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Leoparden küßt man nicht

Originaltitel: Bringing Up Baby
  • 1938
  • Approved
  • 1 Std. 34 Min.
IMDb-BEWERTUNG
7,8/10
68.991
IHRE BEWERTUNG
Cary Grant and Katharine Hepburn in Leoparden küßt man nicht (1938)
Home Video Trailer from Warner Home Video
trailer wiedergeben1:38
1 Video
99+ Fotos
Screwball-KomödieKomödie

Während er versucht, eine Spende von einer Million Dollar für sein Museum zu erhalten, wird ein verwirrter Paläontologe von einer flüchtigen und oft irritierenden Erbin und ihrem Haustierleo... Alles lesenWährend er versucht, eine Spende von einer Million Dollar für sein Museum zu erhalten, wird ein verwirrter Paläontologe von einer flüchtigen und oft irritierenden Erbin und ihrem Haustierleoparden Baby verfolgt.Während er versucht, eine Spende von einer Million Dollar für sein Museum zu erhalten, wird ein verwirrter Paläontologe von einer flüchtigen und oft irritierenden Erbin und ihrem Haustierleoparden Baby verfolgt.

  • Regie
    • Howard Hawks
  • Drehbuch
    • Dudley Nichols
    • Hagar Wilde
  • Hauptbesetzung
    • Katharine Hepburn
    • Cary Grant
    • Charles Ruggles
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,8/10
    68.991
    IHRE BEWERTUNG
    • Regie
      • Howard Hawks
    • Drehbuch
      • Dudley Nichols
      • Hagar Wilde
    • Hauptbesetzung
      • Katharine Hepburn
      • Cary Grant
      • Charles Ruggles
    • 351Benutzerrezensionen
    • 105Kritische Rezensionen
    • 91Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 5 wins total

    Videos1

    Bringing Up Baby
    Trailer 1:38
    Bringing Up Baby

    Fotos152

    Poster ansehen
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    Topbesetzung59

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    Katharine Hepburn
    Katharine Hepburn
    • Susan Vance
    Cary Grant
    Cary Grant
    • David Huxley
    Charles Ruggles
    Charles Ruggles
    • Major Applegate
    • (as Charlie Ruggles)
    Walter Catlett
    Walter Catlett
    • Slocum
    Barry Fitzgerald
    Barry Fitzgerald
    • Aloysius Gogarty
    May Robson
    May Robson
    • Aunt Elizabeth
    Fritz Feld
    Fritz Feld
    • Dr. Lehman
    Leona Roberts
    Leona Roberts
    • Mrs. Gogarty
    George Irving
    George Irving
    • Alexander Peabody
    Tala Birell
    Tala Birell
    • Mrs. Lehman
    Virginia Walker
    • Alice Swallow
    John Kelly
    John Kelly
    • Elmer
    Ruth Adler
    • Minor Role
    • (Nicht genannt)
    Adeline Ashbury
    • Mrs. Peabody
    • (Nicht genannt)
    Asta
    Asta
    • George the Dog
    • (Nicht genannt)
    William 'Billy' Benedict
    William 'Billy' Benedict
    • David's Caddy
    • (Nicht genannt)
    Billy Bevan
    Billy Bevan
    • Joe - Bartender
    • (Nicht genannt)
    Stanley Blystone
    Stanley Blystone
    • Doorman
    • (Nicht genannt)
    • Regie
      • Howard Hawks
    • Drehbuch
      • Dudley Nichols
      • Hagar Wilde
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen351

    7,868.9K
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    Empfohlene Bewertungen

    dj_bassett

    Classic Screwball Comedy

    Maybe the prototypical example of the breed, in fact. Zoologist Grant (we'd call him a paleontologist nowadays) goes to a golf course to try to wrangle money out of a potential donor: along the way he meets up with Katherine Hepburn, and they have all sorts of wacky misadventures.

    Grant's great, though it's not a typical role for him -- he's uptight, buttoned down, smothered. He's clearly the superego character, straitlaced and repressed and anti-life (it's no accident he works with bones). Hepburn was never lovelier than she was here -- she's the id character, all action and movement. There's a dedicated minority of people who hate this movie, mostly I think because they see the things Hepburn's character does as cruel. That's the point. Hepburn's not supposed to be nice -- she's id. We laugh partly because Grant needs to be loosened up, but partly because some of Hepburn's actions are shocking. Ideally, we should be in the same position as Grant in the movie: half-attracted, half-afraid.

    Great "rat-a-tat" dialog in the classic Hollywood tradition. I can't think of many screenwriters today who could deliver such dialog. Highly recommended, one of the great Hollywood comedies.
    8Tommy-92

    Wild, crazy, hysterical, FUN!

