The Last of Mrs. Cheyney

Last of Mrs. Cheyney, The (1929)

* 1/2 (out of 4)

The rich British society welcomes Mrs. Cheyney (Norma Shearer) as one of their own but what they don't realize is that she's actually connected to a group of jewels thieves. THE LAST OF MRS. CHEYNEY was a hit on the stage so it's easy to see why MGM would want to produce it for the screen. It must have done well as the studio would go on and remake it twice including once in 1937 with Joan Crawford. Early film buffs will be interested to know that this was MGM's first talking picture that had the sound actually recorded onto the film instead of the Warner method of recording the sound on a separate disc. That is certainly a historically important thing but it's doubtful very few outside of major film buffs are going to care about that. The finished product is what's going to really make one interested and sadly this is a pretty poor movie all around. You can start with the fact that this is obviously an early-talkie and we get non-stop dialogue scenes that just go on and on and on to the point where you really do forget what they're talking about. It's as if you're watching the start of the scene and listening to what the characters are saying but within a minute or two you're completely zoned out and this happens quite often. There are some plot points that pop up ever so often but not a single thing is believable and more often than not you just sit there wishing everything would be over with. The performances are all rather bad and that includes Shearer. I haven't seen too many of her pictures but it's clear she had talent but it's also clear that this is perhaps the worst I've seen from her. Her line delivery is extremely bad but I'm giving her the benefit of the doubt that she was just working with a new system and doing what she could. Often times it seems as if her and the other actors are leaning towards where the mic is just so that the dialogue can get picked up. Basil Rathbone is fair in his part but at the same time his line delivery is quite poor. The supporting players include Hedda Hopper, Herbert Bunston and George Barraud but none of them add much. The sound quality isn't the worst that I've heard but at the same time it's easy to tell that this was very early in the game. For the most part the voices are heard just fine but the added sound effects really come off poor and the constant hiss in the track becomes annoying after a while. All of this is just a part of its time but sadly the film itself is just hard to sit through.

A comedy of manners, requiring close concentration to catch the liveliness of the dialogue. Basil Rathbone is magnificent as a dapper wolf; his performance is perhaps the best I've seen in a role like this, of course aided by the snappy discourse between himself and the slower-but-sweeter Norma Shearer. No classic but very entertaining. Anyone amused by witty pick-up lines from the 30's should find this quite funny.

Posing as a wealthy Australian widow, con woman Norma Shearer (as Fay Cheyney) encroaches herself in Monte Carlo society. Her nefarious plans are complicated by an attraction for Lord Basil Rathbone (as Arthur Dilling). This version of Frederick Lonsdale's hit play is in good hands with director Sidney Franklin, who had a lack of flash that was perfect for early talking films; he manages the new technology competently. Ms. Shearer is charming and theatrical. In his sound debut, Mr. Rathbone makes a good impression despite raccoon eye make-up. Handsome rival George Barraud (as Charles) is impressively natural and Herbert Bunston (as Elton) chews into the script. MGM tried a re-make in 1937 with Joan Crawford , but it failed to move "The Last of Mrs. Cheyney" off the stage. The plot has appeared in dozens of other stories.

****** The Last of Mrs. Cheyney (7/6/29) Sidney Franklin ~ Norma Shearer, Basil Rathbone, George Barraud, Herbert Bunston

Talky, uncinematic and slow-as-molasses, "The Last of Mrs. Cheyney" (1929) is really for film historians only (the second half is SLIGHTLY more tolerable than the first). Norma Shearer is OK but not yet in full bloom, Basil Rathbone comes off best, while Herbert Bunston is particularly awful. Gotta love the "good woman" = "virgin" coded speak, though. ** out of 4.

Antiquated, early talkie curio from Frederick Lonsdale's hit play of chic American jewel thief (Shearer) residing among the gullible rich London aristocrats, and taking interest in dashing Rathbone. Like the 1937 version, it is dated now, but is quite interesting to watch thanks to the star chemistry