Füge eine Handlung in deiner Sprache hinzuA wealthy socialite finds herself between two suitors, one a presumed-dead jewel thief living under an alias, the other an ex-FBI detective. When an emerald necklace becomes a target, suspic... Alles lesenA wealthy socialite finds herself between two suitors, one a presumed-dead jewel thief living under an alias, the other an ex-FBI detective. When an emerald necklace becomes a target, suspicions rise.A wealthy socialite finds herself between two suitors, one a presumed-dead jewel thief living under an alias, the other an ex-FBI detective. When an emerald necklace becomes a target, suspicions rise.
- Le Marchand
- (as Ien Wulf)
- Detective
- (Nicht genannt)
- Detective
- (Nicht genannt)
- Party Guest
- (Nicht genannt)
- Squad Car Driver
- (Nicht genannt)
- Vasseur
- (Nicht genannt)
Empfohlene Bewertungen
Nominally a sequel to the 1932 movie starring the Barrymore brothers, this movie would probably work better as a standalone entry. There is a jarring change in tone and style between the two that watching them back-to-back like I did probably hurt my enjoyment of the second movie, if only slightly. Gone is the pre-Code raciness, replaced with a more standard late 30s chasteness, and the distinctly European setting of the first is now very Americanized, even when set in Europe.
However, once I was able to get past the differences I started to appreciate the sequel on its own merit. The movie managed to preserve a sense of mystery despite knowing the identity of the master thief the entire time. The only real complaint I had was that Douglas and William should have swapped roles. There is nothing about Melvyn Douglas that will make you believe he is ever a master French thief, whereas Warren William at least has an air of international sophistication.
Rene Farrand (Douglas) is engaged to a wealthy, beautiful woman, Lorraine de Grissac (Bruce). When a fabulous emerald necklace is stolen from Lorraine's uncle, everyone is a suspect. A private eye who once worked for the FBI, Steve Emerson (William) is brought in to investigate. The name of the famous jewel thief, Arsene Lupin, is tossed around, though he is dead. However, Emerson has never believed that, and there are clues pointing to his return from the grave.
Emerson is very suspicious of Farrand, and suspects that he might be the dead Lupin. In one scene, the necklace keeps turning up, first in one person's pocket, and then another's.
One bone to pick. One review here complained that NO ONE in this movie had a French accent, even though this story takes place in France. In France, the people speak French. They don't speak English with a French accent. So no accent is needed since one assumes they're speaking French. Following the line of thought of the review, if these people needed accents, so would anyone performing a Chekhov play need Russian accents, and you'd need Swedish accents for Strindberg. Incorrect.
This is a good movie with nice performances all around; the series never caught on, in part due to the fact that Arsene was played by different actors all the time.
Pleasant.
This would become a running gag in Maurice Leblanc's series of stories about the master criminal. He would fall off a cliff or something at the end of a novel. Then the next would open with him being a decorated hero of the French Foreign Legion, or Prefect of Police in Paris, and no one would ever recognize him, because he is such a master of disguise. George Fitmaurice directs it as a comedy of manners. He was one of those directors who never quite fell off the A list in the early sound era, mostly because of working for Sam Goldwyn. He did have a falling-off of quality with the enforcement of the Production Code, but at MGM he was buoyed by a staff of writers who knew how to work together under producer John Considine. He died in 1940 at the age of 55.
This is an interesting return. After the Barrymores in the 1932 version, they make a comeback. It has a good back and forth. It's great to have smart people on both sides. This does have drawbacks from the traditional crime mystery. It doesn't have much mystery. This is carried by a few good actors.
Wusstest du schon
- WissenswertesOf the primary cast members, only Melvyn Douglas and Virginia Bruce were born in the 20th Century. The rest were born in the 1800s.
- PatzerWhen Steve goes into his boss's office to resign from his G-man's job, the door oddly has no door frame as the camera follows him past a coat rack and a water cooler. A very unusual set construction and shooting technique to show a character passing from one room to the other. This may also reveal the budget constraints of the picture - at least in regards to set construction.
- Zitate
Lorraine de Grissac: Now I know you really missed me when I was away.
Rene Farrand: Missed you? I'll have you know I took shower baths in my own tears.
[Lorraine laughs]
- VerbindungenFollows Arsene Lupin, der König der Diebe (1932)
- SoundtracksNocturne No. 2 in E flat major Opus 9
(1830-1) (uncredited)
Written by Frédéric Chopin
Played on piano by Melvyn Douglas
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Džentlmen provalnik
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit
- 1 Std. 21 Min.(81 min)
- Farbe
- Seitenverhältnis
- 1.37 : 1