jean Harlow).

In conclusion, aside from the novelty of seeing Miss Arthur boyishly bobbed as a flapper, after a nondescript career in silents the advent of talkies finally enabled to unleash that extraordinary voice.

After audiences of the 1920s had become accustomed to seeing Clara Bow portraying the carefree flapper or an aggressive woman out to get her man, this movie strays from those formulas. Confined by the limitations of the role of Mayme and the constraints of early sound films, Clara is much more inhibited and restrained in this film. That high energy personality and wonderful facial expressions that I love about her, were absent in this movie. As another reviewer stated, Clara would have been much more suited to play the role of Janie(particularly the scene where Janie steals Mayme's boyfriend) that went to a young Jean Arthur. Even when, she was several pounds overweight for a leading lady/sex symbol, Clara still manages too look great and she does well in the somewhat thankless role. Mayme is a "good" girl that has developed a cynical and hard boiled attitude from past romances gone bad. It was also interesting to see Jean Arthur play a selfish, impulsive, immature Janie(who doesn't hesitate to stab her sister in the back if her neck is on the line) after seeing her in more virtuous roles in the 30s and she turns in a good performance despite just an average script and dialogue. The Saturday Night Kid also provides an interesting glimpse into the late 20s lifestyle from riding a street car to working in a department store. Yes, 75 years ago they were doing company "pep rallies" that employees had to attend and show their enthusiasm whether they were enthused to be there or not. There are very few films that were made in 1929 with outstanding productions values and are enjoyable to watch. While this film has it's problems I think it is better than most of the early sound films that I've seen, including THE WILD PARTY with Clara. 6/10

Clara Bow stars in this early talkie about two sisters (Jean Arthur) who work in a department store and vie for the same guy (James Hall).

While Bow plays a fast girl who's always getting into trouble at work for being late, Arthur is actually the sneak and compulsive gambler (with store funds). She also has a yen for Bow's Boyfriend, Hall. That's about it for plot.

Charles Sellon plays the crooked gambler. Jean Harlow has a few lines as the friend and one scene with Bow and Arthur. Harlow and Hall would star in Hell's Angels a few years after this. Edna May Oliver in her talkie debut plays the head of personnel, and Frank Ross plays Ken. Ross would marry Arthur and become a film producer. And that's Bess Flowers trying out the reducing machine.

Worth a look for feisty Clara Bow and Jean Arthur in an odd role.

I have liked Jean Arthur for a long time and Clara Bow since I got to know her more recently and I wish I could rate 'The Saturday Night Kid' higher than 5 stars, but it really isn't a particularly good film. Bow is playing the responsible, honest sister of Arthur. There is absolutely nothing wrong with her acting or her voice, which some critics disliked. Both are good, and I enjoyed watching her as Mayme. But almost everything else in this film simply does not work. Judging by Arthur's performance here, you would never believe she would go on to become a star most often playing working girls with a heart of gold. In 'The Saturday Night Kid' her role as Janie is thoroughly negative: She is a devious sneak and a thief. That is of course not a bad thing in itself; most films have at least one villain. What is bad about it is that Arthur's acting is not up to the role. She gives the impression of unintentionally making her character even less likeable than it is in any case (I think that's mainly because of one factor: In her later films she used her grating voice to great comic effect; her, she is just whining). As for the others, Edna May Oliver is overacting and Jean Harlow fairly unremarkable. The male actors did not really register with me. The plot is in principle not bad, but director A. Edward Sutherland fails to give it the tempo and sparkle it demands. I caught myself glancing at my watch several times. The shortcomings of this picture have therefore nothing to do with the fact that it is an early talkie marred by technical problems. Rather, the responsibility lies with Arthur, who had not yet found her voice, and Sutherland, who spoiled a fundamentally good plot.

Shopgirl sisters, one fun loving but virtuous (Clara Bow), the other a conniving, selfish brat (Jean Arthur) are in love with a fellow Ginsberg department store employee (James Hall). Trite screenplay, lousy production values, terrible directing. Bow only really becomes interesting in the second half where she's finally given interesting things to do. Jean Arthur is quite good as the dissembling brat sister. James Hall is dull. Edna May Oliver does her thing (which I love) in her talkie debut, and an unbilled (and very young looking) Jean Harlow has a tiny but memorable speaking part (her first). Ultimately, this is for Bow fanatics only (I raise my hand), and for those who want to see the earliest sound film appearance of the fully formed Jean Harlow persona.