Die Klotzköpfe

Do you have the feeling that the folks in the army deliberately forgot to tell Stan that World War I was over? Maybe they just didn't want the troop ship to sink on the way back from France.

If that was the case Ollie made the mistake of his life when he decided to invite his long lost buddy Stan over to meet the wife and have a good home cooked meal. Ollie's happily married now to Minna Gombell and when we first meet them he seems to be one happy well adjusted man.

Blockheads really starts when Stan is reunited with Ollie at the old soldier's home. I guess a grateful government is giving Stan free room and board for being the last man discharged from World War I. Still there's nothing like home cooking.

I think Blockheads offers us the proposition that Ollie can be a well adjusted if somewhat fatuous individual by himself. It's only apparently when he interacts with Stan that things just seem to happen.

And in fact that's what Blockheads is, a series of gags from the time that Ollie meets Stan at the home and just assumes he's an amputee because he's decided to sit a wheelchair rigged up for one. Right up to the point where big game hunter Billy Gilbert, the Hardy's next door neighbor chases the both of them out of the house because he catches Mrs. Gilbert in Ollie's pajamas. How she got in them? You have to see Blockheads to find out.

Best gag I thought was Stan dealing with an obnoxious neighbor who has just bullied Ollie into fetching the neighbor kid's football. Very priceless bit of comeuppance.

To see how in the space of an hour Laurel manages to literally become a home wrecker, catch Blockheads.

BLOCK-HEADS is set up with an idea which must have seemed totally ridiculous in 1938 but when you stop to consider that Japanese soldiers were being found on remote Pacific islands 30 years after the second world war ended the idea stops being ridiculous and becomes shockingly prophetic

This is possibly the last of the great L&H movies ( FLYING DUECES being the only other contender ) , after this the comedy duo started appearing in studio features that didn't seem to show much respect to their genius , made them slightly off centre and stretched stories out for almost 90 minutes when a 60 page script would have worked much better

This means that BLOCK-HEADS suffers from the mild irritation of so many other Stan and Ollie star vehicles - It's rather episodic . But seeing as it's so funny what have we got to complain about ? Listen out for Stan's tagline " Is there gonna be a fight ? " which is repeated several times and the surreal sequence of closing the blinds on the stairway . Strange when people discuss the films of these two comedy gods they always think of slapstick but forget they were also masters of surrealist visualism too . The funniest moment is probably the final scene in Ollie's apartment involving the married couple from next door

I still think THE LAUREL AND MURDER HARDY CASE is the best of their vehicles but BLOCK-HEADS deserves its own mention as being one of the very last superb Stan and Ollie comedies

"Block-Heads" begins in WWI, where Stan and Ollie are in a platoon fighting in Europe. While Ollie and the rest of the group go into battle, Stan has to guard the post. You can tell that he's doing his job, because he continues doing it for twenty years after the war ends. After he returns to America, he and Ollie meet up again, and from there, they do their usual stuff. Probably the best scene was the football scene (I won't spoil it). But the wheelchair, temptress, garage door and kitchen all provide some laughs. They may play blockheads in the movie, but believe you me, Laurel and Hardy were comic geniuses. Gilligan and the Skipper were sort of a later version of them, and Chris Farley and David Spade were an even later version.

The last genuine, hilarious Laurel and Hardy comedy has no plot at all!! Just a series of hilarious gags that come thick and fast.. I would rate this feature(their last for Roach / MGM) as possibly their very best, only Way Out West comes near!! It's such a pity that after this film the decline really set in.. I would recommend Block-Heads to any Laurel and Hardy fan.. that said it is not going to change your mind if you don't like L&H as the boys are wonderfully true to type.. the ending is a reworking of Unaccustomed As We Are (their first sound movie) and in my opinion is much better here.. Don't miss the scene with the great James Finlayson!! If you get the chance to see it.. DON'T MISS IT!!

This is the "boys" - Stan Laurel and Oliver Hardy - it what many consider their last good comedy feature film, doing what they do best: short slapstick routines. It's almost a compilation of them, a series of routines more than a story with a plot. Stan and Ollie, between 45 and 50 years old when they made this film, were Hollywood veterans by now.

Frankly, the comedy might be considered a little too corny for today's crowd but, hey, the movie is 70 years old. If you're a fan of these two comedians you should enjoy this film. Anyway, when anyone provides a lot of gags in just under one hour, you'll hit and miss a lot....but some things will always be funny. Some are still clever, too, such as the bit with the window shade being a shadow.

You can always count on Ollie being henpecked and Stan being an airhead (he's a WWI soldier who marched in a trench for 20 years not realizing the war is long over). Of course, if you think about it, that premise has more holes in it than the proverbial swiss cheese, but who cares? A good portion of this film involves the simple fact of Ollie and Stan just trying to walk 13 flights up the stairs to Ollie's apartment, and the adventures that happen to them along the way.

After watching just 57 minutes of these guys pratfalls and slapstick routines, you'll be exhausted!