Chicago - Engel mit schmutzigen Gesichtern

Had a lot of high hopes for 'Angels With Dirty Faces'. There are many great gangster films out there, some cinematic milestones, and when one talks about actors that excelled in this type of film James Cagney is somewhere near the top of the list. Really like to love a lot of Michael Curtiz's, a great and very versatile director, films, especially 'Casablanca', 'The Adventures of Robin Hood' and 'Mildred Pierce' and even lesser efforts are watchable.

'Angels With Dirty Faces' blew me away. It is up there with the best gangster films of all time to me and many others, which is evident from how massively influential it is and how often it's imitated. 'Angels With Dirty Faces' is also one of Curtiz's best films, well certainly among my favourites of his as of now anyway, one of Cagney's finest hours and has an ending (justifiably near-universally lauded) that left a huge impression on me emotionally.

It is a wonderful looking film, Curtiz's films were always well made and his visual style was actually pretty unique at the time. While the production design is atmospheric and the lighting very artistic and moody, it was the cinematography that left me spellbound. Not just the stunning composition and how much it enhanced the atmosphere but also the use of camera angles, very varied kinds without being gimmicky and it is always fluid and ambitious.

Max Steiner's score swells sumptuously and thrillingly and is very haunting and effectively dramatic. Without being intrusive or strident. Curtiz's direction is exemplary, the classy stylishness and boldness evident throughout. It shines especially at the end, well pretty much everything shines at this point. The script is gritty and lean yet also sophisticated and sincere. Some of it is quotable too.

The story has so much great with it too. It is fast paced and appropriately tough as nails, while also having emotional impact. The chemistry between Cagney and Pat O'Brien and Cagney and Humphrey Bogart have sincerity and hard boiled tension and the moral, one still having a lot of truth now, makes its point without beating one around the head. The shoot out is thrilling and suspensefully staged, and the Dead End Kids' moments have heart and levity, but the highlight dramatically is the ending. Can't begin to tell you how powerful it is, my gut was practically wrenched watching it and after my heart was ripped into two. The characters are interesting, even though Rocky was very flawed it was hard to hate him.

Cagney is magnificent and shows why his reputation as an icon in gangster films is richly deserved. It is an intense and bold yet oddly likeable performance and one of his best, his acting at the end is some of the best he ever did. O'Brien is sincere and a powerful contrast while Bogart plays a weasel of a character pretty chillingly. The Dead End Kids add a lot too.

Altogether, brilliant. 10/10

Throughout the 1930's, Warner Brothers delivered many quality crime and gangster dramas that usually featured the likes of the studio's distinguished contract star roster. This 1938 release is one of the prime examples. James Cagney and Pat O'Brien (who were frequently cast in films together and this is their best one together) portray boyhood buddies who reunite years later after Cagney is released from prison where he had served for many years for a petty crime that he committed while he was still a kid. Cagney has not learned his lesson that crime doesn't pay and so he returns to his old neighborhood to set up his criminal hideout. Meanwhile, his old friend, O'Brien has given up being a street hood and has since become a respected priest who naturally doesn't think highly of the life that his friend has chosen for himself. To make matters worse, six young boys (portrayed by the Dead End Kids) whom O'Brien is trying to lead down the right paths begin to idolize Cagney. Humphrey Bogart also appears in a pre big box office star part as a lawyer and screen veteran George Bancroft also costars as a dishonest crime boss. Michael Curtiz' direction and Max Steiner's musical score are also highlights. This film is one of the all time great ones of the 1930's and an excellent showcase for its legendary cast and crew.

This is one of my favorite classics, with extraordinary acting of James Cagney, one of the best actors starring crime films, and his friend, Pat O'Brien, who once again played the role of a priest. In fact, O'Brien in his real life studied to become a priest, but later he quit for becoming an actor. The seed of criminality is here well shown, but not its causes. Why are these children finally criminals? It was not the intention of the director Michael Curtiz to go deeply into the problem, instead he treated it religiously. Men are products of the society where they live, obviously, some escape from bad examples while others continue to be spoiled for the whole life. Rocky Sullivan (Cagney) was the case, a spoiled child with some principles of friendship only, and hard with his enemies. His best friend (o'Brien) hopefully became a priest and took the life differently, trying to help and improve the behavior of the children in the community where he lives. Why one went in one way different to the other? this is not suggested in the film. We have only the facts and then you must figure out the reasons of such behaviors. Interesting film, anyway, with good acting of Humphrey Bogart too, who was a perfect actor for playing the roles of the villains, and always nice Ann Sheridan did it well too.

This film certainly has an attractive cast with three Hall-Of-Fame actors and the very pretty Ann Sheridan.

James Cagney, my favorite actor of classic films, once again steals most of the scenes. He just dominates the screen and gets you very involved with his character, especially at the end. Pat O'Brien plays his normal somewhat-liberal and likable priest role and Humphrey Bogart is convincing as the crooked lawyer. Bogart was the bad guy in most films until he became a big star a couple years after this film.

The "Dead End Kids" are a pretty tough bunch. Seeing them play basketball is quite a sight - more like rugby. It must be one of the highlights of this entertaining film because I remember it so well....it was so different from any other basketball game I've ever seen!

The shootout-and-chase scene near the end was well-done with some great film-noir photography and the ending of the movie is quite memorable. Frankly, the first time I saw this I thought it was overrated but after the second viewing - and then seeing a nice transfer on DVD - I changed my mind. It is anything but overrated.

Rocky Sullivan (James Cagney) and Jerry Connolly (Pat O'Brien) are childhood friends. In 1920, the two boys are chased by the police. Jerry managed to escape but Rocky is detained leading to a life of crime. Jerry becomes a priest and Rocky becomes a notorious gangster. James Frazier (Humphrey Bogart) is Rocky's corrupt lawyer. After getting out of prison, Rocky moves into a boarding house run by former classmate Laury Martin (Ann Sheridan). He takes an interest in a crew of petty criminals, The 'Dead End' Kids. The kids see him as their hero while Jerry tries to reform the boys. Rocky wants his share from Frazier and Frazier is willing to kill Rocky to keep it.

The 'Dead End' Kids was a concept back in the day and this may be the best movie with this idea. In this one, they try to out-Cagney Cagney, but there is only one. He does his usual act plus much, much, more. It's a nice pairing with O'Brien and Bogie is a heavy. It's a classic crime melodrama of the highest quality.