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IMDbPro

Broadway Musketeers

  • 1938
  • Approved
  • 1 Std. 3 Min.
IMDb-BEWERTUNG
6,0/10
266
IHRE BEWERTUNG
Margaret Lindsay, Ann Sheridan, and Marie Wilson in Broadway Musketeers (1938)
Trailer ansehen
trailer wiedergeben1:52
1 Video
9 Fotos
DramaMusik

Füge eine Handlung in deiner Sprache hinzuDrama about three girl graduates of an orphanage whose paths cross.Drama about three girl graduates of an orphanage whose paths cross.Drama about three girl graduates of an orphanage whose paths cross.

  • Regie
    • John Farrow
  • Drehbuch
    • Don Ryan
    • Kenneth Gamet
  • Hauptbesetzung
    • Margaret Lindsay
    • Ann Sheridan
    • Marie Wilson
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,0/10
    266
    IHRE BEWERTUNG
    • Regie
      • John Farrow
    • Drehbuch
      • Don Ryan
      • Kenneth Gamet
    • Hauptbesetzung
      • Margaret Lindsay
      • Ann Sheridan
      • Marie Wilson
    • 10Benutzerrezensionen
    • 3Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Videos1

    Trailer
    Trailer 1:52
    Trailer

    Fotos8

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
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    Topbesetzung45

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    Margaret Lindsay
    Margaret Lindsay
    • Isabel 'Isabelle' Dowling Peyton
    Ann Sheridan
    Ann Sheridan
    • Fay Reynolds Dowling
    Marie Wilson
    Marie Wilson
    • Miss Connie Todd
    John Litel
    John Litel
    • Stanley 'Stan' Dowling
    Janet Chapman
    Janet Chapman
    • Judy Dowling
    Dick Purcell
    Dick Purcell
    • Vincent 'Vince' Morrell
    Richard Bond
    Richard Bond
    • Philip 'Phil' Peyton
    Anthony Averill
    Anthony Averill
    • Nick - Vince's Henchman
    Horace McMahon
    Horace McMahon
    • Gurk - Vince's Henchman
    • (as Horace MacMahon)
    Dewey Robinson
    Dewey Robinson
    • Milt - Vince's Henchman
    Dorothy Adams
    Dorothy Adams
    • Anna - Judy's Governess
    Jimmy Conlin
    Jimmy Conlin
    • Mr. Hobart Skinner
    • (as James Conlon)
    Jan Holm
    • Schoolteacher
    John Ridgely
    John Ridgely
    • Master of Ceremonies
    • (Gelöschte Szenen)
    John Alban
    John Alban
    • Nightclub Patron
    • (Nicht genannt)
    Marian Alden
    • Floor Nurse
    • (Nicht genannt)
    Edward Biby
    Edward Biby
    • Nightclub Patron
    • (Nicht genannt)
    Oscar Blank
    • Nightclub Patron
    • (Nicht genannt)
    • Regie
      • John Farrow
    • Drehbuch
      • Don Ryan
      • Kenneth Gamet
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen10

    6,0266
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    Empfohlene Bewertungen

    5boblipton

    Watchable But Uninspired Remake

    Three women who grew up in the same orphanage -- Margaret Lindsay, Ann Sheridan, and Marie Wilson -- lead very different lives. Miss Lindsay marries wealthy John Litel. They have a child, but then she divorces him. Miss SHeridan becomes a nightclub singer, who marries Litel later. And Miss Wilson offers some comic relief. They meet every year for a dinner.

    It's a B remake of THREE ON A MATCH (1932), and lacks the pre-code snap of the earlier version. Most of the tension is reserved for a kidnapping towards the end by gangster Dick Purcell, with Dewey Robinson getting a nice role as the soft-hearted henchman. Directed for speed by John Farrow, it's watchable, but I wouldn't stay up late to watch it. Fortunately, my TV comes equipped with a DVR.
    6planktonrules

    Considering how terrific the original was, I see no reason to see this film instead.

    One of the better Pre-Code movies was "Three on a Match" (1932). Not only was it a terrific film but it's one of Bette Davis' earliest films. It also is extremely lurid--the sort of way only Pre-Code films could be. Now, six years later, Warner Brothers have remade the picture as "Broadway Musketeer"...but with many of the more salacious scenes missing (such as the ultra-violent ending in the original). Considering how wonderful "Three on a Match" was, I just couldn't understand remaking it...but on a lark I decided to give this other film a try.

    The film has nothing to do with Broadway...and none of the characters have anything to do with the theater. Instead, it's about three women who grew up together in an orphanage, Isabelle (Margaret Lindsay), Fay (Ann Sheridan) and Connie (Marie Wilson). The film begins long after the three friends went their separate ways. Isabelle is married to a very successful man and has everything a woman could have wanted, Fay performs a racy* routine in nightclubs and Marie is a stenographer...an underdeveloped part. However, despite Isabelle having a child and loving husband, she's longing for excitement and ultimately destroys herself and loses her family. At the same time, Fay and Connie step in to pick up the pieces of Isabelle's family. What's next? Well, for starters, Isabelle manages to make things even worse---even after her husband divorces her.

    This is a very competent film and the cast is fine. However, they certainly aren't better than the original cast and the script is amazingly tame and lacks the edge and excitement of the original. Worth seeing, perhaps...but I suggest you just see "Three on a Match".

