Das Doppelleben des Dr. Clitterhouse

I loved it! The story isn't great but Eddie G. is slick as he runs circles around his less intelligent counterparts. He has some clever lines and proves once again how a great actor can carry a film. Eddie plays Dr. T. S. Clitterhouse, a successful doctor who is intrigued by the criminal mind. As he gets involved in pulling off some robberies for his "research", he finds himself feeling a "heady intoxication like champagne". He tries to get out of the criminal life but his antagonist, Bogie of course, won't let him. As in many films, it's now Bogart vs Robinson. Who wins? Nice try, just watch and enjoy the movie and you'll see. This was before Bogie was a headliner and it's fun to see how he was developing his on screen persona. If you're a Bogie and Eddie G. fan, you'll like this one. It's definitely worth a look.

Take a successful broadway play, add Edward G Robinson, Humphery Bogart, Claire Trevor and the Warner Brothers stock company to the mix and you can't go wrong. And this one doesn't go wrong.

Robinson plays Dr Clitterhouse, an extremely successful doctor catering only to High Society patients.

In reality Clitterhouse only wants to do a study on criminals with the hope of developing a cure for crime by finding out what makes these men tick.

To do this he joins a gang led by Trevor as the brains and Bogie as the Brawn.

Clitterhouse participates in their ventures and while on the job measures things like blood pressure, heartbeat and other vital signs, but what he doesn't count on is his near addiction to crime.

Robinson makes a great Clitterhouse(Cedric Hardwicke played him on Broadway)Bogart in his gangster milieu, plays Rocks Valentine like it is second nature to him. The Stock company in this one consists of Ward Bond, Vladimir Sokoloff, Maxie Rosenbloom, Donald Crisp, Gale Page and John Litel.

Dr Clitterhouse is a fun film, but don't ask him to make a house call

"The Amazing Dr. Clitterhouse" from 1938 stars Edward G. Robinson in the title role, that of a prominent physician studying the psychology of the criminal mind. He becomes a jewel thief himself studies his responses for his book, Crime and Research.

He learns the name of a fence, Jo Keller, finds out he owns a hotel, and goes to meet what he thinks is a man. Instead, it's a woman (Claire Trevor) with whom he joins forces. One of her thieves, Rocks (Bogart), dislikes Dr. Clitterhouse because Jo is attracted to him and suddenly, he's not the big boss anymore.

After Clitterhouse's research, he leaves, without anyone knowing his identity. Will matters stay that way?

This is a real black comedy with terrific performances. Robinson's Clitterhouse is so sure of himself, and so clinical -- he doesn't see what he's doing as criminal, just important research. Bogart, about two years away from his breakthrough role, is marvelous as a jealous thief. Trevor is tough but beautiful and vulnerable.

Well directed by Anatole Litvak and co-written by John Huston, "The Amazing Dr. Clitterhouse" can't miss and doesn't. Loved the ending.

This film is an excellent gangster film. The negative reviews I've read here are the remarks of mere quibblers, people who don't have a true appreciation for the 1930's Gangster Film. I used to have a 16mm print of this film. And every time I screened it people would come up afterward and say how much they liked it. No self respecting fan of Warner's gangster films would dare say a bad word about this film and others I've seen poorly reviewed on this site. Perhaps people brought up on Good Fellas and The Godfather cannot help but try holding older films up to current sensibilities. I don't know. But I see it a lot.

Anyway, don't believe the hype: Edward G. Robinson and Humphrey Bogart are great as are the rest of the cast. Character roles are well cast. Writing is solid. There's a great scene where Bogart gets slapped for misinterpreting a double entendre.

This film has something that I think is significant for the time. It deals with possible psychological reasons for crime. The good doctor who is doing experiments to fully understand the criminal mind was probably represents some sort of extension of public interest as well as paying lip service to the growing acceptance of psychology as we currently know it. The fact that the doctor is actually corrupted by the excitement and challenge of crime and getting away with it are interesting to note and may, again, parallel public interest.

The ending has an irresistible twist as the doctor incorrigibly revels in his bizarre circumstances as the camera closes in on an excited Robinson as chaos ensues all around.

I rate this film a strong 8 and recommend that Ivars give this film another chance.

As was pointed out in another review, THE AMAZING DR. CLITTERHOUSE was a play, originally , starring Sir Cedric Hardwicke as the polished society doctor who is writing a book on the criminal mind, and needs to become a criminal to get his research. I would have liked to have seen the film with Hardwicke, who probably was a better fit in the part. Screen audiences knew Eddie Robinson could be a brutal, thuggish gangster, like Enrico Bandello in LITTLE CAESAR. He could be funny, like Arthur Jones and Killer Mannion in THE WHOLE TOWN IS TALKING or as Remy Marko in A SLIGHT CASE OF MURDER. But they had little idea of the polished intellectual that Robinson, the art collector, was in real life. He would not really reveal this part of his personality until the 1950s, when he occasionally appeared on game shows and talk shows discussing art. But Hardwicke looked the part of the learned doctor, and had enough restrained threat to look like he could plan and carry out real crimes as well.

But Warner Brothers starred him in THE AMAZING DR. CLITTERHOUSE, presumably to give him a chance to play another comic role, and also to let him stretch his acting abilities. He does well with the role, but he seems less natural in the part (as Hardwicke would have been) than slightly mannered. I think, having seen Sir Cedric on stage, Robinson was trying to overcompensate - and it does not quite work.

As the doctor Robinson was convincing as a lucky dilettante, but not as a serious researcher. It is really the performances of the supporting cast, particularly Humphrey Bogart as "Rocks Valentine", Claire Trevor, and Maxie Rosenbloom. They give real color to the story, particularly Bogie as a vicious type who hates seeing how effortlessly the brilliant Clitterhouse takes leadership of his gang away from him. Bogie's Rocks keeps looking for his opportunities, and even tries to freeze the doctor to death (leading to a powerful moment on the film when a furious Rosenbloom almost pounds him in retaliation). And his attempts to get the goods on Clitterhouse, inevitably, lead to an unexpected tragedy.

Robinson was less than happy with the film - he was right to be. Bogart considered this one of a series (with BULLETS AND BALLOTS, KID GALLAHAD, and BROTHER ORCHID where he and Robinson were rival criminals, and in two of which they killed each other at the conclusion).

He had made THE PETRIFIED FOREST two years before, and DEAD END the year before, and should have been on the way to stardom, but found himself second banana to Robinson or to Cagney, and he was getting fed up. He felt that CLITTERHOUSE was an absolute waste of time, and referred to it by another name, THE AMAZING DR. CLITORIS. It would still be three more years before Bogie would make HIGH SIERRA and THE MALTESE FALCON, and find the stardom that had eluded him in the 1930s.