    Those people who don't like this movie seem to miss the point; IT'S SUPPOSED TO BE RIDICULOUS AND MAKE NO SENSE AT ALL! THAT'S WHAT MAKES IT FUNNY! Now that I've gotten that off my chest, I want to say that I really did have a laugh a minute. Both Cary Grant and Katherine Hepburn are very adapt at this kind of comedy, in top form here, and work very well together. They have a great, very funny supporting cast, as well; though most are long dead and forgotten, many were well-known character actors in the 30's. They knew their craft, and are great at it here. Howard Hawks must have been some director to be able to fashion such a great movie out of a madcap pace and a script in which everyone talks at the same time and is always ad-libbing. (I've heard those were his trademarks, though.) One scene after another at breakneck pace, but never a dull moment. As soon as one laugh stops, another one begins. In case you haven't gotten the point, I highly suggest you see this movie. It may be 60 years old, but it's still hilarious.
    10rebeccax5

    Greatest MOVIE ever made!

    Those without a sense of humor in 1938, must have been insane, panning this film.

    Since I was a little kid this was my favorite movie, seeing it when it first came on TV. I loved other Cary Grant screwball comedies, like "Monkey Business" but this this one tops my list, not only a list of comedies, but of all motion pictures entirely.

    Move over Stanley Kubrick, David Lean or William Wyler. This film is at the top of cultural significance and hilarity. This makes me wonder about those in 1938 who hated this film. Why? How? It has to be broken, defective humans that would pan this film. What a shame that some have no concept of funny,
    10senocardeira

    What's with the recent bashing of this film?

    It's not just a classic - It's a timeless one! Katharine Hepburn (by her own accounts) was in two minds about playing screwball comedy. But she pulls off the characterization of the mad-cappest heroin/heiress ever portrayed on film. It's NOT Kate. It's Kate brilliantly breaking out of her 1930s typecast. The pace is fast, Cary Grant is brilliant as the professor Kate harasses/helps/falls in love with throughout. And what about Susan's aunt and the major? Priceless! Kudos to Baby, as well. I think maybe a few reviewers have been taking their humor from watching 1930s European comedies. Unless it's all out and out vaudeville or cabaret transpositions you're watching, I wouldn't recommend making those your standards for judging "Bringing Up Baby". Worse still if you're judging by American/European standards of the 21st Century. I'm not saying you're wrong, I'm just saying since you can't compare this to virtually anything of those, just enjoy the ride. The Acting you CAN compare, though. And I put my money & soul on Hepburn, Grant & Baby every time.

    10/10
    8shanemb95

    Cliche Rom Com

    Despite the film being predictable, it was actually quite well done for its time. There were instances where you "saw that coming" but others that threw you for a loop. For example, I didn't know what to expect when i started the movie, i did not know Baby was a tiger. Not deserving of the bad rep, i recommend this film.

    Handlung

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    • Wissenswertes
      Throughout filming, RKO executives complained that the film was destined for commercial failure. They asked Howard Hawks to insert more romance and less slapstick and told him to take away Cary Grant's glasses, but he ignored them.
    • Patzer
      When Susan follows Fritz into the house, the shadow of the boom mic can be seen against the wall of the house.
    • Zitate

      Mrs. Random: Well who are you?

      David Huxley: I don't know. I'm not quite myself today.

      Mrs. Random: Well, you look perfectly idiotic in those clothes.

      David Huxley: These aren't *my* clothes.

      Mrs. Random: Well, where *are* your clothes?

      David Huxley: I've *lost* my clothes!

      Mrs. Random: But why are you wearing *these* clothes?

      David Huxley: Because I just went *GAY* all of a sudden!

      Mrs. Random: Now see here young man, stop this nonsense. What are you doing?

      David Huxley: I'm sitting in the middle of 42nd Street waiting for a bus.

    • Alternative Versionen
      Some scenes were cut for the German theatrical release. In 1992 the German ZDF TV reconstructed the missing scenes but the German voice actors/actress who dubbed the movie were no longer available. Thus the reconstructed version changes between the existing dubbed scenes and English-speaking scenes with German subtitles. However, the additional scenes are also from a different print, resulting in a much lesser contrast.
    • Verbindungen
      Featured in The 42nd Annual Academy Awards (1970)
    • Soundtracks
      I Can't Give You Anything but Love
      (1928) (uncredited)

      Words by Dorothy Fields

      Music by Jimmy McHugh

      Played as background music very often throughout the film

      Sung a cappella by Katharine Hepburn and Cary Grant

    Top-Auswahl

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    FAQ24

    • How long is Bringing Up Baby?Powered by Alexa
    • In the scene in which Baby (the leopard) and George (the dog) are "playing" was the leopard really so tame that they trusted that it wouldn't harm the dog?
    • What is 'Bringing Up Baby' about?
    • Is 'Bringing Up Baby' based on a book?

    Details

    Ändern
    • Erscheinungsdatum
      • 18. März 1966 (Westdeutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • La adorable revoltosa
    • Drehorte
      • Arthur Ranch, Malibu, Kalifornien, USA(Exterior)
    • Produktionsfirma
      • RKO Radio Pictures
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Budget
      • 1.073.000 $ (geschätzt)
    • Weltweiter Bruttoertrag
      • 13.489 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 34 Min.(94 min)
    • Farbe
      • Black and White
    • Seitenverhältnis
      • 1.37 : 1

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