    *The racy dance is hilariously tame--so much so that you could perform it at a Baptist picnic!! This is one case where the Post- Code standards just didn't make any sense, as she was arrested for this lewd dance...a dance where all of her clothes remained on her body and the gyrations were minimal!
    msladysoul

    A Remake of Three on a Match

    This movie is a remake of "Three on a Match" starring Ann Dvorak, Bette Davis and Joan Blondell, but if you haven't seen "Three on a Match" then see that first then this, some things were changed but its pretty good and you see a resemblance, the title "Broadway Musketeers" was a wrong name for the movie, but its worth watching, if you can catch it on Turner Classic Movies, I've got it. Margaret Lindsay, Ann Sheridan, and Marie Wilson star in this remake, but I have to say the first one was better, Margaret Lindsay plays the part Ann Dvorak plays, a rich girl who's not happy and goes the wrong way, the beautiful Ann Sheridan plays the showgirl, burlesque dancer like Joan Blondell played in the first one, she cleans up her life and replaces Margaret's character lifestyle, Marie Wilson plays the part Bette Davis, plays the stenographer, her character isn't much. Like I said this isn't the best film, but these girls are more beautiful and glamorous then Bette Davis, Joan Blondell, and Ann Dvorak were, they added some glamour to the movie, and this film didn't make them stars like Joan Blondell, Ann Dvorak, Humphrey Bogart and Bette Davis became, but worth watching. Ann Sheridan was the only one to become big but she's much forgotten today, but in the late 30s and 40s she was the top pin-up girl, beautiful girl she was, glamour queen.
    8Randy_D

    Enjoyable Remake of Three on a Match

    I found this remake of Three on a Match to be a bit more enjoyable than the original, thanks in no small part to the presence of Ann Sheridan.

    Nobody could pull off (no pun intended) an above-the-shoulder striptease like Miss Sheridan. Wowser! I know she didn't care much for her well-known nickname but you can see why the name stuck.

    Elsewhere in the movie John Litel does his usual job of providing solid support and little Janet Chapman is something else. She has to be one of the most likable child actors that I've ever seen in the movies.

    It's interesting to note that the very last scene in Broadway Musketeers, Ann Sheridan and Janet Chapman embracing, is nearly identical to the final shot of Little Miss Thoroughbred, also directed by John Farrow.
    5bkoganbing

    Too frisky for domesticity

    In the tradition of B pictures not one of the three Broadway Musketeers is in any kind of Broadway show, though Ann Sheridan is in burlesque and definitely off Broadway. Broadway Musketeers is a remake of Three On A Match a film from the early 30s.

    Ann Sheridan, Margaret Lindsay, and Marie Wilson are three women who grew up in an orphanage and grew up tough. When Sheridan gets busted for removing a bit much, Lindsay bails her out with some of husband John Litel's money.

    Lindsay is in a loveless marriage to Litel. She's definitely too frisky for domesticity That comes at the sacrifice f being a mother to little Janet Chapman. When on a girl's night out Sheridan introduces her to playboy Richard Bond she decides she can have one time with him as a husband.

    As for Sheridan she wants to settle down and Litel is seeing the qualities he missed in Lindsay.

    I'll not mention the rest of the plot. But in the original Three On A Match Bette Davis played a colorless good girl friend to both Sheridan and Lindsay. Could any film aficionado in their wildest imagination see Marie Wilson in a role originally done by Bette Davis? Yet here we have it and Marie Wilson gives it a bit of color with her dumb blonde personality.

    And wait to you see whom Wilson lands as a husband.

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    Verwandte Interessen

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    Musik

    Handlung

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    • Wissenswertes
      In his book, "Those Crazy, Wonderful Years When We Ran Warner Brothers," former studio page boy Stuart Jerome recalls a bizarre incident that happened with this film. During the preview screenings, several members of the audience started laughing during a crucial dramatic scene when Dewey Robinson's gangster character slapped Margaret Lindsay. Director John Farrow and studio executive Bryan Foy could not figure out why the audience members were laughing. They set up a private screening of the scene and ran it several times before they discovered the problem. At the moment when Robinson slapped Lindsay, his fly was visibly open! It was the kind of mistake that only a few people in the audience would notice, but which could easily spoil the dramatic effect of the scene. Following the discovery, the entire scene had to be re-shot. The set for the scene was re-built, Margaret Lindsay was borrowed from her current Warner Brothers picture, and Robinson was re-hired at one day's pay. Bryan Foy personally stopped by the set on the day of re-shooting to make sure that Robinson's fly was closed. As Jerome recalled, the incident prompted Foy to send out a memo to all directors and script clerks at Warner Brothers that they should make sure that all male actors had their flies fully zipped up before shooting a scene.
    • Patzer
      Phil writes out a check to Vince for $2,450 on New Years Eve/Day. However, in the next scene where the check has bounced, it is dated June 12th.
    • Zitate

      Isabel 'Isabelle' Dowling Peyton: [when all three ladies are about to drink a toast] Here's to us. Well?

      Miss Connie Todd: May we never have shiny noses.

    • Verbindungen
      References Schneewittchen und die sieben Zwerge (1937)
    • Soundtracks
      Who Said That This Isn't Love?
      (uncredited)

      Music by M.K. Jerome

      Lyrics by Jack Scholl

      Played during the opening credits

      Sung by Ann Sheridan

      Reprised instrumentally by a phonograph record

      Played as background music often

    Top-Auswahl

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    Details

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    • Erscheinungsdatum
      • 8. Oktober 1938 (Vereinigte Staaten)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Three Girls on Broadway
    • Drehorte
      • Warner Brothers Burbank Studios - 4000 Warner Boulevard, Burbank, Kalifornien, USA(Studio)
    • Produktionsfirma
      • Warner Bros.
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 3 Min.(63 min)
    • Farbe
      • Black and White
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 1.37 : 1

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